Author: Gary Schwartz
Publisher:
ISBN: 9789491819711
Category : Painting, Dutch
Languages : en
Pages : 280
Book Description
Vermeer In Detail is an introduction to the great Dutch artist through the most beautiful and evocative details in his paintings. Vermeer was uniquely gifted in his ability to combine two of the most attractive qualities of old master painting. His objects from everyday life and faces and figures of women are completely convincing and captivating as realistic descriptions. At the same time, they are endowed with a poetic aura that carries his pictures past the realm of visual delight into the viewer's daydreams. He achieves this through the power of suggestion. As explicit as they seem, his images are invitations to fantasize, an invitation that is impossible to resist. The 140 well-chosen details in the book are divided into ten themes that characterize Vermeer's sometimes unexpected interests. For example, although he has no obvious predecessor in older Dutch art of his time nor an identified master, Vermeer furnishes his interiors with images of paintings by other artists in a gesture of admiring tribute. One kind of detail stands out more than any other: the faces of young women and their shawls, caps, hats, ribbons and curls. It is they who attract our gaze, which they sometimes return, and afford us entrance into the spaces in which they live.
Vermeer in Detail
Author: Gary Schwartz
Publisher:
ISBN: 9789491819711
Category : Painting, Dutch
Languages : en
Pages : 280
Book Description
Vermeer In Detail is an introduction to the great Dutch artist through the most beautiful and evocative details in his paintings. Vermeer was uniquely gifted in his ability to combine two of the most attractive qualities of old master painting. His objects from everyday life and faces and figures of women are completely convincing and captivating as realistic descriptions. At the same time, they are endowed with a poetic aura that carries his pictures past the realm of visual delight into the viewer's daydreams. He achieves this through the power of suggestion. As explicit as they seem, his images are invitations to fantasize, an invitation that is impossible to resist. The 140 well-chosen details in the book are divided into ten themes that characterize Vermeer's sometimes unexpected interests. For example, although he has no obvious predecessor in older Dutch art of his time nor an identified master, Vermeer furnishes his interiors with images of paintings by other artists in a gesture of admiring tribute. One kind of detail stands out more than any other: the faces of young women and their shawls, caps, hats, ribbons and curls. It is they who attract our gaze, which they sometimes return, and afford us entrance into the spaces in which they live.
Publisher:
ISBN: 9789491819711
Category : Painting, Dutch
Languages : en
Pages : 280
Book Description
Vermeer In Detail is an introduction to the great Dutch artist through the most beautiful and evocative details in his paintings. Vermeer was uniquely gifted in his ability to combine two of the most attractive qualities of old master painting. His objects from everyday life and faces and figures of women are completely convincing and captivating as realistic descriptions. At the same time, they are endowed with a poetic aura that carries his pictures past the realm of visual delight into the viewer's daydreams. He achieves this through the power of suggestion. As explicit as they seem, his images are invitations to fantasize, an invitation that is impossible to resist. The 140 well-chosen details in the book are divided into ten themes that characterize Vermeer's sometimes unexpected interests. For example, although he has no obvious predecessor in older Dutch art of his time nor an identified master, Vermeer furnishes his interiors with images of paintings by other artists in a gesture of admiring tribute. One kind of detail stands out more than any other: the faces of young women and their shawls, caps, hats, ribbons and curls. It is they who attract our gaze, which they sometimes return, and afford us entrance into the spaces in which they live.
Vermeer
Author: Renzo Villa
Publisher: Silvana Editoriale
ISBN: 9788836624140
Category :
Languages : en
Pages : 0
Book Description
"This volume--the new standard Vermeer monograph--reproduces all 34 paintings, augmenting each with close-ups that lay bare the loving care Vermeer lavished upon each painstaking work." from publisher's website
Publisher: Silvana Editoriale
ISBN: 9788836624140
Category :
Languages : en
Pages : 0
Book Description
"This volume--the new standard Vermeer monograph--reproduces all 34 paintings, augmenting each with close-ups that lay bare the loving care Vermeer lavished upon each painstaking work." from publisher's website
Vermeer
Author: Anthony Bailey
Publisher: Macmillan
ISBN: 9780805069303
Category : Art
Languages : en
Pages : 200
Book Description
Presents a portrait of Vermeer's life and character.
Publisher: Macmillan
ISBN: 9780805069303
Category : Art
Languages : en
Pages : 200
Book Description
Presents a portrait of Vermeer's life and character.
Vermeer and His Milieu
Author: John Michael Montias
Publisher: Princeton University Press
ISBN: 9780691002897
Category : Art
Languages : en
Pages : 486
Book Description
This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.
Publisher: Princeton University Press
ISBN: 9780691002897
Category : Art
Languages : en
Pages : 486
Book Description
This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.
Traces of Vermeer
Author: Jane Jelley
Publisher: Oxford University Press
ISBN: 0192506900
Category : Art
Languages : en
Pages : 369
Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Publisher: Oxford University Press
ISBN: 0192506900
Category : Art
Languages : en
Pages : 369
Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Vermeer
Vermeer and the Art of Love Hb
Author: GEORGIEVSKA-SHI..
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224896
Category :
Languages : en
Pages : 160
Book Description
Vermeer and the Art of Love is about the emotions evoked in those elegant interiors in which a young woman may be writing a letter to her absent beloved or playing a virginal in the presence of an admirer. But it is also about the love we sense in the painter's attentiveness to every detail within those rooms, which lends even the most mundane of objects the quality of something extraordinary. In this engaging and beautifully illustrated book, Georgievska-Shine uncovers the ways in which Vermeer challenges the dichotomies between 'good' and 'bad' love, the sensual and the spiritual, placing him within the context of his contemporaries to give the reader a fascinating insight into his unique understanding and interpretation of the subject.
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224896
Category :
Languages : en
Pages : 160
Book Description
Vermeer and the Art of Love is about the emotions evoked in those elegant interiors in which a young woman may be writing a letter to her absent beloved or playing a virginal in the presence of an admirer. But it is also about the love we sense in the painter's attentiveness to every detail within those rooms, which lends even the most mundane of objects the quality of something extraordinary. In this engaging and beautifully illustrated book, Georgievska-Shine uncovers the ways in which Vermeer challenges the dichotomies between 'good' and 'bad' love, the sensual and the spiritual, placing him within the context of his contemporaries to give the reader a fascinating insight into his unique understanding and interpretation of the subject.
Vermeer
Author: Wayne Franits
Publisher: Phaidon Press
ISBN: 9780714868790
Category : Art
Languages : en
Pages : 0
Book Description
In this new monograph, the latest in Phaidon’s Art & Ideas series, Wayne Franits examines the work of Vermeer within the framework of his times, one of the most intellectually creative periods in this history of art. Written in a lively and accessible style, and incorporating the latest scholarship on the artist, Franits provides fresh insights into many of Vermeer’s most famous works, uncovering the creative process behind them and their wealth of meanings.
Publisher: Phaidon Press
ISBN: 9780714868790
Category : Art
Languages : en
Pages : 0
Book Description
In this new monograph, the latest in Phaidon’s Art & Ideas series, Wayne Franits examines the work of Vermeer within the framework of his times, one of the most intellectually creative periods in this history of art. Written in a lively and accessible style, and incorporating the latest scholarship on the artist, Franits provides fresh insights into many of Vermeer’s most famous works, uncovering the creative process behind them and their wealth of meanings.
Vermeer
Author: Walter A. Liedtke
Publisher:
ISBN: 9789461300416
Category :
Languages : en
Pages : 208
Book Description
Johannes Vermeer (16321675) has been one of the most widely admired European painters since his so-called rediscovery in the second half of the nineteenth century. Until quite recently, the Romantic roots of writing on the Sphinx of Delft have encouraged the image of him as an isolated genius; the artists private life and religion, his supposed use of a camera obscura, and the fact that his teacher has not been identified have all contributed to an air of mystery. As this new monograph demonstrates, Vermeers life is actually well documented and his work may be more appropriately understood by placing the painter in the context of the Delft school as a whole and of Delft society. The fact that one local patron acquired about twenty pictures by the artist (only thirty-six are known today) must have been significant for Vermeers subtleties of meaning and refinements of technique and style. In the end, however, the most historical approach to Vermeer still leaves us with a master whose rare sensibility and extraordinary powers of observation may be described but not explained.
Publisher:
ISBN: 9789461300416
Category :
Languages : en
Pages : 208
Book Description
Johannes Vermeer (16321675) has been one of the most widely admired European painters since his so-called rediscovery in the second half of the nineteenth century. Until quite recently, the Romantic roots of writing on the Sphinx of Delft have encouraged the image of him as an isolated genius; the artists private life and religion, his supposed use of a camera obscura, and the fact that his teacher has not been identified have all contributed to an air of mystery. As this new monograph demonstrates, Vermeers life is actually well documented and his work may be more appropriately understood by placing the painter in the context of the Delft school as a whole and of Delft society. The fact that one local patron acquired about twenty pictures by the artist (only thirty-six are known today) must have been significant for Vermeers subtleties of meaning and refinements of technique and style. In the end, however, the most historical approach to Vermeer still leaves us with a master whose rare sensibility and extraordinary powers of observation may be described but not explained.
Vermeer's Camera
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.