Verdi's Aida PDF Download

Author:
Publisher: U of Minnesota Press
ISBN: 1452911916
Category :
Languages : en
Pages : 746

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Author: Giuseppe Verdi
Publisher: Opera Journeys Publishing
ISBN: 0977132080
Category : Music
Languages : en
Pages : 104

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Annotation -- Engaging Commentary and Analysis about the composer, the opera and its characters.-- Story Narrative with Music Highlight Examples-- A complete Libretto (newly translated) that incorporates Music Highlight Examples-- A Discography-- A Videography-- A Dictionary of Opera and Musical TermsEach Opera Classics Library edition is a comprehensive guide and complete analysis and evaluation of a specific opera; each is a unique "encyclopedia" that integrates important and pertinent information about each timeless classic. The objective of Opera Classics Library is to unlock opera's mysteries for the general audience, and enlighten and educate. Understanding and knowledge are the master keys to enhance enjoyment and appreciation of this great art form.After the premier of Verdi's 26th opera, Aida, the venerable composer commented quite humorously, "Aida is certainly not one of my worst operas." Aida is a grand opera spectacle achieved through a magnificent combination of a large cast that includes six major singing roles, a huge chorus and orchestra, three ballets, exotic scenery, and oriental ambience. But more importantly, Aida is a story about profound human passions, towering emotions, and passions of individuals as they face conflicts and tensions of love, honor, and duty.

Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 1102009431
Category :
Languages : en
Pages : 33

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Author: Clyde T. McCants
Publisher: McFarland
ISBN:
Category : Music
Languages : en
Pages : 206

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"Verdi was asked to compose a work to premiere in the Cairo Opera House. Although Verdi was uninterested in the project at first, persistence on the part of the khedive as well as a tempting plot line written by Mariette Bey drew him in. Much mystery still surrounds the opera's inception. This book explores that mystery"--Provided by publisher.

Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211

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Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.

Author: Gilles de Van
Publisher: University of Chicago Press
ISBN: 9780226143705
Category : Biography & Autobiography
Languages : en
Pages : 444

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But in the musical drama reality begins to blur, the musical forms lose their excessively neat patterns, and doubt and ambiguity undermine characters and situations, reflecting the crisis of character typical of modernity. Indeed, much of the interest and originality of Verdi's operas lie in his adherence to both these contradictory systems, allowing the composer/dramatist to be simultaneously classical and modern, traditionalist and innovator.

Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 1616779195
Category : Music
Languages : en
Pages : 80

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(Faber Piano Adventures ). In this inspiring collection, late-elementary to early-intermediate pianists will find appealing arrangements that advance skills while exploring masterworks of Western music. The famous orchestral, keyboard, and operatic repertoire here spans four periods of music history. In the Baroque & Classical section, discover the elegance of Bach, the beauty of Mozart and the passion of Beethoven. Through the pages of the Romantic & Impressionistic section, sample the lyricism of Chopin, the drama of Grieg, and the atmosphere of Debussy. May the melodies of these and many other composers open an enduring world of expression and sound.

Author: Nicholas Tarling
Publisher: Rowman & Littlefield
ISBN: 1442245441
Category : Music
Languages : en
Pages : 356

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Western opera is a globalized and globalizing phenomenon and affords us a unique opportunity for exploring the concept of “orientalism,” the subject of literary scholar Edward Said’s modern classic on the topic. Nicholas Tarling’s Orientalism and the Operatic World places opera in the context of its steady globalization over the past two centuries. In this important survey, Tarling first considers how the Orient appears on the operatic stage in Britain, France, Germany, Russia, and the United States before exploring individual operas according to the region of the “Orient” in which the work is set. Throughout, Tarling offers key insights into such notable operas as George Frideric Handel’s Berenice, Giuseppe Verdi’s Aida, Giacomo Puccini’s MadamaButterfly, Pietro Mascagni’s Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support the notion propounded by Said that Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East through art. Instead, Tarling argues that opera is a humanizing art, one that emphasizes what humanity has in common by epic depictions of passion through the vehicle of song. Orientalism and the Operatic World is not merely for opera buffs or even first-time listeners. It should also interest historians of both the East and West, scholars of international relations, and cultural theorists.

Author: Julian Budden
Publisher: Oxford University Press
ISBN: 0190273984
Category : Biography & Autobiography
Languages : en
Pages : 439

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In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision. This concise study is an accessible, insightful, and engaging summation of Verdi scholarship, acquainting the non-specialist with the personal details Verdi's life, with the operatic world in which he worked, and with his political ideas, his intellectual vision, and his powerful means of communicating them through his music. In his survey of the music itself, Budden emphasizes the unique character of each work as well as the developing sophistication of Verdi's style. He covers all of the operas, the late religious works, the songs, and the string quartet. A glossary explains even the most obscure operatic terms current in Verdi's time.

Author: Giuseppe Verdi
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 304

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