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Author: Stanislaus von Moos Publisher: Rizzoli International Publications ISBN: Category : Architecture Languages : en Pages : 344
Book Description
Robert Venturi, partner of the Philadelphia firm of Venturi, Rauch, and Scott Brown, is probably best known for his writing on architecture. Published during a time of growing discontent with modern architecture, Venturi's and Denise Scott Brown's writings helped to redefine architectural design by emphasizing issues like history, language, form, symbolism, and the dialectics of high and popular art. In their architectural projects Venturi and his partners have refined a clear design vocabulary through ordinary and conventional building techniques. This was demonstrated early on in the controversial Guild House, and has been artfully expressed in the more recent critically acclaimed Gordon Wu Hall, the Microbiology building at Princeton University, and in the yet-to-be-built extension to the National Gallery in London. Von Moos's text, amply illustrated, meticulously describes and catalogues the firm's evolution and work. This book should provide a valuable reference to the work of a uniquely American firm. -- from book flap.
Author: Stanislaus von Moos Publisher: Rizzoli International Publications ISBN: Category : Architecture Languages : en Pages : 344
Book Description
Robert Venturi, partner of the Philadelphia firm of Venturi, Rauch, and Scott Brown, is probably best known for his writing on architecture. Published during a time of growing discontent with modern architecture, Venturi's and Denise Scott Brown's writings helped to redefine architectural design by emphasizing issues like history, language, form, symbolism, and the dialectics of high and popular art. In their architectural projects Venturi and his partners have refined a clear design vocabulary through ordinary and conventional building techniques. This was demonstrated early on in the controversial Guild House, and has been artfully expressed in the more recent critically acclaimed Gordon Wu Hall, the Microbiology building at Princeton University, and in the yet-to-be-built extension to the National Gallery in London. Von Moos's text, amply illustrated, meticulously describes and catalogues the firm's evolution and work. This book should provide a valuable reference to the work of a uniquely American firm. -- from book flap.
Author: Kersten Geers Publisher: Park Publishing (WI) ISBN: 9783906027845 Category : Architecture Languages : en Pages : 0
Book Description
In the 1960s, American architect Robert Venturi made a case for the difficult whole, opposing mainstream modern architecture that ignores all the intricacies of life and produces pure space, or "easy unity". The architecture Venturi was aiming for embraces diversities, inevitable in any project. This new book, edited by Architecture Without Content, a research group at Ecole Polytechnique Federale de Lausanne's School of Architecture, offers a fresh analysis and a thorough re-evaluation of Venturi s idea of "the difficult whole" as both a looking glass and a possible tool for architecture today. Through a radical re-reading of found material from the Venturi Scott Brown archives, the editors seek to propose a credible alternative to contemporary architectural discourse. Its format combines the ambiguity of interpretation with the factual material, keeping the precision of the argument. This elusive position is elaborated in essays, complemented by interviews with Kazunari Sakamoto and Alvaro Siza.Around 35 projects by Venturi Scott Brown, and also by Alvaro Siza and James Stirling, form a visual narrative with original plans and sections and other archive material as well as new perspective images and photographs especially produced for this book.
Author: Stanislaus von Moos Publisher: ISBN: Category : Architecture Languages : en Pages : 376
Book Description
Also presented are spectacular renovations for the Frank Furness library building at the University of Pennsylvania and Harvard's Memorial Hall and designs for houses, exhibitions, fabrics, furniture, and decorative items. The catalog, written by the architects, focuses on important aspects of their practice in the late 1980s and the 1990s, notably the juxtaposition of a "hype" sensibility in decoration - manifested in large-scale LED signs and colorful supergraphics - and a generic architecture. The introductory essay, by Stanislaus von Moos, discusses five major themes in Venturi and Scott Brown's architecture: its dialogue with their hometown, Philadelphia, as both a national shrine and a center of architectural innovation; the importance of the American campus as a model for planning and design; organicism as a source of their design theory; the role of realism and abstraction in the firm's architecture; and the Venturis' recent interest in Japan and its traditions.
Author: Robert Venturi Publisher: ISBN: Category : Architecture Languages : en Pages : 152
Book Description
Mead (art history, U. of New Mexico) examines the diversity of Venturi's work--the freckled facade of the Institute for Scientific Information, the florid decoration of Best in Pennsylvania, the solid concrete faces as well as friendly beach houses. Annotation copyrighted by Book News, Inc., Portland, OR
Author: John Lobell Publisher: The Monacelli Press, LLC ISBN: 1580935281 Category : Architecture Languages : en Pages : 201
Book Description
For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: Architecture as Philosophy, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy helps us understand our place and the nature of well-being in the built environment.
Author: Gavin Macrae-Gibson Publisher: Mit Press ISBN: 9780262631181 Category : Architecture Languages : en Pages : 215
Book Description
Not since the 1920s has American architecture undergone such fundamental changes asthose which are revitalizing the profession today. But in this period of great artistic fertilityand unrest, there has yet to emerge a critical theory capable of analyzing the conditions andexamining the attitudes by which our architecture is being redefined.Gavin Macrae-Gibson is thefirst of a generation of architects educated in the 1970s to construct a method of criticismpowerful enough to interpret this new architecture. The theory is built upon a close reading ofseven works, all completed in the 1980s: Frank Gehry's Gehry House in Santa Monica, Peter Eisenman'sHouse El Even Odd, Cesar Pelli's Four Leaf Towers in Houston, Michael Graves' Portland PublicService building, Robert Stern's Bozzi residence in East Hampton, Allan Greenberg's ManchesterSuperior Courthouse in Connecticut, and Venturi, Rauch and Scott Brown's Gordon Wu Hall atPrinceton.The author uses urban plans, and architectural drawings and photographs to reveal thelayers of meaning present in each building, including the deepest layer-its secret life. At thislevel the buildings have in common the fact that their meaning is derived from the realities of animperfect present and no longer from the anticipation of a utopian future.Gavin Macrae-Gibson is apracticing architect. He has been Visiting Lecturer in Architectural Theory at Yale University since1982, and has taught and lectured widely throughout the United States and Canada. A GrahamFoundation Book.The Graham Foundation Architecture Series Two decades ago, the Graham Foundation forAdvanced Study in the Fine Arts published Robert Venturi's epoch-making Complexity and Contradictionin Architecture in association with the Museum of Modern Art. Now the foundation is renewing itscommitment to architectural literature by announcing the first two titles of a new series it islaunching with The MIT Press.The aim is to publish books that are of crucial importance to thetheory and practice of architecture, and that will enhance the understanding of architecture as ahumanist discipline. The series will feature original texts by contemporary architects, historians,theorists, and critics.
Author: Aron Vinegar Publisher: MIT Press ISBN: 0262220822 Category : Architectural writing Languages : en Pages : 249
Book Description
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues that Learning from Las Vegas is not only of historical interest but of absolute relevance to current critical debates in architectural and visual culture. Vinegar argues that to read Learning from Las Vegas only as an exemplary postmodernist textاto understand it, for example, as a call for pastiche or as ironic provocationاis to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text. Vinegar's close attention to the graphic design of Learning from Las Vegas, and his fresh interpretations of now canonical images from the book such as the Duck, the Decorated Shed, and the "recommendation for a monument," make his book unique. Perhaps most revealing is his close analysis of the differences between the first 1972 edition, designed for the MIT Press by Muriel Cooper, and the "revised" edition of 1977, which was radically stripped down and largely redesigned by Denise Scott Brown. The dialogue between the two editions continues with this book, where for the first time the two versions of Learning from Las Vegas are read comparatively."--Publisher's website.
Author: Stanislaus von Moos
Author: Stanislaus von Moos
Author: Robert Venturi
Author: Kersten Geers
Author: Robert Venturi
Author: Stanislaus von Moos
Author: Robert Venturi
Author: Robert Venturi
Author: John Lobell
Author: Gavin Macrae-Gibson
Author: Aron Vinegar