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Author: Margaret Hallissy Publisher: Praeger ISBN: Category : Literary Criticism Languages : en Pages : 200
Book Description
This work demonstrates the ways in which a complex of ideas with a misogynistic basis relates to the image of the venomous woman--the woman who uses poisons or potions, who has a relationship with a venomous animal, or who is herself poisonous. Hallissy suggests that the venomous woman is an image of feminine power reflected in masculine fear. The study concentrates on periods when ignorance of the medicinal effects of poisons exaggerated the potency of this image. It examines works of literature which span a large period of time but are linked by this persistent image. Through its examination of the venomous women, it clarifies the function of misogyny as an expression of masculine fear.
Author: Margaret Hallissy Publisher: Praeger ISBN: Category : Literary Criticism Languages : en Pages : 200
Book Description
This work demonstrates the ways in which a complex of ideas with a misogynistic basis relates to the image of the venomous woman--the woman who uses poisons or potions, who has a relationship with a venomous animal, or who is herself poisonous. Hallissy suggests that the venomous woman is an image of feminine power reflected in masculine fear. The study concentrates on periods when ignorance of the medicinal effects of poisons exaggerated the potency of this image. It examines works of literature which span a large period of time but are linked by this persistent image. Through its examination of the venomous women, it clarifies the function of misogyny as an expression of masculine fear.
Author: Sarah F. Williams Publisher: Routledge ISBN: 1317154908 Category : Music Languages : en Pages : 240
Book Description
Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
Author: Karin Michaëlis Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 107
Book Description
'The Dangerous Age' is a novel written by the Danish author Karin Michaëlis. It is the story of Elsie Lindtner, who, after divorcing her husband, attempts to rekindle a relationship with a younger man who had once worshiped her from afar. When this relationship fails as well, she resolves to spend her life traveling throughout the world with a female friend. The book created a great sensation, because it began to cut through tabooed themes like the sexual desires of a 40-year-old woman.
Author: Sara L. Crosby Publisher: University of Iowa Press ISBN: 1609384040 Category : Literary Criticism Languages : en Pages : 236
Book Description
The nineteenth century was, we have been told, the “century of the poisoner,” when Britain and the United States trembled under an onslaught of unruly women who poisoned husbands with gleeful abandon. That story, however, is only half true. While British authorities did indeed round up and execute a number of impoverished women with minimal evidence and fomented media hysteria, American juries refused to convict suspected women and newspapers laughed at men who feared them. This difference in outcome doesn’t mean that poisonous women didn’t preoccupy Americans. In the decades following Andrew Jackson’s first presidential bid, Americans buzzed over women who used poison to kill men. They produced and devoured reams of ephemeral newsprint, cheap trial transcripts, and sensational “true” pamphlets, as well as novels, plays, and poems. Female poisoners served as crucial elements in the literary manifestos of writers from Nathaniel Hawthorne and Edgar Allan Poe to George Lippard and the cheap pamphleteer E. E. Barclay, but these characters were given a strangely positive spin, appearing as innocent victims, avenging heroes, or engaging humbugs. The reason for this poison predilection lies in the political logic of metaphor. Nineteenth-century Britain strove to rein in democratic and populist movements by labeling popular print “poison” and its providers “poisoners,” drawing on centuries of established metaphor that negatively associated poison, women, and popular speech or writing. Jacksonian America, by contrast, was ideologically committed to the popular—although what and who counted as such was up for serious debate. The literary gadfly John Neal called on his fellow Jacksonian writers to defy British critical standards, saying, “Let us have poison.” Poisonous Muse investigates how they answered, how they deployed the figure of the female poisoner to theorize popular authorship, to validate or undermine it, and to fight over its limits, particularly its political, gendered, and racial boundaries. Poisonous Muse tracks the progress of this debate from approximately 1820 to 1845. Uncovering forgotten writers and restoring forgotten context to well-remembered authors, it seeks to understand Jacksonian print culture from the inside out, through its own poisonous language.
Author: Jessica Stern Publisher: Harvard University Press ISBN: 9780674003941 Category : History Languages : en Pages : 228
Book Description
As bad as they are, why aren't terrorists worse? With biological, chemical and nuclear weapons at hand, they easily could be. Jessica Stern argues that the nuclear threat of the Cold War has been replaced by the more imminent threat of terrorist attacks with weapons of mass destruction.
Author: Laurent Joubert Publisher: University of Alabama Press ISBN: 0817352899 Category : History Languages : en Pages : 375
Book Description
Laurent Joubert was an important figure in the medical world of the French Renaissance. Born in 1529, he became a doctor at age 29 and shortly thereafter was appointed personal physician to Catherine de Medici and later became physician to three French monarchs. Joubert was an educator as well as a physician, and he wrote several works of medical literature, including his most controversial work, Erreurs populaires. While the work focuses on popular misconceptions concerning medicine and physicians in France in the 1500s, it also represents a wealth of information on the social, economic, political, and religious worldviews that framed and thus supported the development and conduct of medical science. Gregory de Rocher’s skill as a translator brings this highly readable and very funny book to life. Many topics central to Joubert’s thesis in the 1500s remain contemporary themes in the popular and scholarly literature of the 1980s.
Author: Heike Klippel Publisher: Springer ISBN: 3319649094 Category : Performing Arts Languages : en Pages : 260
Book Description
This book is about poison and poisonings; it explores the facts, fears and fictions that surround this fascinating topic. Poisons attract attention because they are both dangerous and hard to discover. Secretive and invisible, they are a challenging object of representation. How do science studies, literature, and especially film—the medium of the visible—explain and show what is hidden? How can we deal with uncertainties emerging from the ambivalence of dangerous substances? These considerations lead the editors of this volume to the notion of “precarious identities” as a key discursive marker of poisons and related substances. This book is unique in facilitating a multi-faceted conversation between disciplines. It draws on examples from historical cases of poisoning; figurations of uncertainty and blurred boundaries in literature; and cinematic examples, from early cinema and arthouse to documentary and blockbuster. The contributions work with concepts from gender studies, new materialism, post-colonialism, deconstructivism, motif studies, and discourse analysis.
Author: Lisa Hopkins Publisher: Manchester University Press ISBN: 1526159910 Category : Performing Arts Languages : en Pages : 218
Book Description
Many early modern plays use poison, most famously Hamlet, where the murder of Old Hamlet showcases the range of issues poison mobilises. Its orchard setting is one of a number of sinister uses of plants which comment on both the loss of horticultural knowledge resulting from the Dissolution of the Monasteries and also the many new arrivals in English gardens through travel, trade, and attempts at colonisation. The fact that Old Hamlet was asleep reflects unease about soporifics troubling the distinction between sleep and death; pouring poison into the ear smuggles in the contemporary fear of informers; and it is difficult to prove. This book explores poisoning in early modern plays, the legal and epistemological issues it raises, and the cultural work it performs, which includes questions related to race, religion, nationality, gender, and humans’ relationship to the environment.
Author: Zong Li Publisher: Funstory ISBN: 1649910592 Category : Fiction Languages : en Pages : 919
Book Description
In his previous life, Su Xing was so stupid that he would burn himself to illuminate his enemy. In her second life, she only had one goal, and that was to make her family unhappy. She made use of everything she could take advantage of and did not give her heart to anyone. She got everything she wanted, but in the end, she still discovered that no matter how vicious she was, there would always be someone more vicious than her. "Wei Yan, you really are my ... So you never loved me? " "Wei Yan, everything you did, was just to make up for it?" "Wei Yan, I will never trust you again."
Author: Margaret Hallissy
Author: Margaret Hallissy
Author: Sarah F. Williams
Author: Karin Michaëlis
Author: Sara L. Crosby
Author: Jessica Stern
Author: Laurent Joubert
Author: Heike Klippel
Author: Lisa Hopkins
Author: Susanne Kord
Author: Zong Li