Author: Gertrude SanbornPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 256
Book Description
Veiled Aristocrats
Author: Gertrude SanbornPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 256
Book Description
The Black 100
Author: Columbus SalleyPublisher: Citadel Press
ISBN: 9780806520483
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
Lists and ranks those black Americans who have had the greatest impact on the progress toward complete participation in our society.
Straight Lick
Author: J. Ronald GreenPublisher: Indiana University Press
ISBN: 0253109221
Category : Performing Arts
Languages : en
Pages : 314
Book Description
A critical examination of the films of Oscar Micheaux. One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time. Micheaux's work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheaux's extensive commentary on racist cinema, such as D. W. Griffith's 1915 blockbuster, The Birth of a Nation, which Micheaux "answered" with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheaux's use of "negative images" of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual "signifying," boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.
With a Crooked Stick—The Films of Oscar Micheaux
Author: J. Ronald GreenPublisher: Indiana University Press
ISBN: 9780253217158
Category : Performing Arts
Languages : en
Pages : 332
Book Description
Readers will find this an invaluable guide to the preoccupations and features of Micheaux's remarkable career and the insight it provides into the African American experience of the 1920s and 30s.
The Homesteader
Author: Oscar MicheauxPublisher: U of Nebraska Press
ISBN: 9780803282087
Category : Fiction
Languages : en
Pages : 564
Book Description
Oscar Micheaux is legendary as one of the first black filmmakers. Never afraid of taking risks, he founded his own company, writing, producing, and directing thirty-some silents and talkies from 1919 to 1948. Earlier, he had published a series of remarkable novels—in 1917 the Homesteader, which would be filmed twice. Autobiographical, The Homesteader expands on and continues the life of a black pioneer first described in The Conquest (also a Bison Book). In this incarnation, Jean Baptiste is his name. He has just purchased land in South Dakota when he meets his "dream girl," but to his mind marriage is impossible because she is white. Willful but warm-hearted, refusing to act as if he has no power to shape events, Baptiste cultivates his land and plans his future. In the face of drought, pestilence, and foreclosure, he turns to writing. His first marriage to the daughter of a Chicago minister collapses in acrimony and high drama. The circumstances that lead to its failure are a telling social commentary. Always learning, Baptiste demands respect and embodies the strengths of the pioneer, the vision of the empire builder. His story will impress and inspire in this cynical age without heroic models. The Homesteader appears for the first time in paperback with an introduction by Learthen Dorsey, a professor of history at the University of Nebraska-Lincoln.
Monitoring the Movies
Author: Jennifer FroncPublisher: University of Texas Press
ISBN: 1477313958
Category : History
Languages : en
Pages : 213
Book Description
As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions. Using the National Board’s extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB’s Progressive-era founding in New York; its evolving set of “standards” for directors, producers, municipal officers, and citizens; its “city plan,” which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB’s influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.
Crisis
Author: William Edward Burghardt Du BoisPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 298
Book Description
Oscar Micheaux and His Circle
Author: Charles MusserPublisher: Indiana University Press
ISBN: 0253021553
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Oscar Micheaux—the most prolific African American filmmaker to date and a filmmaking giant of the silent period—has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.
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