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Author: Semyon Bokman Publisher: Xlibris Corporation ISBN: 1796042714 Category : Music Languages : en Pages : 238
Book Description
There is neither in the music history nor in the history of art such a closed and contradictory composer and creator as Galina Ustvolskaya. The music of Galina Ustvolskaya (excepting commissioned works written not for internal reasons but for necessity) is a kind of mysterious ritual. What is her music about? What ideas dominate it? Ustvolskaya’s music art is not big in volume, but with a huge degree of tension, it has concentrated the main ideological problems and contradictions of our time. What is culture? What is spirituality? What is the role of art in life? Do we need them? Is it possible to exclude these phenomena and concepts from our being? And why is our era passing away? The book is full of allusions. This is a kind of deductive method, with the help of which the author tries to understand and explain the talented composer who is a drop of water in an ocean reflecting the leading trends and tendencies of twentieth-century art.
Author: Semyon Bokman Publisher: Xlibris Corporation ISBN: 1796042714 Category : Music Languages : en Pages : 238
Book Description
There is neither in the music history nor in the history of art such a closed and contradictory composer and creator as Galina Ustvolskaya. The music of Galina Ustvolskaya (excepting commissioned works written not for internal reasons but for necessity) is a kind of mysterious ritual. What is her music about? What ideas dominate it? Ustvolskaya’s music art is not big in volume, but with a huge degree of tension, it has concentrated the main ideological problems and contradictions of our time. What is culture? What is spirituality? What is the role of art in life? Do we need them? Is it possible to exclude these phenomena and concepts from our being? And why is our era passing away? The book is full of allusions. This is a kind of deductive method, with the help of which the author tries to understand and explain the talented composer who is a drop of water in an ocean reflecting the leading trends and tendencies of twentieth-century art.
Author: Maria Cizmic Publisher: OUP USA ISBN: 0199734607 Category : History Languages : en Pages : 246
Book Description
Time after time, people turn to music when coping with traumatic life events. Music can help process emotions, interpret memories, and create a sense of collective identity. In Performing Pain, author Maria Cizmic focuses on the late 20th century in Eastern Europe as she uncovers music's relationships to trauma and grief. The 1970s and 1980s witnessed a cultural preoccupation in this region with the meanings of historical suffering, particularly surrounding the Second World War and the Stalinist era. Journalists, historians, writers, artists, and filmmakers frequently negotiated themes related to pain and memory, truth and history, morality and spirituality during glasnost and the years leading up to it. Performing Pain considers how works by composers Alfred Schnittke, Galina Ustvolskaya, Arvo Part, and Henryk Gorecki musically address contemporary concerns regarding history and suffering through composition, performance, and reception.Taking theoretical cues from psychology, sociology, and literary and cultural studies, Cizmic offers a set of hermeneutic essays that demonstrate the ways in which people employ music in order to make sense of historical traumas and losses. Seemingly postmodern compositional choices--such as quotation, fragmentation, and stasis--create musical analogies to psychological and emotional responses to trauma and grief, and the physical realities of their embodied performance focus attention on the ethics of pain and representation. Furthermore, as film music, these works participate in contemporary debates regarding memory and trauma. A comprehensive and innovative study, Performing Pain will fascinate scholars interested in the music of Eastern Europe and in aesthetic articulations of suffering.
Author: Karin Pendle Publisher: Routledge ISBN: 1135848130 Category : Music Languages : en Pages : 870
Book Description
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
Author: Inessa Bazayev Publisher: Routledge ISBN: 1000179303 Category : Music Languages : en Pages : 279
Book Description
This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts. Russian music of this era is widely performed, and much research has situated this repertoire in its historical and social context, yet few analytical studies have explored the technical aspects of these composers' styles. With a set of representative analyses by leading scholars in music theory and analysis, this book for the first time identifies large-scale compositional trends in Russian music since 1900. The chapters progress by compositional style through the century, and each addresses a single work by a different composer, covering pieces by Rachmaninoff, Myaskovsky, Prokofiev, Shostakovich, Mansurian, Roslavets, Mosolov, Lourié, Tcherepnin, Ustvolskaya, Denisov, Gubaidulina, and Schnittke. Musicians, scholars, and students will find here a starting point for research and analysis of these composers' works and gain a richer understanding of how to listen to and interpret their music.
Author: Lisa Jakelski Publisher: Univ of California Press ISBN: 0520292545 Category : History Languages : en Pages : 266
Book Description
Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festivalÕs institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festivalÕs worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music. Ê
Author: Semyon Bokman
Author: Semyon Bokman
Author: Maria Cizmic
Author: Karin Pendle
Author: Pauline Fairclough
Author: Semyon Y. Bokman
Author: 
Author: I͡Ulii͡a Kreĭnina
Author: Inessa Bazayev
Author: Lisa Jakelski
Author: