Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Canons, fugues, etc. (Piano)
Languages : en
Pages : 84

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Book Description

Author: Beethoven Forum
Publisher: U of Nebraska Press
ISBN: 9780803242463
Category : Music
Languages : en
Pages : 210

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Book Description
The opening essay by James Webster, "Beethoven in Vienna, 1792-1802: Anø'Early' Period?", evaluates the critical tradition of dividing Beethoven?s career into three periods?early, middle, and late?and shows both their artificiality andøtheir implications, including a tendency to undervalue early works. J_rgen May?s essay "Beethoven and Prince Karl Lichnowsky," considers Beethoven?s relations with one of the first of his most important patrons. In "Beethoven before 1800: The Mozart Legacy," Lewis Lockwood examines Beethoven?s sketchbooks to describe how Beethoven composed with and against models from Mozart. Glenn Stanley's essay, "The 'wirklich gantz neue Mainer' and the Path to It: Beethoven's Variations for Piano, 1783-1802," surveys Beethoven?s sets of piano variations written in his first decade in Vienna and argues the importance of the variations in Beethoven's progress as a composer. In 'Pathos and the Pathätique," Elaine R. Sisman provides a historical and aesthetic analysis of one of Beethoven?s most popular piano sonatas. The composition of one of Beethoven's most popular violin sonatas, the "Spring" sonata is traced in the sketchbooks by Carl Schachter in "The Sketches of the Sonata for Piano and Violin, Op. 24." Nicholas Marston's "Stylistic Advance, Strategic Retreat: Beethoven's Sketches for the Finale,"øalso pays precise attention to Beethoven's sketches to discover how the composition of the Second Symphony illuminates Beethoven's work on an "underlying idea." In "Hybrid Themes: Toward a Refinement in the Classification of Classical Theme Types,"øWilliam E. Caplin defines "hybrid themes" and shows their variety in Beethoven?s early compositions. William Kinderman concludes the volume with a review article onøKlaus Kropfinger?s Wagner and Beethoven and its study of the "battle for Beethoven" that racked nineteenth-century European music.

Author: Robert Schumann
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 112

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Book Description

Author: Louis-Claude Daquin
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 14

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Book Description

Author: Frédéric Chopin
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 102

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Book Description

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 748

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Book Description

Author: William Kinderman
Publisher: Oxford University Press, USA
ISBN: 9780198161981
Category : Music
Languages : en
Pages : 252

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Book Description
This extended study of the compositional origins of Beethoven's Diabelli Variations explores the piece in the context of his other late period works and demonstrates how the composer transforms, parodies, and transcends Diabelli's waltz. Providing insight into his working method, this discussion illuminates the structure of the finished work, and the nature of Beethoven's creative process.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 846

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Book Description

Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 9780253214560
Category : Music
Languages : en
Pages : 192

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Book Description
March 2001 (cloth 1981)192 pages, 6 1/8 x 9 1/4 paper 0-253-21456-4 $19.95 s

Author: Thomas Sipe
Publisher: Cambridge University Press
ISBN: 9780521475624
Category : Music
Languages : en
Pages : 164

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Book Description
The Eroica Symphony is perhaps Beethoven's most provocative work. Its unprecedented design and its powerful emotional impact forever redefined the potential of musical expression. The work was conceived as a homage to Napoleon Bonaparte, but understood for over a century as a passionate rejection of the tyranny he came to represent. This book traces the compositional process and puts the Eroica in precise historical and aesthetic perspective: the political situations that brought about both the dedication to Napoleon and its withdrawal show that Beethoven followed diplomatic developments astutely. Early interpretations by Beethoven's contemporaries show that they understood the work's import clearly. This study focuses on Beethoven's unique ability to imbue traditional symphonic forms with the idealism of his philosophical mentor, Friedrich Schiller.