Author: Charles HeidelbergPublisher:
ISBN:
Category :
Languages : en
Pages : 10
Book Description
Variations brillants pour le piano forte sur un thema anglois The soldiers tear
Author: Charles HeidelbergVariations brillants pour le piano forte sur un thema anglois The soldiers tear
Author: Charles HeidelbergVariations brillants
Author: Charles HeidelbergVariations brillants
Author: Charles HeidelbergSept variations sur le theme God save the king
Author: The Life of Ludwig Van Beethoven
Author: Alexander Wheelock ThayerPublisher:
ISBN:
Category :
Languages : en
Pages : 416
Book Description
Arthur Young's Travels in France
Author: Arthur YoungPublisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 446
Book Description
National Airs
Author: Thomas MooreLife in Mexico
Author: Madame Frances Calderón de la BarcaPublisher: Univ of California Press
ISBN: 0520907019
Category : Social Science
Languages : en
Pages : 557
Book Description
Originally published in 1843, Fanny Calderon de la Barca, gives her spirited account of living in Mexico–from her travels with her husband through Mexico as the Spanish diplomat to the daily struggles with finding good help–Fanny gives the reader an enlivened picture of the life and times of a country still struggling with independence.
Fantasy Variations (on George Gershwin's Prelude II for Piano)
Author: Publisher: Donald Hunsberger Wind Library
ISBN: 9780769290836
Category : Music
Languages : en
Pages : 0
Book Description
Gershwin's Prelude II for piano is the second in a set of three preludes composed in 1936. In Donald Grantham's uniquely original composition, Fantasy Variations, both of the big tunes in the piece are fully exploited, but they do not appear in recognizable form until near the end. The work begins with much more obscure fragments drawn from the introduction, accompanimental figures, transitions, cadences and so forth. These eventually give way to more familiar motives derived from the themes themselves. All of these elements are gradually assembled over the last half of the piece until the themes finally appear in more or less their original form.