The Valour and the Horror Revisited PDF Download

Author: David Jay Bercuson
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773512719
Category : History
Languages : en
Pages : 196

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Book Description
The Valour and the Horror Revisited brings together source documents, original essays, and commentaries to provide an analysis of the specific accusations and of larger questions concerning responsible journalism.

Author: David J. Bercuson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773565132
Category : History
Languages : en
Pages : 193

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Book Description
In January 1992 the Canadian Broadcasting Corporation (CBC) broadcast The Valour and the Horror, a three-part television series on Canada's role in World War II. It sparked a major controversy among viewers, war veterans, and historians. Brian and Terence McKenna, the authors-producers of the series, were accused of distorting historical facts, maligning individuals such as commanders Arthur Harris and Guy Simonds, presenting a biased account of events, and overstepping the line between journalism and drama. The Valour and the Horror Revisited brings together source documents, original essays, and commentaries to provide an analysis of the specific accusations and of larger questions concerning responsible journalism. Included in the collection are reports by David Bercuson and S.F. Wise, who were asked by the CBC ombudsman to assess the series; the CBC ombudsman's report; the McKennas' response to the ombudsman's report; the ombudsman's commentary on the McKennas' response; and three new essays by historians John Ferris, William McAndrew, and Scot Robertson on the incidents covered in the series - Canadian involvement in the battles in Hong Kong and Normandy, and the bombing of Germany. The Valour and the Horror Revisited addresses such important issues as the dangers of "docudrama," the calibre of the Canadian media, the meaning of the Canadian experience in the war, and the nature of history.

Author: Timothy Balzer
Publisher: UBC Press
ISBN: 0774818999
Category : History
Languages : en
Pages : 272

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Book Description
In wartime, capturing the hearts and minds of the citizenry is arguably as important as victory on the battlefield. The Information Front explores the Canadian military’s use of public relations units to manage news during the Second World War. These specialized units were responsible for providing sufficient and positive news coverage to Canadians at home. This fascinating study traces the transformation of an emergent PR organization into an efficient publicity machine. It also scrutinizes news coverage and PR activities during major Canadian operations at Dieppe, Sicily, and Normandy to reveal how the military used censorship and propaganda to rally support for the war effort.

Author: Monica MacDonald
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558098
Category : History
Languages : en
Pages :

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Book Description
Since 1952, CBC television has played a unique role as the primary mass media purveyor of Canadian history. Yet until now, there have been no comprehensive accounts of Canadian history on television. Monica MacDonald takes us behind the scenes of the major documentaries and docudramas broadcast on the CBC, including in Explorations (1956–64) and the series Images of Canada (1972–76), The National Dream (1974), The Valour and the Horror (1992), and Canada: A People's History (2000–02). Drawing on a wide range of sources, MacDonald explores how producers struggled to represent the Canadian past under a range of external and internal pressures. Despite dramatic shifts in the writing of history over this period, she determines that television themes and interpretations largely remained the same. The greater change was in the production and presentation, particularly in the role of professional historians, as journalists emerged not only as the new producers of Canadian history on CBC television, but also as the new content authorities. A critique of public history through the lens of political economy, Recasting History reveals the conflicts, compromises, and controversies that have shaped the CBC version of the Canadian past.

Author: Ian McKay
Publisher: Between the Lines
ISBN: 1771130008
Category : History
Languages : en
Pages : 326

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Book Description
Once known for peacekeeping, Canada is becoming a militarized nation whose apostles—-the New Warriors-—are fighting to shift public opinion. New Warrior zealots seek to transform postwar Canada’s central myth-symbols. Peaceable kingdom. Just society. Multicultural tolerance. Reasoned public debate. Their replacements? A warrior nation. Authoritarian leadership. Permanent political polarization. The tales cast a vivid light on a story that is crucial to Canada’s future; yet they are also compelling history. Swashbuckling marauder William Stairs, the Royal Military College graduate who helped make the Congo safe for European pillage. Vimy Ridge veteran and Second World War general Tommy Burns, leader of the UN’s first big peacekeeping operation, a soldier who would come to call imperialism the monster of the age. Governor General John Buchan, a concentration camp developer and race theorist who is exalted in the Harper government’s new Citizenship Guide. And that uniquely Canadian paradox, Lester Pearson. Warrior Nation is an essential read for those concerned by the relentless effort to conscript Canadian history.

Author: Margaret Conrad
Publisher: Cambridge University Press
ISBN: 052176193X
Category : History
Languages : en
Pages : 345

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Book Description
Margaret Conrad's history of Canada begins with a challenge to its readers. What is Canada? What makes up this diverse, complex and often contested nation-state? What was its founding moment? And who are its people? Drawing on her many years of experience as a scholar, writer and teacher of Canadian history, Conrad offers astute answers to these difficult questions. Beginning in Canada's deep past with the arrival of its Aboriginal peoples, she traces its history through the conquest by Europeans, the American Revolutionary War and the industrialization of the nineteenth and twentieth centuries to its prosperous present. Despite its successes and its popularity as a destination for immigrants from across the world, Canada remains a curiously reluctant player on the international stage. This intelligent, concise and lucid book explains just why that is.

Author: S. P. MacKenzie
Publisher: Bloomsbury Publishing
ISBN: 1350024872
Category : Performing Arts
Languages : en
Pages : 216

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Book Description
Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.

Author: Robert J. Niemi
Publisher: Bloomsbury Publishing USA
ISBN: 1610691989
Category : Performing Arts
Languages : en
Pages : 632

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Book Description
An up-to-date and indispensable guide for film history buffs of all kind, this book surveys more than 500 major films based on true stories and historical subject matter. When a film is described as "based on a true story" or "inspired by true events," exactly how "true" is it? Which "factual" elements of the story were distorted for dramatic purposes, and what was added or omitted? Inspired by True Events: An Illustrated Guide to More Than 500 History-Based Films, Second Edition concisely surveys a wide range of major films, docudramas, biopics, and documentaries based on real events, addressing subject areas including military history and war, political figures, sports, and art. This book provides an up-to-date and indispensable guide for all film history buffs, students and scholars of history, and fans of the cinema.

Author: Michael Keren
Publisher: McFarland
ISBN: 0786452773
Category : History
Languages : en
Pages : 214

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Book Description
This collection of essays investigates such diverse vehicles for war commemoration as poems, battlefield tours, souvenirs, books, films, architectural structures, comics, websites, and video games. Drawing on essayists from Australia, Canada, Great Britain, Israel and the United States, this work explores the evolution from traditional to contemporary forms of war commemoration while addressing the fundamental question of whether these new forms of memorial are meant to encourage the remembering or the forgetting of the experience of war, as well as what implications the process of commemoration may have for the continuation of the modern nation state. Instructors considering this book for use in a course may request an examination copy here.

Author: Kirsty Robertson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558292
Category : Art
Languages : en
Pages : 411

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Book Description
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. Tear Gas Epiphanies traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life. The sheer number of protest actions Robertson uncovers is compelling. Ambitious and wide-ranging, Tear Gas Epiphanies provides a thorough and conscientious survey of key points of intersection between museums and protest – a valuable resource for university students and scholars, as well as arts professionals working at and with museums.