Author: Susan Lewis Hammond Publisher: Routledge ISBN: 1135967008 Category : Art Languages : en Pages : 375
Book Description
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Author: Megan Kaes Long Publisher: ISBN: 0190851902 Category : Music Languages : en Pages : 301
Book Description
In Hearing Homophony, Megan Kaes Long presents a groundbreaking model for understanding tonality and its origins, examining it through the lens of popular songs of late-Renaissance Western Europe.
Author: Richard Charteris Publisher: Taylor & Francis ISBN: 1000951464 Category : Music Languages : en Pages : 355
Book Description
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.
Author: SusanLewis Hammond Publisher: Routledge ISBN: 1351568841 Category : Music Languages : en Pages : 286
Book Description
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
Author: Barry S. Brook Publisher: Pendragon Press ISBN: 9780918728869 Category : Juvenile Nonfiction Languages : en Pages : 658
Book Description
In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added.1. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. 2. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities worldwide; a listing of major computerized databanks. 3. New double-column format. 4. Numerous illustrations and reproductions of pages from thematic catalogues of historical significance. The second edition continues the policy of listing all known thematic catalogues and indexes, including those in doctoral dissertations, masters essays, and computer databanks, as well as in-progress and unpublished works, plus reviews, and literature about thematic cataloguing. The original numbering of the 1972 entries has been retained, with new items appearing in proper alphabetical/chronological sequence but with the addition of decimal numbers and/or letters (363.1 or 960a). Lastly, the original historical introduction and special appendices of the first edition have been retained with emendations where needed.
Author: Richard Charteris Publisher: ISBN: Category : Juvenile Nonfiction Languages : en Pages : 630
Book Description
Giovanni Gabrieli (c.1555-1612) is the greatest Venetian composer of the late Renaissance, and one of the most significant figures of the period. Since the time when Richard Charteris was invited by the American Institute of Musicology to edit Giovanni Gabrieli's complete works in twelve volumes for the series Corpus mensurabitis music?, he has uncovered a considerable number of previously unknown works by this composer, and discovered a vast quantity of hitherto unknown sources of h is music. This thematic catalogue presents data about these discoveries and many others, besides collating an enormous amount of widely-scattered information. The catalogue covers: UL>l(1)the early music manuscripts and prints, almost all of which the auth or has consulted firsthand in collections in the northern hemisphere; /ll(2) a selection of modern music manuscripts;/ll (3) theplethora of modern editions and printed fragments; /ll(4) the sound recordings, including 78s, long-playing records and CDs; /ll(5) the relevant literature dealing with each work; /ll(6) the nature of the vocal texts and their use at St. Mark's; /ll(7) the doubtful and spurious works, among them pieces that are wrongly accepted today as genuine; and /ll(8), the parodies of Gabrieli's works by other composers./l/ul> There is much else in the book, not the least being a thematic indicator of each work and an English translation of each of Gabrieli's vocal texts. In short, this book will be an invaluable reference work for anyone concerned with the music of Giovanni Gabrieli, be they scholars, students or performers.
Author: Anton Obermayr Publisher: Hillsdale, NY : Pendragon Press ISBN: Category : Juvenile Nonfiction Languages : en Pages : 546
Book Description
The Benedictine Abbey of Lambach in Upper Austria boasts a long and distinguished history as a center of musical life in Central Europe. The monastery's music tradition flourished most actively and significantly in the 18th century, but especially during the reign (1746 to 1794)of Abbot Amandus Schickmayr. Schickmayr, described by one contemporary as excessivus amator musicae, was an astute patron who maintained close personal ties with leading musicians of the day-in particular, the Mozarts, father and son, and Michael Haydn-as well as an avid collector who no doubt encouraged the acquisition of the greater number of works among the holdings of the abbey's music archive today.The collection at Lambach became in time, and remains to the present day, one of the most extensive repositories of music manuscripts at any of the Austrian monasteries. Its holdings are understandably rich in sacred, theatrical and symphonic works by Michael Haydn, the two Mozarts and others in the Salzburg Kapelle.Equally important, however, are its manuscripts of early symphonies by Joseph Haydn and ofworks in various instrumental genres by Carl Ditters von Dittersdorf; Carlos d'Ordonez, AntonNeumann, Georg Christoph Wagenseil and Johann Baptist Wanhal.In 1768, abbey organist Anton Obermayr compied a351-page inventory of the music manuscripts on hand at Lambach in that year. The importance of Obermayr's catalog rests in its provision of terminus post quem dating for more than1300 works which are cited not only with bass incipit and particulars of scoring, but in nearly all cases also with composers' names. Our edition presents the Lambach thematic catalog in facsimile, with annotations identifying its entries with melody incipits where possible and indicating (1 whether the corresponding music manuscript is extant or missing; and (2 if extant, describing the source in full-its present-day shelf number whether compete or incomplete, papera nd water-marks, and identification of copyists by name or by internally coherent system (i.e., Copyist 39). An appendix provides similar bibliographical citations for more than 1000 additional manuscripts in the music archive at Lambach but which came to the collection after the thematic catalog had been drawn up
Author: Susan Lewis Hammond
Author: Megan Kaes Long
Author: Richard Charteris
Author: SusanLewis Hammond
Author: Barry S. Brook
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Author: New York Public Library. Music Division
Author: Richard Charteris
Author: Anton Obermayr