Franco Vaccari PDF Download

Author: Pietro Bonfiglioli
Publisher:
ISBN:
Category : Photography
Languages : it
Pages : 12

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Author: Sarah Patricia Hill
Publisher: University of Toronto Press
ISBN: 144264933X
Category : Art
Languages : en
Pages : 395

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Book Description
Stillness in Motion brings together the writing of scholars, theorists, and artists on the uneasy relationship between Italian culture and photography. Highlighting the depth and complexity of the Italian contribution to the technology and practice of photography, this collection offers essays, interviews, and theoretical reflections at the intersection of comparative, visual, and cultural studies. Its chapters, illustrated with more than 130 black and white images and an eight-page colour section, explore how Italian literature, cinema, popular culture, and politics have engaged with the medium of photography over the course of time. The collection includes topics such as Futurism's ambivalent relationship to photography, the influence of American photography on Italian neorealist cinema, and the connection between the photograph and Duchamp's concept of the Readymade. With contributions from writer and theorist Umberto Eco, photographer Franco Vaccari, art historian Robert Valtorta, and cultural historian Robert Lumley, Stillness in Motion engages with crucial historical and cultural moments in Italian history, examining each one through particular photographic practices.

Author: Franco Vaccari
Publisher: Damiani Limited
ISBN:
Category : Art
Languages : en
Pages : 260

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Book Description
This is the first complete monograph on the life and work of one of Italy`s most important contemporary artists and critics, Franco Vaccari. Exhibitions in real time covers his artistic production, from photography to video to his critical writing and is accompanied by a text written by a series of leading curators and critics. The book, which has been published to accompany a major exhibition at Spazio Oberdan in Milan, documents Vaccari's artistic evolution, from his beginning as a visual poet to the conceptual path undertaken since the late '60s and realised in a series of experimentations based on the use of different media, photography and video. This volume encompasses the whole documentation on Vaccari's Exhibitions in real time: 35 performances produced over 30 years.

Author: Franco Vaccari
Publisher: Linea di Confine
ISBN: 9788888382043
Category : Art
Languages : cs
Pages : 54

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Author: Sharon Hecker
Publisher: Bloomsbury Publishing USA
ISBN: 1501330071
Category : Art
Languages : en
Pages : 321

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Book Description
Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the past several decades. Taking its cue from the thirty-year anniversary of curator Germano Celant's landmark exhibition at PS1 in New York – The Knot – this volume presents innovative case studies and emphasizes new methodologies deployed in the study of postwar Italian art as a means to evaluate the current state of the field. Included are fifteen essays that each examine, from a different viewpoint, the issues, concerns, and questions driving postwar Italian art history. The editors and contributors call for a systematic reconsideration of the artistic origins of postwar Italian art, the terminology that is used to describe the work produced, and key personalities and institutions that promoted and supported the development and marketing of this art in Italy and abroad.

Author: Martina Tanga
Publisher: Routledge
ISBN: 1351187937
Category : Art
Languages : en
Pages : 426

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Book Description
Working in 1970s Italy, a group of artists—namely Ugo La Pietra, Maurizio Nannucci, Francesco Somaini, Mauro Staccioli, Franco Summa, and Franco Vaccari—sought new spaces to create and exhibit art. Looking beyond the gallery, they generated sculptural, conceptual, and participatory interventions, called Arte Ambientale (Environmental Art), situated in the city streets. Their experiments emerged at a time of cultural crisis, when fierce domestic terrorism aggravated an already fragile political situation. To confront the malaise, these artists embraced a position of artistic autonomy and social critique, democratically connecting the city's inhabitants through direct art practices.

Author: Corey Dzenko
Publisher: Routledge
ISBN: 135126026X
Category : Art
Languages : en
Pages : 386

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Book Description
Taking citizenship as a political position, cultural process, and intertwining of both, this edited volume examines the role of visual art and visual culture as sites for the construction and contestation of both state-sanctioned and cultural citizenships from the late 1970s to today. Contributors to this book examine an assortment of visual media—painting, sculpture, photography, performance, the built environment, new media, and social practice—within diverse and international communities, such as the United States, South Africa, Turkey, and New Zealand. Topics addressed include, but are not limited to, citizenship in terms of: nation building, civic practices, border zones, transnationalism, statelessness, and affects of belonging as well as alternate forms of, or resistance to, citizenship.

Author: Luca Panaro
Publisher:
ISBN: 9788857231983
Category : Photography
Languages : en
Pages : 127

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Author: James Lingwood
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 368

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Book Description
Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the history of photography.

Author: Nardelli Matilde Nardelli
Publisher: Edinburgh University Press
ISBN: 1474444075
Category : Performing Arts
Languages : en
Pages : 300

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Book Description
Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its 'new' or 'modern' incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni's aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works' crucial, yet overlooked, affinity with the new, 'impure', art practices - of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others - that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director's work with a new understanding of its critical significance across the modern visual arts and culture more broadly.