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Author: Paul Niell Publisher: University of Texas Press ISBN: 0292766610 Category : Art Languages : en Pages : 344
Book Description
According to national legend, Havana, Cuba, was founded under the shade of a ceiba tree whose branches sheltered the island's first Catholic mass and meeting of the town council (cabildo) in 1519. The founding site was first memorialized in 1754 by the erection of a baroque monument in Havana's central Plaza de Armas, which was reconfigured in 1828 by the addition of a neoclassical work, El Templete. Viewing the transformation of the Plaza de Armas from the new perspective of heritage studies, this book investigates how late colonial Cuban society narrated Havana's founding to valorize Spanish imperial power and used the monuments to underpin a local sense of place and cultural authenticity, civic achievement, and social order. Paul Niell analyzes how Cubans produced heritage at the site of the symbolic ceiba tree by endowing the collective urban space of the plaza with a cultural authority that used the past to validate various place identities in the present. Niell's close examination of the extant forms of the 1754 and 1828 civic monuments, which include academic history paintings, neoclassical architecture, and idealized sculpture in tandem with period documents and printed texts, reveals a "dissonance of heritage"—in other words, a lack of agreement as to the works' significance and use. He considers the implications of this dissonance with respect to a wide array of interests in late colonial Havana, showing how heritage as a dominant cultural discourse was used to manage and even disinherit certain sectors of the colonial population.
Author: Paul Niell Publisher: University of Texas Press ISBN: 0292766610 Category : Art Languages : en Pages : 344
Book Description
According to national legend, Havana, Cuba, was founded under the shade of a ceiba tree whose branches sheltered the island's first Catholic mass and meeting of the town council (cabildo) in 1519. The founding site was first memorialized in 1754 by the erection of a baroque monument in Havana's central Plaza de Armas, which was reconfigured in 1828 by the addition of a neoclassical work, El Templete. Viewing the transformation of the Plaza de Armas from the new perspective of heritage studies, this book investigates how late colonial Cuban society narrated Havana's founding to valorize Spanish imperial power and used the monuments to underpin a local sense of place and cultural authenticity, civic achievement, and social order. Paul Niell analyzes how Cubans produced heritage at the site of the symbolic ceiba tree by endowing the collective urban space of the plaza with a cultural authority that used the past to validate various place identities in the present. Niell's close examination of the extant forms of the 1754 and 1828 civic monuments, which include academic history paintings, neoclassical architecture, and idealized sculpture in tandem with period documents and printed texts, reveals a "dissonance of heritage"—in other words, a lack of agreement as to the works' significance and use. He considers the implications of this dissonance with respect to a wide array of interests in late colonial Havana, showing how heritage as a dominant cultural discourse was used to manage and even disinherit certain sectors of the colonial population.
Author: Paul Niell Publisher: University of Texas Press ISBN: 0292766599 Category : Architecture Languages : en Pages : 353
Book Description
According to national legend, Havana, Cuba, was founded under the shade of a ceiba tree whose branches sheltered the island's first Catholic mass and meeting of the town council (cabildo) in 1519. The founding site was first memorialized in 1754 by the erection of a baroque monument in Havana's central Plaza de Armas, which was reconfigured in 1828 by the addition of a neoclassical work, El Templete. Viewing the transformation of the Plaza de Armas from the new perspective of heritage studies, this book investigates how late colonial Cuban society narrated Havana's founding to valorize Spanish imperial power and used the monuments to underpin a local sense of place and cultural authenticity, civic achievement, and social order. Paul Niell analyzes how Cubans produced heritage at the site of the symbolic ceiba tree by endowing the collective urban space of the plaza with a cultural authority that used the past to validate various place identities in the present. Niell's close examination of the extant forms of the 1754 and 1828 civic monuments, which include academic history paintings, neoclassical architecture, and idealized sculpture in tandem with period documents and printed texts, reveals a "dissonance of heritage"—in other words, a lack of agreement as to the works' significance and use. He considers the implications of this dissonance with respect to a wide array of interests in late colonial Havana, showing how heritage as a dominant cultural discourse was used to manage and even disinherit certain sectors of the colonial population.
Author: Guadalupe Garcia Publisher: Univ of California Press ISBN: 0520286049 Category : History Languages : en Pages : 294
Book Description
"Once one of the most important port cities in the New World, Havana was a model for the planning and construction of other colonial cities. This book tells the story of how Havana was conceived, built, and managed and explores the relationship between colonial empire and urbanization in the Americas. Guadalupe García shows how the policing of urban life and public space by imperial authorities from the sixteenth century onward was explicitly centered on politics of racial exclusion and social control. She illustrates the importance of colonial ideologies in the production of urban space and the centrality of race and racial exclusion as an organizing ideology of urban life in Havana. Beyond the Walled City connects colonial urban practices to contemporary debates on urbanization, the policing of public spaces, and the urban dislocation of black and ethnic populations across the region"--Provided by publisher.
Author: Pablo Alonso González Publisher: University Press of Florida ISBN: 0813072697 Category : Social Science Languages : en Pages : 308
Book Description
The role of cultural heritage and museums in constructing national identity in postcolonial Cuba During Fidel Castro's rule, Cuban revolutionaries coopted and reinterpreted the previous bourgeois national narrative of Cuba, aligning it with revolutionary ideology through the use of heritage and public symbols. By changing uses of the past in the present, they were able to shift ideologies, power relations, epistemological conceptions, and economic contexts into the Cuba we know today. Cuban Cultural Heritage explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso González delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states. A volume in the series Cultural Heritage Studies, edited by Paul A. Shackel Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Carlos Riobó Publisher: State University of New York Press ISBN: 1438442572 Category : Literary Criticism Languages : en Pages : 161
Book Description
Cuban Intersections of Literary and Urban Spaces examines Havana as a center where urban and literary spaces often come together. The idea for this collection of essays grew out of an international conference on Cuba, Cuba Futures: Past and Present, held by the City University of New York's Bildner Center for Western Hemisphere Studies at CUNY's Graduate Center in 2011, but evolved out of a collaboration with scholars in the fields of literature, architecture, urban planning, and library science. The topics addressed peek at a dynamic Cuban nation through its cultural interstices at a crucial moment in the island's evolving history. This conference proceeding opens with a piece on the intersections between Havana's colonial built environment and the literary aesthetic of the Baroque in the Caribbean. The collection continues with the following areas of study: urban gardens, urban planning, architecture, literary projections on space, international relations and cultural institutions, access to books, and social policies.
Author: Bonnie A. Lucero Publisher: University Alabama Press ISBN: 0817320032 Category : Cienfuegos (Cuba : Province) Languages : en Pages : 289
Book Description
A microhistory of racial segregation in Cienfuegos, a central Cuban port city Founded as a white colony in 1819, Cienfuegos, Cuba, quickly became home to people of African descent, both free and enslaved, and later a small community of Chinese and other immigrants. Despite the racial, ethnic, and cultural diversity that defined the city's population, the urban landscape was characterized by distinctive racial boundaries, separating the white city center from the heterogeneous peripheries. A Cuban City, Segregated: Race and Urbanization in the Nineteenth Century explores how the de facto racial segregation was constructed and perpetuated in a society devoid of explicitly racial laws. Drawing on the insights of intersectional feminism, Bonnie A. Lucero shows that the key to understanding racial segregation in Cuba is recognizing the often unspoken ways specifically classed notions and practices of gender shaped the historical production of race and racial inequality. In the context of nineteenth-century Cienfuegos, gender, race, and class converged in the concept of urban order, a complex and historically contingent nexus of ideas about the appropriate and desired social hierarchy among urban residents, often embodied spatially in particular relationships to the urban landscape. As Cienfuegos evolved subtly over time, the internal logic of urban order was driven by the construction and defense of a legible, developed, aesthetically pleasing, and, most importantly, white city center. Local authorities produced policies that reduced access to the city center along class and gendered lines, for example, by imposing expensive building codes on centric lands, criminalizing poor peoples' leisure activities, regulating prostitution, and quashing organized labor. Although none of these policies mentioned race outright, this new scholarship demonstrates that the policies were instrumental in producing and perpetuating the geographic marginality and discursive erasure of people of color from the historic center of Cienfuegos during its first century of existence.
Author: Ola Plonska Publisher: Springer ISBN: 3030126579 Category : Social Science Languages : en Pages : 101
Book Description
This book relates stories of everyday life revolving around small-scale urban gardens in Central Havana and focusing particularly on that of Marcelo, a seventy-four-year-old revolutionary and gardener. The urban gardens are contested spaces: though monitored and controlled by Cuban state institutions, they also offer possibilities of crafting life in resistance. The experiences the authors narrate are not ‘thick descriptions,’ linked to larger political issues, but rather rhizomatic observations that highlight the relationships between humans and non-humans within the nature-culture debate. Using these experiences, the authors argue that ‘the political’ reaches beyond the affairs of state and governance and should be seen as an all-encompassing part of life. The authors thereby invite the social sciences to focus on the microscopic and the day-to-day to illuminate how the political affairs of lives can be imagined differently.
Author: Joseph L. Scarpaci Publisher: UNC Press Books ISBN: 9780807853696 Category : History Languages : en Pages : 470
Book Description
Newly revised and redesigned, this book assesses nearly 500 years of urban development and planning in Havana, paying particular attention to the city's rich blend of Spanish-Cuban-Latin American-North American architecture and design.
Author: Ada Ferrer Publisher: Simon and Schuster ISBN: 1501154567 Category : History Languages : en Pages : 576
Book Description
In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued--through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country's future. Meanwhile, politics in Washington--Barack Obama's opening to the island, Donald Trump's reversal of that policy, and the election of Joe Biden--have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an ambitious chronicle written for an era that demands a new reckoning with the island's past. Spanning more than five centuries, Cuba: An American History reveals the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the influence of the United States on Cuba and the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba. Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States--as well as the author's own extensive travel to the island over the same period--this is a stunning and monumental account like no other. --