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Author: Patrick Greaney Publisher: U of Minnesota Press ISBN: 145291351X Category : Languages : en Pages : 254
Book Description
This highly original book takes as its starting point a central question for nineteenth- and twentieth-century literature and philosophy: how to represent the poor? Covering the period from the publication of Les Fleurs du Mal in 1857 to the composition of Benjamin’s final texts in the 1930s, Untimely Beggar investigates the coincidence of two modern literary and philosophical interests: representing the poor and representing potential. To take account of literature’s relation to the poor, Patrick Greaney proposes the concept of impoverished writing, which withdraws from representing objects and registers the existence of power. By reducing itself to the indication of its own potential, by impoverishing itself, literary language attempts to engage and participate in the power of the poor. This focus on impoverished language offers new perspectives on major French and German authors, including Marx, Nietzsche, Mallarm, Rilke, and Brecht; and makes significant contributions to recent debates about power and potential in thinkers such as Agamben, Deleuze, Foucault, Hardt, and Negri. In doing so, Greaney offers significant insights into modernity’s intense philosophical and literary interest in socioeconomic poverty. Patrick Greaney is assistant professor of German studies at the University of Colorado, Boulder.
Author: Jared Stark Publisher: Northwestern University Press ISBN: 0810136783 Category : Literary Criticism Languages : en Pages : 296
Book Description
To be or not to be—who asks this question today, and how? What does it mean to issue, or respond to, an appeal for the right to die? In A Death of One’s Own, the first sustained literary study of the right to die, Jared Stark takes up these timely questions by testing predominant legal understandings of assisted suicide and euthanasia against literary reflections on modern death from the nineteenth and twentieth centuries. Rigorously interdisciplinary and lucidly argued, Stark’s wide-ranging discussion sheds critical light on the disquieting bioethical and biopolitical dilemmas raised by contemporary forms of medical technology and legal agency. More than a survey or work of advocacy, A Death of One’s Own examines the consequences and limits of the three reasons most often cited for supporting a person’s right to die: that it is justified as an expression of personal autonomy or self-ownership; that it constitutes an act of self-authorship, of “choosing a final chapter” in one’s life; and that it enables what has come to be called “death with dignity.” Probing the intersections of law and literature, Stark interweaves close discussion of major legal, political, and philosophical arguments with revealing readings of literary and testimonial texts by writers including Balzac, Melville, Benjamin, and Améry. A thought-provoking work that will be of interest to those concerned with law and humanities, biomedical ethics, cultural history, and human rights, A Death of One’s Own opens new and suggestive paths for thinking about the history of modern death as well as the unsettled future of the right to die.
Author: Eitan P. Fishbane Publisher: ISBN: 0199948631 Category : Literary Criticism Languages : en Pages : 535
Book Description
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text. The Art of Mystical Narrative argues that the Zohar story must be understood first and foremost as a work of the fictional imagination.
Author: Jill E. Twark Publisher: Berghahn Books ISBN: 1800736940 Category : History Languages : en Pages : 278
Book Description
German economic crises from the past two hundred years have provoked diverse responses from journalists, politicians, scholars, and fiction writers. Among their responses, storylines have developed as proposals for reducing unemployment, improving workplace conditions, and increasing profitability when stock markets tumble, accompanied by inflation, deflation, and overwhelming debt. The contributors to Invested Narratives assess German-language economic crisis narratives from the interdisciplinary perspectives of finance, economics, political science, sociology, history, literature, and cultural studies. They interpret the ways German society has tried to comprehend, recover from, and avoid economic crises and in doing so widen our understanding of German economic debates and their influence on German society and the European Union.
Author: Donald Kunze Publisher: Routledge ISBN: 1317179072 Category : Architecture Languages : en Pages : 311
Book Description
Architecture Post Mortem surveys architecture’s encounter with death, decline, and ruination following late capitalism. As the world moves closer to an economic abyss that many perceive to be the death of capital, contraction and crisis are no longer mere phases of normal market fluctuations, but rather the irruption of the unconscious of ideology itself. Post mortem is that historical moment wherein architecture’s symbolic contract with capital is put on stage, naked to all. Architecture is not irrelevant to fiscal and political contagion as is commonly believed; it is the victim and penetrating analytical agent of the current crisis. As the very apparatus for modernity’s guilt and unfulfilled drives-modernity’s debt-architecture is that ideological element that functions as a master signifier of its own destruction, ordering all other signifiers and modes of signification beneath it. It is under these conditions that architecture theory has retreated to an 'Alamo' of history, a final desert outpost where history has been asked to transcend itself. For architecture’s hoped-for utopia always involves an apocalypse. This timely collection of essays reformulates architecture’s relation to modernity via the operational death-drive: architecture is but a passage between life and death. This collection includes essays by Kazi K. Ashraf, David Bertolini, Simone Brott, Peggy Deamer, Didem Ekici, Paul Emmons, Donald Kunze, Todd McGowan, Gevork Hartoonian, Nadir Lahiji, Erika Naginski, and Dennis Maher.
Author: Ross Chambers Publisher: Fordham Univ Press ISBN: 0823265854 Category : Literary Criticism Languages : en Pages : 217
Book Description
What happens to poetic beauty when history turns the poet from one who contemplates natural beauty and the sublime to one who attempts to reconcile the practice of art with the hustle and noise of the city? An Atmospherics of the City traces Charles Baudelaire’s evolution from a writer who practices a form of fetishizing aesthetics in which poetry works to beautify the ordinary to one who perceives background noise and disorder—the city’s version of a transcendent atmosphere—as evidence of the malign work of a transcendent god of time, history, and ultimate destruction. Analyzing this shift, particularly as evidenced in Tableaux parisiens and Le Spleen de Paris, Ross Chambers shows how Baudelaire’s disenchantment with the politics of his day and the coincident rise of overpopulation, poverty, and Haussmann’s modernization of Paris influenced the poet’s work to conceive a poetry of allegory, one with the power to alert and disalienate its otherwise inattentive reader whose senses have long been dulled by the din of his environment. Providing a completely new and original understanding of both Baudelaire’s ethics and his aesthetics, Chambers reveals how the shift from themes of the supernatural in Baudelaire to ones of alienation allowed a new way for him to articulate and for his fellow Parisians to comprehend the rapidly changing conditions of the city and, in the process, to invent a “modern beauty” from the realm of suffering and the abject as they embodied forms of urban experience.
Author: Stanka Radovic Publisher: University of Virginia Press ISBN: 0813936306 Category : Literary Criticism Languages : en Pages : 305
Book Description
While postcolonial discourse in the Caribbean has drawn attention to colonialism’s impact on space and spatial hierarchy, Stanka Radović asks both how ordinary people as "users" of space have been excluded from active and autonomous participation in shaping their daily spatial reality and how they challenge this exclusion. In a comparative interdisciplinary reading of anglophone and francophone Caribbean literature and contemporary spatial theory, she focuses on the house as a literary figure and the ways that fiction and acts of storytelling resist the oppressive hierarchies of colonial and neocolonial domination. The author engages with the theories of Henri Lefebvre, Michel Foucault, and contemporary critical geographers, in addition to selected fiction by V. S. Naipaul, Patrick Chamoiseau, Beryl Gilroy, and Rafaël Confiant, to examine the novelists’ construction of narrative "houses" to reclaim not only actual or imaginary places but also the very conditions of self-representation. Radović ultimately argues for the power of literary imagination to contest the limitations of geopolitical boundaries by emphasizing space and place as fundamental to our understanding of social and political identity. The physical places described in these texts crystallize the protagonists’ ambiguous and complex relationship to the New World. Space is, then, as the author shows, both a political fact and a powerful metaphor whose imaginary potential continually challenges its material limitations.
Author: Sebastian Zeidler Publisher: Cornell University Press ISBN: 1501701894 Category : Art Languages : en Pages : 321
Book Description
The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein’s multifaceted career, offering the first comprehensive intellectual biography of Einstein in English. Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity. In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein’s art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century.
Author: Patrick Greaney Publisher: U of Minnesota Press ISBN: 1452941246 Category : Art Languages : en Pages : 207
Book Description
Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. Patrick Greaney reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, Quotational Practices shows how artists and writers use quotation not to undermine authorship and originality, but to answer questions at the heart of twentieth-century philosophies of history. Greaney argues that quotation is a technique employed by art and philosophy to build ties to the past and to possible futures. By exploring quotation’s links to gender, identity, and history, he offers new approaches to works by some of the most influential modern and contemporary artists, writers, and philosophers, including Walter Benjamin, Guy Debord, Michel Foucault, Marcel Broodthaers, Glenn Ligon, Sharon Hayes, and Vanessa Place. Ultimately, Quotational Practices reveals innovative perspectives on canonical philosophical texts as well as art and literature in a wide range of genres and mediums—from concrete poetry and the artist’s book to performance, painting, and video art.
Author: Robert St. Clair Publisher: Oxford University Press ISBN: 0192561219 Category : Literary Criticism Languages : en Pages : 284
Book Description
Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is: What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to last–from the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching one's legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appears–often literally–as a kind of gap, breach, or aperture through which Rimbaud's poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged 'lyrical material' for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, 'real' socio-economic, political, and symbolic problems. Rimbaud's bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.
Author: Adi Mahalel Publisher: State University of New York Press ISBN: 1438492340 Category : Biography & Autobiography Languages : en Pages : 274
Book Description
Yiddish and Hebrew writer I. L. Peretz (1852–1915) was a major leader of Eastern European Jewry in the years prior to World War I, and was deeply involved in Jewish politics and communal life throughout his lifetime. In The Radical Isaac, Adi Mahalel examines a central part of his life and art that has often been neglected, namely, his close alignment with the needs of the Jewish working-class and his deep devotion to progressive politics. Although there have been numerous studies of Peretz and his work, this very central component of his life nonetheless remains severely understudied. By offering close readings of the "radical" Peretz, Mahalel recasts the way political activism is understood in scholarly evaluations of the writer's work. Employing a partly chronological, partly thematic scheme, Mahalel follows Peretz's radicalism from its inception and then through the various ways in which it was synchronically expressed during this intense period of history.
Author: Patrick Greaney
Author: Jared Stark
Author: Eitan P. Fishbane
Author: Jill E. Twark
Author: Donald Kunze
Author: Ross Chambers
Author: Stanka Radovic
Author: Sebastian Zeidler
Author: Patrick Greaney
Author: Robert St. Clair
Author: Adi Mahalel