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Author: Helen Pierce Publisher: Yale University Press ISBN: Category : Art Languages : en Pages : 234
Book Description
This engaging book is the first full study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate. Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions. Published for the Paul Mellon Centre for Studies in British Art
Author: Michael Hunter Publisher: Routledge ISBN: 1351908863 Category : History Languages : en Pages : 409
Book Description
Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
Author: Helen Pierce Publisher: Yale University Press ISBN: Category : Art Languages : en Pages : 234
Book Description
This engaging book is the first full study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate. Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions. Published for the Paul Mellon Centre for Studies in British Art
Author: Timon Screech Publisher: Oxford University Press ISBN: 0192568019 Category : History Languages : en Pages : 303
Book Description
The East India Company, founded in London in 1600, was the world's biggest trading organization until the twentieth century. It was originally a spice trading organization, and its existence was precarious in its early years. But its governors soon began to think bigger. A decade after its foundation, they started to plan voyages to more adventurous places, notably Japan. Japan had silver, was cold in winter, and had no sheep, so was a perfect market for England's main export, woollen cloth. The Company planned to add to its spice-runs, sailing back and forth to Japan, exchanging wool for silver. This could be done quickly and easily, over the top of Russia - or so the maps of the day suggested (these same maps also showed Japan twenty times too large, about the size of India). Knowing the Spanish and Portuguese had got there before them, the Company prepared a special present to impress and win over their Japanese hosts. They chose as their first gift a silver telescope. The expedition carrying the telescope departed in 1611, and the Shogun was finally presented with the telescope in the name of King James I in 1613. It was the first telescope ever to leave Europe, and the first made as a presentation item. Before this voyage had even returned, the Company had dispatched another with an equally stunning cargo: nearly a hundred oil paintings. This is the story of these two extraordinary cargoes: what they meant for the fortunes of the Company, what the choice of them says about the seventeenth century England from which they came, and what effect they had on the quizzical Asian rulers to whom they were given.
Author: Timon Screech Publisher: Oxford University Press ISBN: 0192568027 Category : History Languages : en Pages : 303
Book Description
The East India Company, founded in London in 1600, was originally a spice trading organisation. But its governors soon began to think bigger. After a decade, they started to plan voyages to more fabulous places, notably India and Japan. Rich in silver, Japan was a desirable trading partner; crucially, it was also cold in winter. England's main export was woollen cloth, which would not sell in hot places, so the Company envisaged adding to its spice runs by sailing back and forth to Japan, exchanging wool for silver. Maps suggested that this could be done quickly, above Russian. But these maps also made Japan twenty times too large, the size of India in fact. Knowing the Spanish and Portuguese had preceded them, the Company prepared a special present for its first extended sailing to India and Japan. In the end, the Company missed India, but got to Japan in 1613. The Shogun, the military dictator of Japan, was presented with a silver telescope in the name of King James. It was the first telescope ever to leave Europe and the first made as a presentation item. Before this initial ship had even returned, the Company dispatched another, named the New Year's Gift, with an equally stunning cargo: almost 100 oil paintings. These would be given and sold to the Indian and Japanese courts. This book looks at the formation and history of the Company, but mostly examines the meaning of these two extraordinary cargoes. What were they supposed to mean, and what effect did they have on quizzical Asian rulers?
Author: Helmer J. Helmers Publisher: Cambridge University Press ISBN: 1316240940 Category : History Languages : en Pages : 343
Book Description
In 1649, Charles I was executed before Whitehall Palace in London. This event had a major impact not only in the British Isles, but also on the continent, where British exiles, diplomats and agents waged propaganda battles to conquer the minds of foreign audiences. In the Dutch Republic, above all, their efforts had a significant impact on public opinion, and succeeded in triggering violent debate. This is the first book-length study devoted to the continental backlash of the English Civil Wars. Interdisciplinary in scope and drawing on a wide range of sources, from pamphlets to paintings, Helmer Helmers shows how the royalist cause managed to triumph in one of the most unlikely places in early modern Europe. In doing so, Helmers transforms our understanding of both British and Dutch political culture, and provides new contexts for major literary works by Milton, Marvell, Huygens, and many others.
Author: David Francis Taylor Publisher: Yale University Press ISBN: 0300223757 Category : Literary Criticism Languages : en Pages : 317
Book Description
An original take on literary history that uses visual satire to explore literature's importance to eighteenth-century political culture
Author: Simon Davies Publisher: BRILL ISBN: 9004276866 Category : History Languages : en Pages : 283
Book Description
News in Early Modern Europe presents new research on the nature, production, and dissemination of a variety of forms of news writing from across Europe during the early modern period.
Author: Kevin Murphy Publisher: Bucknell University Press ISBN: 1611484952 Category : Literary Collections Languages : en Pages : 319
Book Description
Studies in Ephemera: Text and Image in Eighteenth-Century Print bringstogether established and emerging scholars of early modern print culture to explore the dynamic relationships between words and illustrations in awide variety of popular cheap print from the seventeenth to the early nineteenth century. While ephemerawas ubiquitous in the period, it is scarcely visible to us now, because only a handful of the thousands of examplesonce in existence have been preserved. Nonetheless, single-sheet printed works, as well as pamphlets and chapbooks, constituted a central part of visual and literary culture, and were eagerly consumed by rich and poor alike in Great Britain, North America, and on the Continent. Displayed in homes, posted in taverns and other public spaces, or visible in shop windows on city streets, ephemeral works used sensational means to address themes of great topicality. The English broadside ballad, of central concern in this volume, grew out of oral culture; the genre addressed issues of nationality, history, gender and sexuality, economics, and more. Richly illustrated and well researched, Studiesin Ephemera offers interdisciplinary perspectives into how ephemeralworks reached their audiences through visual and textual means. It also includes essays that describe how collections of ephemera are categorized in digital and conventional archives, and how our understanding of these works is shaped by their organization into collections. This timely and fascinating book will appeal to archivists, and students and scholars in many fields, including art history, comparative literature, social and economic history, and English literature. Contributors: Georgia Barnhill, Theodore Barrow, Tara Burk, Adam Fox, Alexandra Franklin, Patricia Fumerton, Paula McDowell, Kevin D. Murphy, Sally O’Driscoll, Ruth Perry
Author: Helen Pierce
Author: Michael Hunter
Author: Helen Pierce
Author: Timon Screech
Author: Timon Screech
Author: Helmer J. Helmers
Author: Kevin Sharpe
Author: David Francis Taylor
Author: Simon Davies
Author: Kevin Murphy
Author: Stephen Brogan