Unofficial Art in the Soviet Union PDF Download

Author: Paul Sjeklocha
Publisher: Univ of California Press
ISBN:
Category : Art
Languages : en
Pages : 236

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Author: Paul Sjeklocha
Publisher: Univ of California Press
ISBN: 0520329007
Category : Art
Languages : en
Pages : 338

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

Author: Igor Golomshtok
Publisher: Harvill Secker
ISBN:
Category : Art
Languages : en
Pages : 196

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Author: Jerome Bazin
Publisher: Central European University Press
ISBN: 9633860830
Category : Art
Languages : en
Pages : 531

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This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ

Author: Boris Groys
Publisher: Verso Books
ISBN: 1844678091
Category : Art
Languages : en
Pages : 145

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From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.

Author: Igor Golomshtok
Publisher:
ISBN:
Category : Art, Soviet
Languages : en
Pages : 172

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Author: Matthew Jesse Jackson
Publisher: University of Chicago Press
ISBN: 0226389413
Category : Art
Languages : en
Pages : 332

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"Matthew Jesse Jackson's writing and quality of mind put him in the forefront of the next wave in modern art studies." Thomas E. Crow, Institute of Fine Arts --

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192

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"[This book] has been organized to provide a unique opportunity to challenge current artistic paradigms by displaying the diversity, creativity and technical brilliance that is incorporated in both Socialist Realist and nonconformist art. The exhibition presents examples of the two internally competing views of contemporary life in the Soviet Union, providing a cross section of the art of the period as a mirror of a society that was largely isolated from most Americans at the time."--From introduction.

Author: John McPhee
Publisher: Farrar, Straus and Giroux
ISBN: 0374708487
Category : Art
Languages : en
Pages : 198

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John McPhee's The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Union's collapse. In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it illegally shipped to the United States. Norton Dodge visited the apartments of unofficial artists in at least a dozen geographically scattered cities. By 1977, he had a thousand works of art. His ultimate window of interest involved the years from 1956 to 1986, and through his established contacts he eventually acquired another eight thousand works—by far the largest collection of its kind. McPhee investigates Dodge's clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched.

Author: Diane Neumaier
Publisher: Rutgers University Press
ISBN: 9780813534541
Category : Art
Languages : en
Pages : 360

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Book Description
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.