Author: Elizabeth Jane Harrison Publisher: Univ. of Tennessee Press ISBN: 9780870499852 Category : Literary Criticism Languages : en Pages : 220
Book Description
Arguing for a radical re-evaluation of the modernist aesthetic, the essayists consider how women writers created their own version of modernism through the use of sentimental and domestic subject matter, by writing about maternal concerns, and through experiments with plot, voice, and points of view.
Author: Robert Henri Publisher: Rutgers University Press ISBN: 9780813536842 Category : Modernism (Art) Languages : en Pages : 294
Book Description
The seven essays included in this volume move beyond the famed Ashcan School to recover the lesser known work of Robert Henri's women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era.
Author: T. Hargreaves Publisher: Springer ISBN: 0230510574 Category : Literary Criticism Languages : en Pages : 209
Book Description
Androgyny in Modern Literature engages with the ways in which the trope of androgyny has shifted during the late nineteenth and twentieth-centuries. Alchemical, platonic, sexological, psychological and decadent representations of androgyny have provided writers with an icon which has been appropriated in diverse ways. This fascinating new study traces different revisions of the psycho-sexual, embodied, cultural and feminist fantasies and repudiations of this unstable but enduring trope across a broad range of writers from the fin de siècle to the present.
Author: Sarah Parker Publisher: Taylor & Francis ISBN: 1003853641 Category : Literary Criticism Languages : en Pages : 241
Book Description
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.
Author: Maggie Humm Publisher: Rutgers University Press ISBN: 9780813537061 Category : Art Languages : en Pages : 254
Book Description
Photographs, some barely known, on the domestic lives of Virginia Woolf (1882-1941) and Vanessa Bell (1879-1961) and the historical, cultural and artistic milieux of their circle in Bloomsbury, including Vivienne Eliot, Vita Sackville-West, Lady Ottoline Morrell and Dora Carrington.
Author: Julie Anne Taddeo Publisher: Routledge ISBN: 1135833753 Category : Fiction Languages : en Pages : 203
Book Description
Examine Lytton Strachey’s struggle to create a new homosexual identity and voice through his life and work! This study of Lytton Strachey, one of the neglected voices of early twentieth-century England, uses his life and work to re-evaluate early British modernism and the relationship between Strachey’s sexual rebellion and literature. A perfect ancillary textbook for courses in history, literature, and women’s studies, Lytton Strachey and the Search for Modern Sexual Identity: The Last Eminent Victorian contributes to the expanding field of queer studies from an historian’s perspective. It looks at homosexuality through the eyes of Lytton Strachey as opposed to the too-often analyzed Oscar Wilde and E.M. Forster. Questioning the idea that homosexuality is a “transgressive rebellion,” as Strachey as well as scholars on Bloomsbury have insisted, this volume focuses on the ongoing conflict between Strachey’s Victorian notions of class, gender, and race, and his desire to be modern. Linking Strachey’s life and work to the larger movement of English modernism, Lytton Strachey and the Search for Modern Sexual Identity examines: Strachey’s role at Cambridge before World War I how he created his version of homosexuality out of the Victorian tradition of male romantic friendship his relations with the British Empire as he constructed a rich fantasy life that rested on racial and class differences his friendships and rivalries with the women of Bloomsbury how Strachey’s use of sexuality, androgyny, and history defined (and undermined) his brand of modernism This thoughtfully indexed, well-referenced volume looks at Strachey’s life, in the words of author Julie Anne Taddeo, “to illustrate some of the issues concerning his generation of Cambridge and Bloomsbury colleagues and how they battled the Victorian ideology, often without success.” It is an essential read for everyone interested in this fascinating chapter in literary (and queer) history.
Author: Rickie-Ann Legleitner Publisher: Rowman & Littlefield ISBN: 1793610355 Category : Literary Criticism Languages : en Pages : 245
Book Description
In nineteenth- and early twentieth-century artist novels, American women writers challenge cultural, social, and legal systems that attempt to limit or diminish women’s embodied capabilities outside of the domestic. Women writers such as E.D.E.N. Southworth, Elizabeth Stuart Phelps, Kate Chopin, Willa Cather, Jessie Fauset, and Zelda Fitzgerald use the artist novel to highlight the structural and material limitations that women artists face when attempting to achieve critical success while navigating inequitable marriages and social codes that restrict women’s mobility, education, and pursuit of vocation. These artist-rebel protagonists find that their very bodies demand an outlet to articulate desires that defy patriarchal rhetoric, and this demand becomes an artistic drive to express an embodied knowledge through artistic invention. Ultimately, these women writers empower their heroines to move beyond prescribed patriarchal identities in order to achieve autonomous subjectivity through their artistic development, challenging stereotypes surrounding gender, race, and ability and beginning to reshape cultural notions of marriage, motherhood, and artistry at the turn of the twentieth century.
Author: Carrie Rohman Publisher: Oxford University Press ISBN: 0190604425 Category : Literary Criticism Languages : en Pages : 201
Book Description
Choreographies of the Living explores the implications of shifting from viewing art as an exclusively human undertaking to recognizing it as an activity that all living creatures enact. Carrie Rohman reveals the aesthetic impulse itself to be profoundly trans-species, and in doing so she revises our received wisdom about the value and functions of artistic capacities. Countering the long history of aesthetic theory in the West--beginning with Plato and Aristotle, and moving up through the recent claims of "neuroaesthetics"--Rohman challenges the likening of aesthetic experience to an exclusively human form of judgment. Turning toward the animal in new frameworks for understanding aesthetic impulses, Rohman emphasizes a deep coincidence of humans' and animals' elaborations of fundamental life forces. Examining a range of literary, visual, dance, and performance works and processes by modernist and contemporary figures such as Isadora Duncan, D. H. Lawrence, Virginia Woolf, and Merce Cunningham, Rohman reconceives the aesthetic itself not as a distinction separating humans from other animals, but rather as a framework connecting embodied beings. Her view challenges our species to acknowledge the shared status of art-making, one of our most hallowed and formerly exceptional activities.
Author: Elizabeth Jane Harrison
Author: Robert Henri
Author: Brenda Murphy
Author: Maren Tova Linett
Author: T. Hargreaves
Author: Sarah Parker
Author: Maggie Humm
Author: Julie Anne Taddeo
Author: Rickie-Ann Legleitner
Author: Carrie Rohman