Unexpected Elegies: Poems of 1912-1913 and Other Poems about Emma PDF Download
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Author: Thomas Hardy Publisher: Persea Books ISBN: 9780892554096 Category : Poetry Languages : en Pages : 96
Book Description
After the death of his wife, Emma, in 1912, the great English novelist and poet Thomas Hardy began to write a series of poems about her. Although the couple had long been estranged, Hardy was suddenly enthralled all over again and became obsessed with memories of their love, as well as with remorse over what had gone wrong between them. This sequence, "Poems of 1912-13," has grown in stature in the century since it was written and is now considered to be one of his mos accomplished works. Hardy continued to write about Emma for the rest of his life, and Unexpected Elegies includes a selection of the best of these other poems about Emma. The insightful introduction by the noted Hardy critic Claire Tomalin places the poems in a biographical context.
Author: Thomas Hardy Publisher: Persea Books ISBN: 9780892554096 Category : Poetry Languages : en Pages : 96
Book Description
After the death of his wife, Emma, in 1912, the great English novelist and poet Thomas Hardy began to write a series of poems about her. Although the couple had long been estranged, Hardy was suddenly enthralled all over again and became obsessed with memories of their love, as well as with remorse over what had gone wrong between them. This sequence, "Poems of 1912-13," has grown in stature in the century since it was written and is now considered to be one of his mos accomplished works. Hardy continued to write about Emma for the rest of his life, and Unexpected Elegies includes a selection of the best of these other poems about Emma. The insightful introduction by the noted Hardy critic Claire Tomalin places the poems in a biographical context.
Author: Thomas Hardy Publisher: National Geographic Books ISBN: 0892553618 Category : Poetry Languages : en Pages : 0
Book Description
Thomas Hardy’s famous sequence of love poems, published as a book for the first time. When Emma Hardy died in 1912, her husband, the great novelist and poet Thomas Hardy, began to write “Poems of 1912–13,” a series of elegies that are among the most moving in the English language. Although the couple had been estranged for years, after her death Hardy fell under Emma’s spell again and was enthralled by her as he hadn’t been in decades. He transformed his hopelessly revived love into poetry, pouring out his yearning and passionate attachment to a love forever lost. “Poems of 1912–13” and the other elegies about Emma included in this volume have been read and discussed by poets and scholars for almost a century but never collected in their own book. Their accessibility, emotional power, and focus on the mysterious complexities of marriage make them of interest to a broad public. Readers will cherish this beautifully produced, illustrated volume of poetical testaments to enduring love.
Author: Adrian Grafe Publisher: McFarland ISBN: 1476620571 Category : Literary Criticism Languages : en Pages : 233
Book Description
The poems of Thomas Hardy (1840-1928) are key to understanding 19th, 20th and even 21st century poetry. This collection of fresh essays sheds new light on Hardy's poems--some of which have received little critical attention--from a variety of thematic and analytical approaches, offering a detailed picture of how his works are currently being read. The contributors discuss why Hardy's poetic genius is less and less overshadowed by his career as a novelist and highlight his passionate attention to small details, his delight in "noticing things" and his "eye for...mysteries."
Author: Publisher: Oxford University Press ISBN: 0192886800 Category : Languages : en Pages : 275
Book Description
Woman Much Missed is the first book-length study of the many poems (over 150) that Thomas Hardy composed in the wake of the death of his first wife Emma in November of 1912. Mark Ford uses these poems to develop a narrative of their four-year courtship on the remote and romantic coast of Cornwall where they met, and then follows Thomas's poetic recreation of the slow degeneration of their marriage and their embittered final decade. Ford shows how Emma's writings and experiences during this time were fundamental to Thomas's evolution into both a best-selling novelist and into one of the greatest poets of the twentieth century. Although for over a decade the marriage between Thomas and Emma had been troubled, and indeed Emma spent much time during her final years secluded in her attic rooms above his study, her death stimulated him to write some of the greatest elegies in English. Twenty-one of these, including masterpieces such as 'The Voice' (which opens 'Woman much missed, how you call to me, call to me') and 'After a Journey' were collected in 'Poems of 1912-13'. While these have received much attention and are often read by school pupils and university students alike, his numerous other poems about Emma have only rarely been discussed. Ford corrects this oversight, providing accessible and insightful readings from a poet's perspective.
Author: Ann Keniston Publisher: University of Iowa Press ISBN: 1609383532 Category : Literary Criticism Languages : en Pages : 257
Book Description
From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the past can be conveyed only through juxtaposed “scraps,” the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible. Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post–World War II America.
Author: Galen Strawson Publisher: Oxford University Press ISBN: 0198777884 Category : Philosophy Languages : en Pages : 332
Book Description
This book considers the conscious subject, the subject of experience, in particular the human subject-the self, the person. Galen Strawson examines the phenomenology of the self-he asks what is it like to have or be a self or to feel that one is or has a self-and the metaphysics of the self-Is there really such a thing as the self? If so, what is its nature? He develops a novel approach to the metaphysical questions out of the results of the phenomenological investigation, and argues, against those who say that the self is just the human being, that we can legitimately distinguish self and human being. At the same time he raises doubts about how long selves can be supposed to last, insofar as they are distinct from human beings. Moving on to the ethics and moral psychology of the self, Strawson asks whether we can really be said to lose anything in dying. He criticizes the popular notion of the narrative self, and emphasizes the differences between 'Endurers' or 'Diachronics'-people who feel that they are the same person when they consider their past and future-and 'Transients' or 'Episodics'-people who do not feel this. Strawson also considers the logic of the word T, the first-person pronoun, and the reflexive structure of conscious awareness, before examining Locke's, Humes and Kant's accounts of the mind and personal identity, and arguing that Locke and Hume have been badly mi sunder stood. The fourteen essays draw on literature and psychology as well as philosophy. Book jacket.
Author: Elaine Auyoung Publisher: Oxford University Press ISBN: 019084549X Category : Literary Criticism Languages : en Pages : 280
Book Description
Why do readers claim that fictional worlds feel real? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What makes the experience of reading a novel uniquely pleasurable and what do readers lose when this experience comes to an end? Since their first publication, nineteenth-century realist novels like Pride and Prejudice and Anna Karenina have inspired readers to describe literary experience as gaining access to vibrant fictional worlds and becoming friends with fictional characters. While this effect continues to be central to the experience of reading realist fiction and later works in this tradition, the capacity for novels to evoke persons and places in a reader's mind has often been taken for granted and even dismissed as a naive phenomenon unworthy of critical attention. When Fiction Feels Real provides literary studies with new tools for thinking about the phenomenology of reading by bringing narrative techniques into conversation with psychological research on reading and cognition. Through close readings of classic novels by Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, and the elegies of Thomas Hardy, Elaine Auyoung reveals what nineteenth-century writers know about how reading works. Building on well-established research on the mind, Auyoung exposes the underpinnings of the seemingly impossible achievement of realist fiction, introducing new perspectives on narrative theory, mimesis, and fictionality. When Fiction Feels Real changes the way we think about literary language, realist aesthetics, and the reading process, opening up a new field of inquiry centered on the relationship between fictional representation and comprehension.
Author: Alex Houen Publisher: Oxford University Press ISBN: 0192529102 Category : Literary Criticism Languages : en Pages : 304
Book Description
Sacrifice and Modern War Literature is the first book to explore how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war. It has been common for critics to argue that after the First World War many of the cultural and religious values associated with sacrifice have been increasingly rejected by writers and others. However, this volume shows that literature has continued to address how different conceptions of sacrifice have been invoked in times of war to convert losses into gains or ideals. While those conceptions have sometimes been rooted in a secular rationalism that values lost lives in terms of political or national victories, spiritual and religious conceptions of sacrifice are also still in evidence, as with the 'martyrdom operations' of jihadis fighting against the 'war on terror'. Each chapter presents fresh insights into the literature of a particular conflict and the contributions explore major war writers including Wordsworth, Kipling, Ford Madox Ford, and Elizabeth Bowen, as well as lesser known authors such as Dora Sigerson, Richard Aldington, Thomas Kinsella, and Nadeem Aslam. The volume covers multiple genres including novels, poetry (particularly elegy and lyric), memoirs, and some films. The contributions address a rich array of topics related to wartime sacrifice including scapegoating, martyrdom, religious faith, tragedy, heroism, altruism, 'bare life', atonement, and redemption.
Author: Mark Oakley Publisher: Canterbury Press ISBN: 1848254687 Category : Religion Languages : en Pages : 257
Book Description
Whether you love poetry or haven't read it since school, The Splash of Words will help you rediscover poetry’s power to startle, challenge and reframe your vision. Like throwing a pebble into water, a poem causes a ‘splash of words’ whose ripples can transform the way we see the world, ourselves and God. Through thirty selected poems, from the fourteenth century to the present day, Mark Oakley explores poetry’s power to stir our settled ways of viewing the world and faith, shift our perceptions and even transform who we are.
Author: Thomas Hardy
Author: Thomas Hardy
Author: Thomas Hardy
Author: Adrian Grafe
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Author: Ann Keniston
Author: Galen Strawson
Author: Elaine Auyoung
Author: Alex Houen
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Author: Mark Oakley