Author: Dominic Lopes
Publisher: Oxford University Press on Demand
ISBN: 9780198240976
Category : Philosophy
Languages : en
Pages : 240
Book Description
There are not one but many ways to picture the worldAustralian 'x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over the time. He develops a scheme for categorizing the different ways pictures represent - the different kinds of meaning they have - and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.
Understanding Pictures
Author: Dominic Lopes
Publisher: Oxford University Press on Demand
ISBN: 9780198240976
Category : Philosophy
Languages : en
Pages : 240
Book Description
There are not one but many ways to picture the worldAustralian 'x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over the time. He develops a scheme for categorizing the different ways pictures represent - the different kinds of meaning they have - and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.
Publisher: Oxford University Press on Demand
ISBN: 9780198240976
Category : Philosophy
Languages : en
Pages : 240
Book Description
There are not one but many ways to picture the worldAustralian 'x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over the time. He develops a scheme for categorizing the different ways pictures represent - the different kinds of meaning they have - and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.
Understanding Pictures
Author: Dominic Lopes
Publisher: Clarendon Press
ISBN: 0191543993
Category : Philosophy
Languages : en
Pages : 248
Book Description
There is not one but many ways to picture the world - Australian `x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways pictures represent—the different kinds of meaning they have—and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.
Publisher: Clarendon Press
ISBN: 0191543993
Category : Philosophy
Languages : en
Pages : 248
Book Description
There is not one but many ways to picture the world - Australian `x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways pictures represent—the different kinds of meaning they have—and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.
Children and Pictures
Author: Richard P. Jolley
Publisher: John Wiley & Sons
ISBN: 1405105437
Category : Psychology
Languages : en
Pages : 412
Book Description
In Children and Pictures, Richard P. Jolley critiques both the historical and contemporary studies conducted in the field of children’s making and understanding of pictures. Some highlights of Children and Pictures are: What develops, and why, in children’s representational and expressive drawing, both in typical, atypical, and cross-cultural populations. The developing relationship between production and comprehension of pictures. Children’s understanding of pictures as symbolic representations. Practical and applied uses of drawings, particularly in clinical and legal settings. Diverse educational practices of teaching drawing across the world. Presenting up-to-date research and pointing towards future topics of study, Children and Pictures brings the study of children’s drawings into mainstream child development studies. This is an edifying resource for students, researchers, practitioners, parents, artists, and educators in the field.
Publisher: John Wiley & Sons
ISBN: 1405105437
Category : Psychology
Languages : en
Pages : 412
Book Description
In Children and Pictures, Richard P. Jolley critiques both the historical and contemporary studies conducted in the field of children’s making and understanding of pictures. Some highlights of Children and Pictures are: What develops, and why, in children’s representational and expressive drawing, both in typical, atypical, and cross-cultural populations. The developing relationship between production and comprehension of pictures. Children’s understanding of pictures as symbolic representations. Practical and applied uses of drawings, particularly in clinical and legal settings. Diverse educational practices of teaching drawing across the world. Presenting up-to-date research and pointing towards future topics of study, Children and Pictures brings the study of children’s drawings into mainstream child development studies. This is an edifying resource for students, researchers, practitioners, parents, artists, and educators in the field.
Understanding Portrait Photography
Author: Bryan Peterson
Publisher: Watson-Guptill
ISBN: 0770433138
Category : Photography
Languages : en
Pages : 194
Book Description
Capture the perfect portrait--even if it's with a selfie--in this updated edition of a trusted classic, now with all-new photography. Great portraits go beyond a mere record of a face. They reveal one of the millions of intimate human moments that make up a life. In Understanding Portrait Photography, renowned photographer Bryan Peterson shows how to spot those "aha!" moments and capture them forever. Rather than relying on pure luck and chance to catch those moments, Peterson's approach explains what makes a photo memorable, how to spot the universal themes that everyone can identify with, and how to use lighting, setting, and exposure to reveal the wonder and joy of everyday moments. This updated edition includes new sections on capturing the perfect selfie, how to photograph in foreign territory while being sensitive to cultures and customs, how to master portraiture on an iPhone, and the role of Photoshop in portraiture. Now with brand-new photography, Understanding Portrait Photography makes it easy to create indelible memories with light and shadow.
Publisher: Watson-Guptill
ISBN: 0770433138
Category : Photography
Languages : en
Pages : 194
Book Description
Capture the perfect portrait--even if it's with a selfie--in this updated edition of a trusted classic, now with all-new photography. Great portraits go beyond a mere record of a face. They reveal one of the millions of intimate human moments that make up a life. In Understanding Portrait Photography, renowned photographer Bryan Peterson shows how to spot those "aha!" moments and capture them forever. Rather than relying on pure luck and chance to catch those moments, Peterson's approach explains what makes a photo memorable, how to spot the universal themes that everyone can identify with, and how to use lighting, setting, and exposure to reveal the wonder and joy of everyday moments. This updated edition includes new sections on capturing the perfect selfie, how to photograph in foreign territory while being sensitive to cultures and customs, how to master portraiture on an iPhone, and the role of Photoshop in portraiture. Now with brand-new photography, Understanding Portrait Photography makes it easy to create indelible memories with light and shadow.
The Critical Eye
Author: Lyle Rexer
Publisher: Intellect Books
ISBN: 1789380421
Category : Photography
Languages : en
Pages : 153
Book Description
Based on the highly successful course at the School of Visual Arts developed by the author, this book provides a comprehensive approach to the critical understanding of photography through an in-depth discussion of fifteen photographs and their contexts – historical, generic, biographical and aesthetic. This book presents an intensive course in looking at photographs, open to undergraduates and general audiences alike. Rexer argues that by concentrating on fifteen carefully chosen works it is possible to understand the history, development and contemporary situation of photography. Looking to images by photographers such as Roland Fischer, Nancy Rexroth and Ernest Cole, The Critical Eye is the only book to address the totality of issues involved in photography, from authorial self-consciousness to the role of the audience. Its subjects are not limited to art photography but include vernacular images, commercial genres and anthropology. With every chapter it seeks to link the history of photography to current practice. This highly illustrated and beautiful book provides a much-needed introduction to image production.
Publisher: Intellect Books
ISBN: 1789380421
Category : Photography
Languages : en
Pages : 153
Book Description
Based on the highly successful course at the School of Visual Arts developed by the author, this book provides a comprehensive approach to the critical understanding of photography through an in-depth discussion of fifteen photographs and their contexts – historical, generic, biographical and aesthetic. This book presents an intensive course in looking at photographs, open to undergraduates and general audiences alike. Rexer argues that by concentrating on fifteen carefully chosen works it is possible to understand the history, development and contemporary situation of photography. Looking to images by photographers such as Roland Fischer, Nancy Rexroth and Ernest Cole, The Critical Eye is the only book to address the totality of issues involved in photography, from authorial self-consciousness to the role of the audience. Its subjects are not limited to art photography but include vernacular images, commercial genres and anthropology. With every chapter it seeks to link the history of photography to current practice. This highly illustrated and beautiful book provides a much-needed introduction to image production.
Understanding Photobooks
Author: Jorg Colberg
Publisher: CRC Press
ISBN: 1317484711
Category : Photography
Languages : en
Pages : 281
Book Description
Understanding Photobooks is a user-friendly guide to engaging with the photographic book— or, as it is widely known, the photobook. Despite its importance as a central medium in which many photographers showcase their work today, there is surprisingly little information on the mechanics of the photobook: what exactly it does and how it does it. Written for makers and artists, this book will help you develop a better understanding of the images, concept, sequence, design, and production of the photobook. With an awareness of the connections between these elements, you’ll be able to evaluate photobooks more clearly and easily, ultimately allowing for a deeper and more rewarding experience of the work.
Publisher: CRC Press
ISBN: 1317484711
Category : Photography
Languages : en
Pages : 281
Book Description
Understanding Photobooks is a user-friendly guide to engaging with the photographic book— or, as it is widely known, the photobook. Despite its importance as a central medium in which many photographers showcase their work today, there is surprisingly little information on the mechanics of the photobook: what exactly it does and how it does it. Written for makers and artists, this book will help you develop a better understanding of the images, concept, sequence, design, and production of the photobook. With an awareness of the connections between these elements, you’ll be able to evaluate photobooks more clearly and easily, ultimately allowing for a deeper and more rewarding experience of the work.
Children's Understanding and Production of Pictures, Drawings & Art
Author: Constance Milbrath
Publisher: Hogrefe Publishing
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
This book presents an innovative approach to the psychological study of childrenżs pictures, drawings, and art. With contributions from leading experts in the field, it compiles all the relevant theory and research on childrenżs developing conceptions of pictures, drawings, and art. It is the first book to focus explicitly on childrenżs knowledge and judgment of pictorial representations, including the understanding of their role as artist and viewer.
Publisher: Hogrefe Publishing
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
This book presents an innovative approach to the psychological study of childrenżs pictures, drawings, and art. With contributions from leading experts in the field, it compiles all the relevant theory and research on childrenżs developing conceptions of pictures, drawings, and art. It is the first book to focus explicitly on childrenżs knowledge and judgment of pictorial representations, including the understanding of their role as artist and viewer.
Origins of Pictures
Author: Klaus Sachs-Hombach
Publisher: Herbert von Halem Verlag
ISBN: 3869621613
Category : Social Science
Languages : en
Pages : 562
Book Description
Anyone talking about pictures by necessity refers to those using pictures. It is therefore essentially the competence of using pictures that has to be considered. Such competence is not common among higher developed mammals, at least as far as we know today. This fact raises the question whether and to what extent that ability has to be conceived as a strictly anthropological one. In an interdisciplinary approach, the first international conference of the Society for Interdisciplinary Image Science (GiB) titled ›Origins of Pictures‹ has taken a closer look at the role of pictures for the conditio humana. The primary goal of the conference was to present empirical findings of the origins of picture uses, considering in particular research in paleo-anthropology, archeology, cultural anthropology, and developmental psychology. Furthermore, those findings were to be related to philosophical considerations concerning the conditions of the conceptual formation of picture competence.
Publisher: Herbert von Halem Verlag
ISBN: 3869621613
Category : Social Science
Languages : en
Pages : 562
Book Description
Anyone talking about pictures by necessity refers to those using pictures. It is therefore essentially the competence of using pictures that has to be considered. Such competence is not common among higher developed mammals, at least as far as we know today. This fact raises the question whether and to what extent that ability has to be conceived as a strictly anthropological one. In an interdisciplinary approach, the first international conference of the Society for Interdisciplinary Image Science (GiB) titled ›Origins of Pictures‹ has taken a closer look at the role of pictures for the conditio humana. The primary goal of the conference was to present empirical findings of the origins of picture uses, considering in particular research in paleo-anthropology, archeology, cultural anthropology, and developmental psychology. Furthermore, those findings were to be related to philosophical considerations concerning the conditions of the conceptual formation of picture competence.
Modeling the Meanings of Pictures
Author: John Kulvicki
Publisher: Oxford University Press
ISBN: 0192586645
Category : Philosophy
Languages : en
Pages : 175
Book Description
John Kulvicki offers an account of the many ways in which pictures can be meaningful which is inspired by the philosophy of language. Pictures are important parts of communicative acts, along with language, gesture, facial expressions, and props. They express wide ranges of thoughts, make assertions, offer warnings, instructions, and commands. Pictures are also representations. They have meanings, which help explain the range of communicative uses to which they can be put. Modelling the meanings of pictures is accounting for the ways in which pictures manage to be meaningful, with an eye toward how those meanings let us use them as we do. By framing pictures with the philosophy of language, we acquire new perspectives on the many things we can do with them. Sometimes, pictures are used as descriptions—he looks like this!—while sometimes they are used more like singular terms—find him!, while showing a mug shot. Most picture-making cultures also have iconographies, but this is usually put to one side in discussions of pictures, if it is mentioned at all. Likewise, some uses of pictures, especially in advertising, are metaphorical, and very little has been said about metaphor in pictures. Pictures are also related in important ways to other kinds of representations like maps, and this book provides a new way of understanding what makes them alike and different. By showing that pictures are very different from languages, this book also shows that the tools developed with language in mind are not actually specific to linguistic phenomena.
Publisher: Oxford University Press
ISBN: 0192586645
Category : Philosophy
Languages : en
Pages : 175
Book Description
John Kulvicki offers an account of the many ways in which pictures can be meaningful which is inspired by the philosophy of language. Pictures are important parts of communicative acts, along with language, gesture, facial expressions, and props. They express wide ranges of thoughts, make assertions, offer warnings, instructions, and commands. Pictures are also representations. They have meanings, which help explain the range of communicative uses to which they can be put. Modelling the meanings of pictures is accounting for the ways in which pictures manage to be meaningful, with an eye toward how those meanings let us use them as we do. By framing pictures with the philosophy of language, we acquire new perspectives on the many things we can do with them. Sometimes, pictures are used as descriptions—he looks like this!—while sometimes they are used more like singular terms—find him!, while showing a mug shot. Most picture-making cultures also have iconographies, but this is usually put to one side in discussions of pictures, if it is mentioned at all. Likewise, some uses of pictures, especially in advertising, are metaphorical, and very little has been said about metaphor in pictures. Pictures are also related in important ways to other kinds of representations like maps, and this book provides a new way of understanding what makes them alike and different. By showing that pictures are very different from languages, this book also shows that the tools developed with language in mind are not actually specific to linguistic phenomena.
Understanding Exposure, Fourth Edition
Author: Bryan Peterson
Publisher: Amphoto Books
ISBN: 1607748517
Category : Photography
Languages : en
Pages : 178
Book Description
This newly revised edition of Bryan Peterson's most popular book demystifies the complex concepts of exposure in photography, allowing readers to capture the images they want. Understanding Exposure has taught generations of photographers how to shoot the images they want by demystifying the complex concepts of exposure in photography. In this newly updated edition, veteran photographer Bryan Peterson explains the fundamentals of light, aperture, and shutter speed and how they interact with and influence one another. With an emphasis on finding the right exposure even in tricky situations, Understanding Exposure shows you how to get (or lose) sharpness and contrast in images, freeze action, and take the best meter readings, while also exploring filters, flash, and light. With all new images, as well as an expanded section on flash, tips for using colored gels, and advice on shooting star trails, this revised edition will clarify exposure for photographers of all levels.
Publisher: Amphoto Books
ISBN: 1607748517
Category : Photography
Languages : en
Pages : 178
Book Description
This newly revised edition of Bryan Peterson's most popular book demystifies the complex concepts of exposure in photography, allowing readers to capture the images they want. Understanding Exposure has taught generations of photographers how to shoot the images they want by demystifying the complex concepts of exposure in photography. In this newly updated edition, veteran photographer Bryan Peterson explains the fundamentals of light, aperture, and shutter speed and how they interact with and influence one another. With an emphasis on finding the right exposure even in tricky situations, Understanding Exposure shows you how to get (or lose) sharpness and contrast in images, freeze action, and take the best meter readings, while also exploring filters, flash, and light. With all new images, as well as an expanded section on flash, tips for using colored gels, and advice on shooting star trails, this revised edition will clarify exposure for photographers of all levels.