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Author: Tim Carter Publisher: Oxford University Press, USA ISBN: 0190247940 Category : Music Languages : en Pages : 289
Book Description
"Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohaeme"--Dust jacket flap.
Author: Tim Carter Publisher: Oxford University Press, USA ISBN: 0190247940 Category : Music Languages : en Pages : 289
Book Description
"Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohaeme"--Dust jacket flap.
Author: Tim Carter Publisher: Oxford University Press ISBN: 0190247959 Category : Music Languages : en Pages : 272
Book Description
Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries. Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.
Author: Fred Plotkin Publisher: Hachette Books ISBN: 1401306004 Category : Music Languages : en Pages : 444
Book Description
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
Author: John Rosselli Publisher: Cambridge University Press ISBN: 9780521426978 Category : Biography & Autobiography Languages : en Pages : 296
Book Description
Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.
Author: Fred Plotkin Publisher: Hyperion ISBN: Category : Music Languages : en Pages : 520
Book Description
Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.
Author: Sara Gamarro Publisher: Rugginenti Editore ISBN: 8876652612 Category : Music Languages : en Pages : 166
Book Description
This book is a complete guide to the magic spells that the lyric diction of Italian Opera has cast on its audience for the last four hundred years, revealed and explained in their secrets by the author through an exact method of study whose effectiveness has been proven, over more than a decade of coaching activity, on her many students - Opera stars included - all over the world.
Author: Robert Stuart Thomson Publisher: ISBN: 9780969677475 Category : Italian language Languages : en Pages : 453
Book Description
This book focuses on "operatic Italian" (literary Italian in the classic mode) a.k.a. libretto Italian, or how to understand and translate Italian opera libretti. Parts of speech provide the framework, each of which is illustrated by extracts from many operas. The author works his way from the simple (nouns and articles) to the most complex (the past subjunctives) and en route clarifies many points of language: pronunciation, archaic language, convoluted syntax, datives of advantage, nuances and connotation, use of the passato remoto, etc. Included are chapters on the sounds and stress pattern of Italian, samples of its idioms, the limitations of translations and surtitles, suggested criteria for evaluating libretti, operatic aspects of canzoni, the influence of Dante, a short chapter on Neapolitan. The interlinear format helps the reader to see the connections between the Italian text and its English equivalents. IPA and music staff lines are used throughout. Fourteen quizzes enable the reader to monitor progress (these are also useful for a voice coach or teacher if the book is used as a text). Numerous photos illuminate the book and many useful url's (e.g. Lino Pertile reading Dante) help to orient those readers who wish to explore the subject on their own in greater depth. Sarah Luebke in 'Opera Today' writes: "This book would make a fantastic textbook for a conservatory or university." (Jan. 19, 2010) See Robert Thomson's site: www.godwinbooks.com