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Author: Katherine Anne Porter Publisher: University of Texas Press ISBN: 9780292765443 Category : Literary Criticism Languages : en Pages : 300
Book Description
This volume brings together 29 pieces dating from before 1932, none of which appear in her collected works and many of which are published here for the first time. Includes both fiction and essays.
Author: Katherine Anne Porter Publisher: University of Texas Press ISBN: 9780292765443 Category : Literary Criticism Languages : en Pages : 300
Book Description
This volume brings together 29 pieces dating from before 1932, none of which appear in her collected works and many of which are published here for the first time. Includes both fiction and essays.
Author: Katherine Anne Porter Publisher: Univ of South Carolina Press ISBN: 9781570030840 Category : Biography & Autobiography Languages : en Pages : 230
Book Description
Katherine Anne Porter's Poetry makes available for the first time the complete poetic canon of one of America's most-celebrated writers. Widely known and revered for her award-winning short stories, Porter published just thirty-two poems and poetry translations during her lifetime, although she composed - and subsequently destroyed - hundreds. Her poetry is virtually unknown even by her most devoted followers. From fragmentary notes and letters found among Porter's papers, Darlene Harbour Unrue has recovered and edited eighteen unpublished poems. In a significant addition to the Porter canon, these newly found poems join Porter's published verse - including the entire text of the now-rare Katherine Anne Porter's French Song-Book - to create a unique commentary on the writer's life and work. Interspersed with photographs of Porter from the years and places in which she composed the poems, the volume features a substantial critical and biographical essay in which Unrue explains the significance of individual poems and details the relationship between Porter's poetry and fiction. Unrue describes Porter's verse as an index to the stages of her developing intellectual thought and, in some cases, an intermediate phase in a creative process that began with random notes and letters and culminated in fiction.
Author: Katherine Anne Porter Publisher: Library of America ISBN: 1598533274 Category : Fiction Languages : en Pages : 1385
Book Description
The Pulitzer Prize– and National Book Award–winning volume of writings from the author of Pale Horse, Pale Rider—now combined with little-known works of prose for the very first time Eudora Welty said that Katherine Anne Porter “writes stories with a power that stamps them to their very last detail on the memory.” Set in her native Texas and her beloved Mexico, prewar Nazi Germany and the gothic Old South, they are stories of love, outrage, betrayal, and spiritual reckoning that are severe but never cruel, and always exquisitely precise. They number fewer than thirty, but as Robert Penn Warren commented, “many are unsurpassed in modern fiction.” The Library of America now reprints the landmark 1965 volume, The Collected Stories of Katherine Anne Porter—which features tales like “Pale Horse, Pale Rider” and “Flowering Judas”—and pairs it with a completely new selection from Porter’s long-out-of-print short prose. Expanding the contents of her 1952 collection The Days Before to include both early journalism and major pieces from her final three decades, the prose works collected here are grouped in four parts: critical essays on writers she loved and learned from, including James, Cather, Lawrence, and Colette; personal essays and speeches on such topics as the craft of writing, her own work, women in myth and in history, and American politics; essays and reports on Mexican life, letters, and revolution; and two previously uncollected forays into autobiography. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author: Janis P. Stout Publisher: University of Virginia Press ISBN: 9780813915685 Category : Biography & Autobiography Languages : en Pages : 432
Book Description
Katherine Anne Porter's life closely paralleled that of her century not only in its span (1890-1980) but in its interests and contradictions. A communist sympathizer who became a quasi fascist; a cosmopolitan who embraced southern agrarianism, a femme fatale whose writings nonetheless evince feminist feeling, Porter embodied, often at their extremes, the major currents of her time and ours. In this new biography Janis P. Stout argues that these inconsistencies can be viewed as part and parcel of modernism itself. Drawing on Porter's rich and voluminous correspondence as well as published works, Stout here sets out to craft an intellectual biography of a woman who, by her own admission, was "not really an intellectual". Stout reveals the extent of Porter's involvement in events of public significance and her interactions with prominent figures, from President Alvaro Obregon of Mexico in 1920 to Hermann Goering in Berlin in 1931, to Robert Penn Warren, Eudora Welty, Allen Tate, and others in the 1930s and 1940s, to members of the Lyndon Johnson White House in the 1960s. Against the backdrop of world war and cold war, Porter's conflicting views on politics, race, religion, and feminism reflected Porter's ambivalence toward her own Texas roots.
Author: Katherine Anne Porter Publisher: University of Georgia Press ISBN: 0820333530 Category : Literary Criticism Languages : en Pages : 194
Book Description
Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers. In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter's fiction. Other scholars as well have regarded Porter's critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover "the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime." Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friend's latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porter's scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied "primitive" Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony's translation of Catherine the Great's memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles. These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction.
Author: Mary Titus Publisher: University of Georgia Press ISBN: 0820341142 Category : Literary Criticism Languages : en Pages : 266
Book Description
During a life that spanned ninety years, Katherine Anne Porter (1890-1980) witnessed dramatic and intensely debated changes in the gender roles of American women. Mary Titus draws upon unpublished Porter papers, as well as newly available editions of her early fiction, poetry, and reviews, to trace Porter’s shifting and complex response to those cultural changes. Titus shows how Porter explored her own ambivalence about gender and creativity, for she experienced firsthand a remarkable range of ideas concerning female sexuality. These included the Victorian attitudes of the grandmother who raised her; the sexual license of revolutionary Mexico, 1920s New York, and 1930s Paris; and the conservative, ordered attitudes of the Agrarians. Throughout Porter’s long career, writes Titus, she “repeatedly probed cultural arguments about female creativity, a woman’s maternal legacy, romantic love, and sexual identity, always with startling acuity, and often with painful ambivalence.” Much of her writing, then, serves as a medium for what Titus terms Porter’s “gender-thinking”--her sustained examination of the interrelated issues of art, gender, and identity. Porter, says Titus, rebelled against her upbringing yet never relinquished the belief that her work as an artist was somehow unnatural, a turn away from the essential identity of woman as “the repository of life,” as childbearer. In her life Porter increasingly played a highly feminized public role as southern lady, but in her writing she continued to engage changing representations of female identity and sexuality. This is an important new study of the tensions and ambivalence inscribed in Porter’s fiction, as well as the vocational anxiety and gender performance of her actual life.
Author: Abby H. P. Werlock Publisher: Infobase Publishing ISBN: 143812743X Category : American literature Languages : en Pages : 859
Book Description
Praise for the previous edition:Booklist/RBB "Twenty Best Bets for Student Researchers"RUSA/ALA "Outstanding Reference Source"" ... useful ... Recommended for public libraries and undergraduates."
Author: Darlene Harbour Unrue Publisher: Univ. Press of Mississippi ISBN: 1626744475 Category : Literary Collections Languages : en Pages : 412
Book Description
Katherine Anne Porter (1890–1980) produced a relatively small body of fiction, but she wrote thousands and thousands of letters. The present selection of 135 unexpurgated letters, written to seventy-four different persons, begins with a 1916 letter written from a tuberculosis sanatorium in Texas and ends with a 1979 letter dictated to an unnamed nursing-home attendant in Maryland. Different from any previous selection, this body of letters does not omit Porter's frank criticism of fellow writers and spans her entire life. Within that circumscription is the chronicle of Porter, a twentieth-century woman searching for love while she struggles to become the writer who she is sure she can be. Porter's letters vividly showcase the twentieth century as the writer observes it from her historical vantage points—tuberculosis sanatoria and the influenza pandemic of 1918; the leftist community in Greenwich Village in the 1920s; the Mexican cultural revolution of the 1920s and early 1930s; the expatriate community in Paris in the 1930s; the rise of Nazism in Europe between the World Wars; the Second World War and its concomitant suppression of civil liberties; Hollywood and the university circuit as a haven for financially strapped writers in the 1940s and 1950s; the Cold War and its competition for supremacy in space; the women's rights and the civil rights movements; and the evolution and demise of literary modernism.
Author: Katherine Anne Porter
Author: Katherine Anne Porter
Author: Katherine Anne Porter
Author: Katherine Anne Porter
Author: Janis P. Stout
Author: Katherine Anne Porter
Author: Mary Titus
Author: Abby H. P. Werlock
Author: Darlene Harbour Unrue
Author: Melanie Benson Taylor
Author: Alfred Bendixen