Author: Adriana LauriaPublisher:
ISBN:
Category :
Languages : es
Pages : 51
Book Description
Una mirada al arte argentino del siglo XX
Author: Adriana LauriaArte y literatura en la Argentina del siglo XX
Author: Ana LongoniPublisher: Fundacion Espigas
ISBN:
Category : Argentine literature
Languages : en
Pages : 208
Book Description
A study of the arts in Argentina during the 1970s a key period in understanding conceptual art and the contemporary art that would follow. This was selected as prize winner for the category of investigation in the arts for 2005.
Arte Argentino y Latinoamericano del siglo XX
Author: María Amalia GarcíaPublisher:
ISBN:
Category : Argentina
Languages : es
Pages : 138
Book Description
Arte argentino del siglo XX
Author: Una mirada nueva al arte del siglo XX
Author: Francesc MirallesSiglo XX argentino
Author: Arte argentino, siglo XX
Author: Berni y sus contemporáneos
Author: Antonio BerniArte argentino del siglo XX.
Author: Late Book Culture in Argentina
Author: Craig EpplinPublisher: Bloomsbury Publishing USA
ISBN: 1623560748
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Modern literary culture depended on the medium of the print book. Today, with the advent of digital technologies, it is far from apparent that print is, or should be, the vehicle of choice for contemporary writers. Print has been placed in relief, as the book becomes a site of experimentation with new platforms for writing. Among Latin American countries, none has been as crucial player in the world of print as Argentina. Argentine presses were the channel for many of the great modern literary experiments in Latin America. As such, it comes as no surprise that today, when those same presses have been gobbled up by transnational media conglomerates and digital technologies abound, Argentine writers would be attentive to the shifting media of literature. Late Book Culture in Argentina chronicles that shift. Epplin offers readings of some of the most innovative Argentine writers and collective projects of recent years: Osvaldo Lamborghini, César Aira, the cardboard publishing house Eloísa Cartonera, the poetry project Estación Pringles, Sergio Chejfec, and Pablo Katchadjian. This corpus provides a lens through which to understand the numerous experiments with literary formats in Argentina today. These experiments take on a number of forms-digital, artisanal, and collective-and they provide the ferment for some of Argentina's most audacious contemporary literature. As such they deserve critical attention and theoretical examination.