Author: Jacinto Peláez Torralba
Publisher:
ISBN:
Category :
Languages : es
Pages :

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Author: Jacinto Peláez Torralba
Publisher:
ISBN:
Category :
Languages : es
Pages : 48

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Author: Jacinto Peláez Torralba
Publisher:
ISBN:
Category :
Languages : es
Pages : 62

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Author: Nicholas Harris
Publisher:
ISBN: 9788434871069
Category : Marine animals
Languages : es
Pages : 31

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Describes the sea and its marine life.

Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 0

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Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 58

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Author: Dino Di Durante
Publisher: Gotimna Publications
ISBN: 1628790024
Category : Comics & Graphic Novels
Languages : en
Pages : 86

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Book Description
SPECTACULAR AND MIND BLOWING IMAGES OF HELL USED IN TWO ACCLAIMED FILMS! Do You Love Horror Books? "Inferno" Images will Scare You Death. "Inferno - The Art Collection" by Dino Di Durante is a full color book of a 72-piece art collection based on Dante's Inferno story, the first part of the literary masterpiece - The Divine Comedy by Dante Alighieri, the second greatest Christian story after The Gospel. This is a completely new, deep and fascinating vision of Inferno by Dino Di Durante, who has studied this masterpiece in its original Italian for over 30 years. This book is the best choice as a companion and a visual reference to any Inferno book every written. The canvases versions of the art published in this book sell between $5,000 and $30,000, so this book is a bargain no matter how you look at it. Most of the art pieces were featured in a film titled Dante's Hell Animated (DVD available on Amazon.com) featuring Eric Roberts' voice as Dante. The Italian version, titled Inferno Dantesco Animato, featuring Vittorio Gassman's voice as Dante. Both versions premiered at the Cannes Film Festival. The entire collection is featured in the upcoming film "Inferno by Dante" starring over 30 artists and scholars from both the United States and Italy, in addition to a Monsignor from The Vatican. This film will be released in 2015.

Author: Julio Cortázar
Publisher: New Directions Publishing
ISBN: 0811225356
Category : Literary Criticism
Languages : en
Pages : 271

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A master class from the exhilarating writer Julio Cortázar “I want you to know that I’m not a critic or theorist, which means that in my work I look for solutions as problems arise.” So begins the first of eight classes that the great Argentine writer Julio Cortázar delivered at UC Berkeley in 1980. These “classes” are as much reflections on Cortázar’s own writing career as they are about literature and the historical moment in which he lived. Covering such topics as “the writer’s path” (“while my aesthetic world view made me admire writers like Borges, I was able to open my eyes to the language of street slang, lunfardo…”) and “the fantastic” (“unbeknownst to me, the fantastic had become as acceptable, as possible and real, as the fact of eating soup at eight o’clock in the evening”), Literature Class provides the warm and personal experience of sitting in a room with the great author. As Joaquin Marco stated in El Cultural, “exploring this course is to dive into Cortázar designing his own creations.… Essential for anyone reading or studying Cortázar, cronopio or not!”

Author: Eric S. Rabkin
Publisher: Princeton University Press
ISBN: 1400870798
Category : Literary Criticism
Languages : en
Pages : 248

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What exactly is the fantastic? In the twentieth-century world, our notions of what is impossible are assaulted every day. To define the nature of fantasy and the fantastic, Eric S. Rabkin considers its role in fairy tales, science fiction, detective stories, and religious allegory, as well as in traditional literature. The examples he studies range from Grimm's fairy tales to Agatha Christie, from Childhood's End to the novels of Henry James, from Voltaire to Robbe-Grillet to A Canticle for Leiboivitz. By analyzing different works of literature, the author shows that the fantastic depends on a reversal of the ground rules of a narrative world. This reversal signals most commonly a psychological escape, often from boredom, to an unknown world secretly yearned for, whose order, although reversed, bears a precise relation to reality. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Kathryn Hume
Publisher: Routledge
ISBN: 1317638530
Category : Literary Criticism
Languages : en
Pages : 232

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Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.