Author: Romain Rolland
Publisher: Wildside Press LLC
ISBN: 1434488101
Category : Drama
Languages : en
Pages : 242

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Book Description
Two plays of the French Revolution by Romain Rolland. Authorized translation and with a preface by Barrett H. Clark.

Author: Romain Rolland
Publisher: Prabhat Prakashan
ISBN:
Category : Self-Help
Languages : en
Pages : 168

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Book Description
The Fourteenth of July; and Danton: Two Plays of the French Revolution by Romain Rolland: In this compelling volume, Romain Rolland presents two historical plays set during the turbulent period of the French Revolution. "The Fourteenth of July" delves into the events leading up to the storming of the Bastille, while "Danton" explores the life and political career of the revolutionary leader Georges Danton. With vivid character portrayals and gripping narratives, Rolland's plays shed light on the complex personalities and ideologies that shaped this pivotal moment in history. Key Aspects of the Book "The Fourteenth of July; and Danton": French Revolution Drama: Rolland's plays offer theatrical depictions of key figures and events of the French Revolution, providing insights into the political and social upheaval of the era. Character Studies: The plays delve into the motivations, conflicts, and convictions of the historical figures, bringing depth and humanity to their portrayals. Historical Context: Readers gain a deeper understanding of the French Revolution's impact on society and the complex forces that drove historical change. Romain Rolland was a French author, playwright, and essayist born in 1866. He was awarded the Nobel Prize in Literature in 1915 for his extensive literary output and contributions to French literature. Rolland's fascination with historical events and social themes is evident in his plays and writings. Through "The Fourteenth of July; and Danton," he weaves together drama and history to explore the human drama behind the French Revolution.

Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 204

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Book Description

Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 454

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Book Description
The Dramatic index for 1912-16, 1919-49 accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly). This bibliography was incorporated in the main list in 1917-18.

Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 488

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Book Description
Contains the cumulation of the subject index issued in the quarterly numbers of the Bulletin of bibliography and magazine subject-index.

Author: Markus Winkler
Publisher: Springer
ISBN: 3476044858
Category : Literary Criticism
Languages : en
Pages : 382

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Book Description
This two-volume co-authored study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity. It constitutes an original comparative, interdisciplinary exploration of the concept’s modern European and Western history, with emphasis on the role of literature in the concept’s shifting functions. The study contributes to a historically grounded understanding of this figure’s past and contemporary uses. It combines overviews with detailed analyses of representative works of literature, art, film, philosophy, political and cultural theory, in which “barbarism” figures prominently. Diese auf 2 Bände konzipierte komparatistische und interdisziplinäre Studie in englischer Sprache geht der Geschichte des Barbarenbegriffs vom 18. Jahrhundert bis zur Gegenwart nach. Seit der griechischen Antike spielen Bild und Begriff des Barbarischen eine eminente Rolle für das abendländische Selbstverständnis. Die Studie verbindet Epochenüberblicke mit der Analyse herausragender literarischer, philosophischer, politik- und kulturtheoretischer, aber auch bildkünstlerischer und kinematographischer Werke und legt einen besonderen Akzent auf den Beitrag ästhetischer Verfahren zur Aufdeckung der Herkunft und der Implikationen des Barbarenbegriffs.

Author: Ruth F. Glancy
Publisher: Psychology Press
ISBN: 9780415287609
Category : Literary Criticism
Languages : en
Pages : 198

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Book Description
Often criticised for its melodramatic 'soap-opera' plot, Dickens' bold treatment of the violence and terrors of the French Revolution is still widely read and enjoyed today. This text looks at critical themes in the novel, as well as looking closely at the context in which it is set

Author: Providence Public Library (R.I.)
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1200

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Book Description

Author: Ruth Glancy
Publisher: Routledge
ISBN: 1317797124
Category : Literary Criticism
Languages : en
Pages : 193

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Book Description
Since its publication in 1859, A Tale of Two Cities has remained the best-known fictional recreation of the French Revolution, and one of Charles Dickens’s most exciting novels. A Tale of Two Cities blends a moving love story with the familiar figures of the Revolution—Bastille prisoners, a starving Parisian mob, and an indolent aristocracy. Taking the form of a sourcebook, this guide to Dickens's dramatic novel offers: extensive introductory comment on the contexts and many interpretations of the text, from publication to the present annotated extracts from key contextual documents, reviews, critical works and the text itself cross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. This volume is essential reading for all those beginning detailed study of A Tale of Two Cities and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Dickens' text.

Author: Cecilia Feilla
Publisher: Routledge
ISBN: 1317016297
Category : Performing Arts
Languages : en
Pages : 430

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Book Description
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.