Two Historical Plays on the Life and Reign of Queen Elizabeth PDF Download

Author: Professor Thomas Heywood
Publisher: Literary Licensing, LLC
ISBN: 9781498189514
Category :
Languages : en
Pages : 206

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This Is A New Release Of The Original 1851 Edition.

Author: Thomas Heywood
Publisher: Forgotten Books
ISBN: 9780259233879
Category : Drama
Languages : en
Pages : 230

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Book Description
Excerpt from Two Historical Plays on the Life and Reign of Queen Elizabeth The first part, (which we may call The Troubles of Queen Elizabeth as it has come down to us, can only be considered the fragment of a play, and, upon evidence we shall adduce presently, we may assume that it found its way to the press by means of short hand notes, taken m the theatre while the drama was in a course of representation. Why the author did not think it worth while, in any subsequent impression, to render it more complete, we know not. The second part, which deals with the events of Elizabeth's reign, as our readers will perceive, is much more perfect, and runs out to a much greater length: from that, we feel persuaded, nothing important was omitted. When, therefore, Heywood printed, in his Pleasant Dialogues and Dramas, 8vo, 1637, (p. 248) the follow ing Prologue and Epilogue, he must have intended them, and the introduction to them, to apply only to the first part, The Troubles of Queen Elizabeth, beginning in her minority, and ending with her accession to the royal throne, a potent Queen, in November, 1558. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Thomas Heywood
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 242

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Author: Kristin M.S. Bezio
Publisher: Routledge
ISBN: 1317050762
Category : Literary Criticism
Languages : en
Pages : 303

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Book Description
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.

Author:
Publisher:
ISBN: 9780371329740
Category : History
Languages : en
Pages : 220

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Author: Jane Dunn
Publisher: Vintage
ISBN: 0307425746
Category : Biography & Autobiography
Languages : en
Pages : 506

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"Superb.... A perceptive, suspenseful account." --The New York Times Book Review "Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston Herald The political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power. Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

Author: Clare Asquith
Publisher: PublicAffairs
ISBN: 1541774302
Category : Literary Collections
Languages : en
Pages : 395

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Book Description
In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved. Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.

Author: Saint Louis (Mo.). Public school library
Publisher:
ISBN:
Category :
Languages : en
Pages : 494

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Author: Thomas Heywood
Publisher:
ISBN:
Category :
Languages : en
Pages : 602

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Book Description

Author: Dr Kristin M. S. Bezio
Publisher: Ashgate Publishing, Ltd.
ISBN: 147246513X
Category : Literary Criticism
Languages : en
Pages : 241

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Book Description
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580–1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.