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Author: David C. Driskell Publisher: ISBN: Category : Art Languages : en Pages : 234
Book Description
"This book represents a major event in the art world. It is the first book to encompass the entire span and range of black art in America, from unknown artisans and journeymen painters of the 18th century to such internationally admired 19th-century artists as Edward M. Bannister, Edmonia Lewis, and Henry Ossawa Tanner, through the artists of the dynamic "Harlem Renaissance" of the 1920s, and up to Horace Pippin, Jacob Lawrence, and Romare Bearden ... and reproduces works, chronologically arranged, by all the 63 artists in the show, their paintings, sculptures, graphics, as well as crafts ranging from dolls to walking sticks" --
Author: David C. Driskell Publisher: ISBN: Category : Art Languages : en Pages : 234
Book Description
"This book represents a major event in the art world. It is the first book to encompass the entire span and range of black art in America, from unknown artisans and journeymen painters of the 18th century to such internationally admired 19th-century artists as Edward M. Bannister, Edmonia Lewis, and Henry Ossawa Tanner, through the artists of the dynamic "Harlem Renaissance" of the 1920s, and up to Horace Pippin, Jacob Lawrence, and Romare Bearden ... and reproduces works, chronologically arranged, by all the 63 artists in the show, their paintings, sculptures, graphics, as well as crafts ranging from dolls to walking sticks" --
Author: Mervin Aubespin Publisher: ISBN: 9781935497363 Category : African Americans Languages : en Pages : 304
Book Description
Since the settlement of Louisville in 1778, African Americans have created a history behind the wall of slavery and the veil of segregation, and have forged a remarkably vibrant community that, at times, influenced the political and cultural history of the nation. This community, while not entirely beyond the reach of white Louisvillians, was certainly beyond their field of vision - and its people and its achievements are largely unknown, even to more recent generations of African Americans themselves.Over the past two centuries and more, black Louisville faced many challenges: creating a free black community in the midst of slavery; the struggle to end slavery itself; the struggle to expand the limits of freedom in a segregated society; creating meaning and culture; the struggle to end segregation; and the struggle to expand the limits of freedom in a society in which African Americans are "neither separate nor equal." Louisville African Americans met each of these challenges and, by so doing, they created a community and defined its identity and character. When most successful, they capitalized on their opportunities and assets, the most important of which derived from Louisville's favorable location, the need for black labor, the need for black votes and the presence of a few influential white allies. The resulting economic and political capacity, when used astutely, could wrest concessions from white businesses and political leaders that advanced the interests of the entire African American community.The purpose of Two Centuries of Black Louisville: A Photographic History is simply to tell this story in words and images - a history in which all, irrespective of race and place, can take pride.
Author: Publisher: ISBN: Category : Languages : en Pages : 140
Book Description
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Author: Julie L. McGee Publisher: Pomegranate ISBN: 9780764937477 Category : Art Languages : en Pages : 228
Book Description
In this inquiry into Driskell's life and work, art historian McGee analyzes Driskell's philosophical struggles as he sought to both express his feelings about racial strife in America and stay true to his art.
Author: Jo Lauria Publisher: Potter Style ISBN: 0307346471 Category : Decorative arts Languages : en Pages : 323
Book Description
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
Author: Toni Tipton-Martin Publisher: Clarkson Potter ISBN: 1524761737 Category : Cooking Languages : en Pages : 322
Book Description
“A celebration of African American cuisine right now, in all of its abundance and variety.”—Tejal Rao, The New York Times JAMES BEARD AWARD WINNER • IACP AWARD WINNER • IACP BOOK OF THE YEAR • TONI TIPTON-MARTIN NAMED THE 2021 JULIA CHILD AWARD RECIPIENT NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY The New York Times Book Review • The New Yorker • NPR • Chicago Tribune • The Atlantic • BuzzFeed • Food52 Throughout her career, Toni Tipton-Martin has shed new light on the history, breadth, and depth of African American cuisine. She’s introduced us to black cooks, some long forgotten, who established much of what’s considered to be our national cuisine. After all, if Thomas Jefferson introduced French haute cuisine to this country, who do you think actually cooked it? In Jubilee, Tipton-Martin brings these masters into our kitchens. Through recipes and stories, we cook along with these pioneering figures, from enslaved chefs to middle- and upper-class writers and entrepreneurs. With more than 100 recipes, from classics such as Sweet Potato Biscuits, Seafood Gumbo, Buttermilk Fried Chicken, and Pecan Pie with Bourbon to lesser-known but even more decadent dishes like Bourbon & Apple Hot Toddies, Spoon Bread, and Baked Ham Glazed with Champagne, Jubilee presents techniques, ingredients, and dishes that show the roots of African American cooking—deeply beautiful, culturally diverse, fit for celebration. Praise for Jubilee “There are precious few feelings as nice as one that comes from falling in love with a cookbook. . . . New techniques, new flavors, new narratives—everything so thrilling you want to make the recipes over and over again . . . this has been my experience with Toni Tipton-Martin’s Jubilee.”—Sam Sifton, The New York Times “Despite their deep roots, the recipes—even the oldest ones—feel fresh and modern, a testament to the essentiality of African-American gastronomy to all of American cuisine.”—The New Yorker “Jubilee is part-essential history lesson, part-brilliantly researched culinary artifact, and wholly functional, not to mention deeply delicious.”—Kitchn “Tipton-Martin has given us the gift of a clear view of the generosity of the black hands that have flavored and shaped American cuisine for over two centuries.”—Taste
Author: Ira Berlin Publisher: Harvard University Press ISBN: 9780674020825 Category : History Languages : en Pages : 516
Book Description
Today most Americans, black and white, identify slavery with cotton, the deep South, and the African-American church. But at the beginning of the nineteenth century, after almost two hundred years of African-American life in mainland North America, few slaves grew cotton, lived in the deep South, or embraced Christianity. Many Thousands Gone traces the evolution of black society from the first arrivals in the early seventeenth century through the Revolution. In telling their story, Ira Berlin, a leading historian of southern and African-American life, reintegrates slaves into the history of the American working class and into the tapestry of our nation. Laboring as field hands on tobacco and rice plantations, as skilled artisans in port cities, or soldiers along the frontier, generation after generation of African Americans struggled to create a world of their own in circumstances not of their own making. In a panoramic view that stretches from the North to the Chesapeake Bay and Carolina lowcountry to the Mississippi Valley, Many Thousands Gone reveals the diverse forms that slavery and freedom assumed before cotton was king. We witness the transformation that occurred as the first generations of creole slaves--who worked alongside their owners, free blacks, and indentured whites--gave way to the plantation generations, whose back-breaking labor was the sole engine of their society and whose physical and linguistic isolation sustained African traditions on American soil. As the nature of the slaves' labor changed with place and time, so did the relationship between slave and master, and between slave and society. In this fresh and vivid interpretation, Berlin demonstrates that the meaning of slavery and of race itself was continually renegotiated and redefined, as the nation lurched toward political and economic independence and grappled with the Enlightenment ideals that had inspired its birth.
Author: Leslie Umberger Publisher: Princeton University Press ISBN: 0691182671 Category : Art Languages : en Pages : 444
Book Description
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--
Author: David C. Driskell
Author: David C. Driskell
Author: David C. Driskell
Author: Mervin Aubespin
Author: 
Author: Julie L. McGee
Author: Sharon F. Patton
Author: Jo Lauria
Author: Toni Tipton-Martin
Author: Ira Berlin
Author: Leslie Umberger