Author: J. B. DalzellPublisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
Sweet Glimpses of the Vanished: a Twilight Reverie
Author: J. B. DalzellThe Collected Works of Langston Hughes: The poems, 1941-1950
Author: Langston HughesPublisher: University of Missouri Press
ISBN: 9780826213402
Category : Literary Collections
Languages : en
Pages : 322
Book Description
The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work.
The Magnolia
Author: M. O. StevensPublisher:
ISBN:
Category : American lietrature
Languages : en
Pages : 468
Book Description
The Magnolia
Author: Complete Catalogue of Sheet Music and Musical Works published by the Board of Music Trade, etc
Author: Board of Music Trade (UNITED STATES OF AMERICA)Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : American drama
Languages : en
Pages : 978
Book Description
Musical Record and Review
Author: Dexter SmithI'm Not Myself at All
Author: Kristina HuneaultPublisher: McGill-Queen's Press - MQUP
ISBN: 0773554033
Category : Art
Languages : en
Pages : 401
Book Description
Notions of identity have long structured women’s art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women’s art, however, is more identity the solution? In this study of nineteenth- and early twentieth-century art in Canada, Kristina Huneault offers a meditation on the strictures of identity and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times identity features in women’s artistic work as a failed project; at other times it marks a boundary beyond which they were able to expand, explore, and exult. Bringing together settler and indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I’m Not Myself at All observes and reactivates historical art by women and prompts readers to consider what a less restrictive conceptualization of selfhood might bring to current patterns of cultural analysis.
Catalog of Copyright Entries
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : American literature
Languages : en
Pages : 576
Book Description
Catalogue of Copyright Entries
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : American literature
Languages : en
Pages : 548
Book Description