Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
Book Description
Twenty of the Plays of Shakespeare, Being the Whole Number Printed in Quarto During His Life-time ; Or Before the Restoration, Collated where There Were Different Copies, and Publish'd from the Originals
Twenty of the Plays of Shakespeare, Being the Whole Number Printed in Quarto During His Life-time... Collated where There Were Different Copies, and Publish'd from the Originals
Twenty of the Plays, Being the Whole Number Printed During His Life ... Publish'd from the Originals
Twenty of the plays, being the whole number printed during his life ... Publish'd from the Originals. 4. Volume the Fourth
Twenty of the Plays of Shakespeare
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 622
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 622
Book Description
Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 754
Book Description
Shakespeare Without a Life
Author: Margreta de Grazia
Publisher: Oxford University Press
ISBN: 0192540653
Category : History
Languages : en
Pages : 193
Book Description
A fascinating account of how Shakespeare's works were understood and valued by readers and writers from the seventeenth to the nineteenth century, before Shakespeare's biography came to dominate readings of his plays and poetry. For almost two centuries after his death, Shakespeare had no biography. The makings of one were not available. No chronology had been devised by which to coordinate the events in his life with the writing of his works. Nor was there an archive of primary materials on which to base a life. And the only work by Shakespeare written in the first person, the Sonnets, had yet to be critically edited and incorporated into the canon. Without a biography, how could Shakespeare have been valued and understood? In Shakespeare without a Life, Margreta de Grazia looks at aspects of Shakespeare's reception between 1600 and 1800 that have been all but lost to the now still prevailing biographical impulse. It recovers the anecdote as a form of literary criticism, retrieves the ancient category of genre as the canon's organizing rubric, demonstrates how the quest for authentic documents invalidated other forms of literary record, and reveals how the desire to forge connections between Shakespeare's life and the Sonnets occluded his self-presentation as the 'deceasèd I' of a posthumous poet.
Publisher: Oxford University Press
ISBN: 0192540653
Category : History
Languages : en
Pages : 193
Book Description
A fascinating account of how Shakespeare's works were understood and valued by readers and writers from the seventeenth to the nineteenth century, before Shakespeare's biography came to dominate readings of his plays and poetry. For almost two centuries after his death, Shakespeare had no biography. The makings of one were not available. No chronology had been devised by which to coordinate the events in his life with the writing of his works. Nor was there an archive of primary materials on which to base a life. And the only work by Shakespeare written in the first person, the Sonnets, had yet to be critically edited and incorporated into the canon. Without a biography, how could Shakespeare have been valued and understood? In Shakespeare without a Life, Margreta de Grazia looks at aspects of Shakespeare's reception between 1600 and 1800 that have been all but lost to the now still prevailing biographical impulse. It recovers the anecdote as a form of literary criticism, retrieves the ancient category of genre as the canon's organizing rubric, demonstrates how the quest for authentic documents invalidated other forms of literary record, and reveals how the desire to forge connections between Shakespeare's life and the Sonnets occluded his self-presentation as the 'deceasèd I' of a posthumous poet.
“The” Bibliographer's Manual of English Literature
Author: William Thomas Lowndes
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
Sale
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1670
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1670
Book Description
A Synoptic Hamlet: a Critical-Synoptic Edition of the Second Quarto and First Folio Texts of Hamlet
Author: Jesús Tronch-Pérez
Publisher: Universitat de València
ISBN: 9788437053813
Category : Juvenile Nonfiction
Languages : en
Pages : 416
Book Description
A Synoptic Hamlet is an alternative response to the editorial problems of this multiple-text play. Like most critical editions, it presents the early texts in a manner helpful to the general reader by modernizing spelling and punctuation, and emending non-sensical readings. However, it does not hide the text’s diversity by exclusively selecting readings from either the Second Quarto or the First Folio in order to reconstruct a single-reading version corresponding to the authentic Hamlet. Rather, it makes their significant variants immediately available in the line itself (offering alternative editorial interpretations of identical or similar readings at certain points). Thus the reader can have a direct appreciation of the divergence and similarity between these early texts from which the Hamlet of today is known.
Publisher: Universitat de València
ISBN: 9788437053813
Category : Juvenile Nonfiction
Languages : en
Pages : 416
Book Description
A Synoptic Hamlet is an alternative response to the editorial problems of this multiple-text play. Like most critical editions, it presents the early texts in a manner helpful to the general reader by modernizing spelling and punctuation, and emending non-sensical readings. However, it does not hide the text’s diversity by exclusively selecting readings from either the Second Quarto or the First Folio in order to reconstruct a single-reading version corresponding to the authentic Hamlet. Rather, it makes their significant variants immediately available in the line itself (offering alternative editorial interpretations of identical or similar readings at certain points). Thus the reader can have a direct appreciation of the divergence and similarity between these early texts from which the Hamlet of today is known.