Author: John MarshPublisher:
ISBN:
Category :
Languages : en
Pages : 22
Book Description
Twenty four new Chants, in four parts. (The alto&tenore parts printed separately.) With a chant expressly adapted to the Benedicite, to which is prefix'd a dissertation upon the nature of the plain chant ... Op. 42
Author: John MarshThe Queen's Minstrels. Twenty-four new songs with choruses, etc
Author: The Saturday Review of Politics, Literature, Science and Art
Author: The Illustrated London News
Author: Publisher and Bookseller
Author: Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 962
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
The Reference Catalogue of Current Literature
Author: Saturday Review of Politics, Literature, Science and Art
Author: Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820
Author: Ruth Mack WilsonPublisher: Oxford University Press
ISBN: 9780198164241
Category : Anglican chants
Languages : en
Pages : 364
Book Description
This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the Latin rite was replaced by a one-volumeBook of Common Prayer in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later written practice. The body of music that makes up the chantingpractice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are harmonized in four or more voice parts, often with organ accompaniment, and others are sung in plainsong. The largest group of chants, those for the psalms and canticles, has anidiosyncratic written form and a performance practice that continues to evolve in oral tradition. This music is commonly known as Anglican chant. Its origins in the seventeenth century and its codification in the eighteenth are explored in the choral establishments of the Church of England andparish churches in England, Scotland, and the United States.
Forty loud voluntaries
Author: Publisher:
ISBN:
Category : Organ music, Arranged
Languages : en
Pages : 64
Book Description
Author: