Author: Robert Barber (of Newcastle.)Publisher:
ISBN:
Category :
Languages : en
Pages : 26
Book Description
Twenty Four favorite, Scots Songs for the Piano Forte and Voice, etc
Author: Robert Barber (of Newcastle.)Publisher:
ISBN:
Category :
Languages : en
Pages : 26
Book Description
Twenty four of the most Elegant, and Favorite English Songs adapted for One, Two, and Three Guitars with an Accompaniment ... Op. 20
Author: Ghillini Di AsuniTwenty-four Favorite Songs
Author: Franz SchubertPublisher:
ISBN:
Category : Songs (High voice) with piano
Languages : de
Pages : 112
Book Description
Twenty-four Favorite Songs as Sung by "Happy and Lil," Your Radio Friends
Author: Twenty-four Favorite Songs for High Voice
Author: Franz SchubertTwenty-four Favorite Songs
Author: Franz (COP) SchubertPublisher:
ISBN: 9780757906817
Category : Music
Languages : de
Pages : 104
Book Description
Practical Italian Vocal Method
Author: Nicola VaccaiPublisher:
ISBN:
Category : Singing
Languages : en
Pages : 58
Book Description
Favorite Songs and Hymns for School and Home
Author: John Piersol McCaskeyPublisher:
ISBN:
Category : Arbor Day
Languages : en
Pages : 410
Book Description
Twenty-five selected songs
Author: Gabriel FauréPublisher:
ISBN:
Category : Canciones (Voz alta)
Languages : en
Pages : 124
Book Description
Encyclopedia of Great Popular Song Recordings
Author: Steve SullivanPublisher: Scarecrow Press
ISBN: 0810882965
Category : Music
Languages : en
Pages : 1027
Book Description
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.