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Author: Evgeny Dobrenko Publisher: Cambridge University Press ISBN: 1139828231 Category : Literary Criticism Languages : en Pages : 327
Book Description
In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.
Author: Evgeny Dobrenko Publisher: Cambridge University Press ISBN: 1139828231 Category : Literary Criticism Languages : en Pages : 327
Book Description
In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.
Author: Katharine Hodgson Publisher: Open Book Publishers ISBN: 1783740906 Category : Literary Criticism Languages : en Pages : 313
Book Description
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin’s second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition – "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground. Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date.
Author: Karen L. Ryan Publisher: Palgrave MacMillan ISBN: Category : Russian literature Languages : en Pages : 376
Book Description
All of the essays in this volume treat 20th-century Russian literature. In the first section there are several articles on authors and works dating from the early part of the century; the second section is comprised of articles on works written between Stalin's death and the present day. The volume represents a wide diversity of critical approaches; contributors include scholars from North America, Europe, Africa, and the Middle East.
Author: Various Publisher: Penguin ISBN: 1101141913 Category : Literary Collections Languages : en Pages : 641
Book Description
Clarence Brown's marvelous collection introduces readers to the most resonant voices of twentieth-century Russia. It includes stories by Chekhov, Gorky, Bunin, Zamyatin, Babel, Nabokov, Solzhenitsyn, and Voinovich; excerpts from Andrei Bely's Petersburg, Mikhail Bulgakov's The Master and Margarita, Boris Pasternak's Dr. Zhivago, and Sasha Solokov's A School for Fools; the complete text of Yuri Olesha's 1927 masterpiece Envy; and poetry by Alexander Blok, Anna Akhmatova, and Osip Mandelstam. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Andrew Kahn Publisher: Oxford University Press ISBN: 0192549537 Category : Literary Criticism Languages : en Pages : 1202
Book Description
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day. The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and personal. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular brings out trans-historical features that contribute to the notion of a national literature. The volume's time range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
Author: Lipovetsy M. N. (Mark Naumovich) Publisher: ISBN: 9781936235223 Category : Russian fiction Languages : en Pages : 0
Book Description
The largest, most comprehensive anthology of its kind, this volume brings together significant, representative stories from every decade of the twentieth century. It includes the prose of officially recognized writers and dissidents, both well-known and neglected or forgotten, plus new authors from the end of the century. The selections reflect the various literary trends and approaches to depicting reality in this era: traditional realism, modernism, socialist realism, and post-modernism. Taken as a whole, the stories capture every major aspect of Russian life, history and culture in the twentieth century. The rich array of themes and styles will be of tremendous interest to students and readers who want to learn about Russia through the engaging genre of the short story.
Author: Irene Masing-Delic Publisher: Stanford University Press ISBN: 0804766428 Category : Literary Criticism Languages : en Pages : 376
Book Description
The idea of abolishing death was one of the most influential myth-making concepts expressed in Russian literature from 1900 to 1930, especially in the works of writers who attributed a "life-modeling" function to art. To them, art was to create a life so aesthetically organized and perfect that immortality would be an inevitable consequence. This idea was mirrored in the thought of some who believed that the political revolution of 1917 would bring about a revolution in basic existential facts: specifically, the belief that communism and the accompanying advance of science would ultimately be able to bestow physical immortality and to resurrect the dead. According to one variant, for example, the dead were to be resurrected by extrapolation from the traces of their labor left in the material world. The author finds the seeds of this extraordinary concept in the erosion of traditional religion in late-nineteenth-century Russia. Influenced by the new power of scientific inquiry, humankind appropriated various divine attributes one after the other, including omnipotence and omniscience, but eventually even aiming toward the realization of individual, physical immortality, and thus aspiring to equality with God. Writers as different as the "decadent" Fyodor Sologub, the "political" Maxim Gorky, and the "gothic" Nikolai Ognyov created works for making mortals into gods, transforming the raw materials of current reality into legend. The book first outlines the ideological context of the immortalization project, notably the impact of the philosophers Fyodorov and Solovyov. The remainder of the book consists of close readings of texts by Sologub, Gorky, Blok, Ognyov, and Zabolotsky. Taken together, the works yield the "salvation program" that tells people how to abolish death and live forever in an eternal, self-created cosmos—gods of a legend that was made possible by creative artists, imaginative scientists, and inspired laborers.
Author: Evgeny Dobrenko
Author: Evgeny Dobrenko
Author: Katharine Hodgson
Author: Harry Thornton Moore
Author: Karen L. Ryan
Author: Various
Author: Andrew Kahn
Author: 
Author: Harvard University. Library
Author: Lipovetsy M. N. (Mark Naumovich)
Author: Irene Masing-Delic