Twentieth Century Interpretations of Endgame PDF Download

Author: Bell Gale Chevigny
Publisher:
ISBN:
Category : Dramatists, Irish
Languages : en
Pages : 136

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Author: Mark S. Byron
Publisher: Rodopi
ISBN: 9042022884
Category : Art
Languages : en
Pages : 305

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Book Description
This collection of essays the first volume in the Dialogue series brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.

Author: Michael Boyd
Publisher: Bucknell University Press
ISBN: 9780838750292
Category : Literary Criticism
Languages : en
Pages : 200

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Book Description
Interrogating the basic assumptions of realism, this study examines the postmodern phenomenon of fiction as the presentation of theories of fiction. The writers critically examined include Nabokov, Woolf, Conrad, Faulkner, Joyce, and Beckett.

Author: Douglas Cole
Publisher: Prentice Hall
ISBN:
Category : Drama
Languages : en
Pages : 136

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Book Description
A collection of critical essays about "Romeo and Juliet".

Author: James Acheson
Publisher: Springer
ISBN: 1349227625
Category : Literary Criticism
Languages : en
Pages : 241

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Book Description
The fifteen essays in this collection, published here for the first time, survey the work of some of the major British and Irish dramatists since 1960. Included are four dramatists - Samuel Beckett, Harold Pinter, Peter Shaffer and Peter Nichols - who began writing plays before 1960, and whose work since then has continued to develop interestingly. Most of the dramatists considered here, however, are those who have begun writing more recently, and who illustrate some of the distinctive characteristics of British and Irish drama of our time.

Author: Jason Goroncy
Publisher: Wipf and Stock Publishers
ISBN: 1666706906
Category : Religion
Languages : en
Pages : 378

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Book Description
This book explores the vital role of the imagination in today's complex climates--cultural, environmental, political, racial, religious, spiritual, intellectual, etc. It asks: What contribution do the arts make in a world facing the impacts of globalism, climate change, pandemics, and losses of culture? What wisdom and insight, and orientation for birthing hope and action in the world, do the arts offer to religious faith and to theological reflection? These essays, poems, and short reflections--written by art practitioners and academics from a diversity of cultures and religious traditions--demonstrate the complex cross-cultural nature of this conversation, examining critical questions in dialogue with various art forms and practices, and offering a way of understanding how the human imagination is formed, sustained, employed, and expanded. Marked by beauty and wonder, as well as incisive critique, it is a unique collection that brings unexpected voices into a global conversation about imagining human futures.

Author: H. Porter Abbott
Publisher: Cornell University Press
ISBN: 1501735659
Category : Literary Criticism
Languages : en
Pages : 221

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Book Description
Suppose that, before he is writing fiction, before he is writing drama, before he is writing any of the autonomous, highly polished pieces that make up his life work, Beckett is writing Beckett. What follows from this? In Beckett Writing Beckett, H. Porter Abbott argues that, by the time he had written Waiting for Godot, Beckett's art had crystallized as a life project keyed to the simultaneous action of writing and reading the self. How does such an interpretive shift change the way we see the salient features of Beckett's art: his extraordinary and persistent assaults on narrative, his restless exploration of genres and media, his attempts to exercise autocratic control over performance and publication, his increasingly musical formal structures, his tireless capacity to invent? How, moreover, does this view relate to the contempt for autobiography so pervasive in Beckett's work? In approaching these questions, Beckett Writing Beckett seeks to redirect current discussion of such concepts as "the author" and "originality." Arguing on several widely contested fronts in Beckett criticism, including such vexed issues as Beckett's postmodernism, his politics, and his relation to his audience, Abbott develops an interpretive method grounded in the concept of"autographical action." The method allows Abbott to articulate the centrality of the inexhaustible strangeness of Beckett's work, and to do so without robbing that strangeness of its power to surprise.

Author: Raman Selden
Publisher: Taylor & Francis
ISBN: 100090850X
Category : Literary Criticism
Languages : en
Pages : 155

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First published in 1984 Criticism and Objectivity argues that literary critics should not abandon the concept of knowledge. English literary criticism has long considered ‘theory’ to be alien to the felt experience of readers and writers; the Romantic attitude towards reason and feeling has continued to inhibit the conceptual development of criticism. The similarities between the role of theory in science and in literary criticism imply the need for ‘objectivity’ to be redefined rather than abandoned. While accepting that tests are relatively open structures defying final interpretations, Dr Selden argues that their plurality is as much the effect of historical conditions as of the nature of language or subjectivity. He calls for an historical criticism capable of ‘conducting’ the voices of the text without resorting to formalism or reducing the text to its ‘background’. This book will be of interest to students of literary theory.

Author: Giancarlo Maiorino
Publisher: Penn State Press
ISBN: 0271048190
Category : Literary Criticism
Languages : en
Pages : 378

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&“Titology,&” a term first coined in 1977 by literary critic Harry Levin, is the field of literary studies that focuses on the significance of a title in establishing the thematic developments of the pages that follow. While the term has been used in the literary community for thirty years, this book presents for the first time a thoroughly developed theoretical discussion on the significance of the title as a foundation for scholarly criticism. Though Maiorino acknowledges that many titles are superficial and &“indexical,&” there exists a separate and more complex class of titles that do much more than simply decorate a book&’s spine. To prove this argument, Maiorino analyzes a wide range of examples from the modern era through high modernism to postmodernism, with writings spanning the globe from Spain and France to Germany and America. By examining works such as Essais, The Waste Land, Ulysses, and Don Quixote, First Pages proves the power of the title to connect the reader to the thematic, cultural, and literary context of the writing as a whole. Much like a fa&çade to a building, the title page serves as the frontispiece of literature, a sign that offers perspective and demands interpretation.

Author: Tom Huhn
Publisher: Cambridge University Press
ISBN: 1139826336
Category : Philosophy
Languages : en
Pages : 524

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Book Description
The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno (1903–69) was one of the main philosophers of the first generation of the Frankfurt School of critical theory. An accomplished musician, Adorno first focused on the theory of culture and art. Later he turned to the problem of the self-defeating dialectic of modern reason and freedom. In this collection of essays, imbued with the most up-to-date research, a distinguished roster of Adorno specialists explore the full range of his contributions to philosophy, history, music theory, aesthetics and sociology. New readers will find this the most convenient and accessible guide to Adorno currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Adorno.