![Twelve English Songs with their Symphonies. The words by several authors. [Opera prima.] PDF](https://books.google.com/books/content/images/frontcover/0NXKl-3Lv9oC?fife=w150-h200)
Author: James CorfePublisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Twelve English Songs with their Symphonies. The words by several authors. [Opera prima.]
![Twelve English Songs with their Symphonies. The words by several authors. [Opera prima.] PDF](https://books.google.com/books/content/images/frontcover/0NXKl-3Lv9oC?fife=w80-h100)
Author: James CorfeA Catalogue of Music and Books on Music
Author: Kenneth Mummery (Firm)Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 362
Book Description
The Catalogue of Printed Music in the British Library to 1980
Author: British Library. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 396
Book Description
The Musical Times
Author: The Athenaeum
Author: Music Trade Review
Author: The International Cyclopedia of Music and Musicians
Author: Oscar ThompsonPublisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
The Illustrated London News
Author: Musical Courier and Review of Recorded Music
Author: Women and Music in the Age of Austen
Author: Linda ZionkowskiPublisher: Rutgers University Press
ISBN: 1684485177
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.