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Author: Stephen Herbert Publisher: Taylor & Francis ISBN: 1003825516 Category : Social Science Languages : en Pages : 383
Book Description
In the 21st Century, broadcast television is an established part of the lives of many millions of people all over the world, bringing information and entertainment directly into our homes. This three volume collection provides source materials for those with a new interest in the history of early television, and is a valuable resource for researchers requiring access to facsimiles of original texts. The set consists of two important 1920s-1930s books relating to television, and a collection of short articles covering the social, aesthetic, and technical aspects of the medium. Items range from 1870s prophecies, experiments and cartoons, to 1930s accounts of the first public broadcasting systems in Britain, Germany, and the USA. The pieces are from newspapers, specialist journals of the period, and popular magazines. Technical articles included are chosen for their accessibility to non-specialists with limited technical knowledge. The selection comments on the progress of television in many parts of the world. The set includes a general introduction by the editor, which places each item in context and provides a comprehensive account of the medium through 1940. The second volume starts with another selection from Television magazine and also includes selected chapters from the Book of Practical Television.
Author: Stephen Herbert Publisher: Taylor & Francis ISBN: 1003825516 Category : Social Science Languages : en Pages : 383
Book Description
In the 21st Century, broadcast television is an established part of the lives of many millions of people all over the world, bringing information and entertainment directly into our homes. This three volume collection provides source materials for those with a new interest in the history of early television, and is a valuable resource for researchers requiring access to facsimiles of original texts. The set consists of two important 1920s-1930s books relating to television, and a collection of short articles covering the social, aesthetic, and technical aspects of the medium. Items range from 1870s prophecies, experiments and cartoons, to 1930s accounts of the first public broadcasting systems in Britain, Germany, and the USA. The pieces are from newspapers, specialist journals of the period, and popular magazines. Technical articles included are chosen for their accessibility to non-specialists with limited technical knowledge. The selection comments on the progress of television in many parts of the world. The set includes a general introduction by the editor, which places each item in context and provides a comprehensive account of the medium through 1940. The second volume starts with another selection from Television magazine and also includes selected chapters from the Book of Practical Television.
Author: Christopher H. Sterling Publisher: Routledge ISBN: 1135456496 Category : Reference Languages : en Pages : 2848
Book Description
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.
Author: Felicity Barnes Publisher: Auckland University Press ISBN: 1775581292 Category : History Languages : en Pages : 532
Book Description
Antipodean soldiers and writers, meat carcasses and moa, British films and Kiwi tourists—throughout the last 150 years, people, objects and ideas have gone back and forth between New Zealand and London, defining and redefining the relationship between this country and the colonial center that many New Zealanders once called home. Exploring the relationship between a colony and its metropolis from Wakefield to the Wombles, it answers questions, including How did New Zealanders define themselves in relation to the center of British culture? and How did New Zealanders view London when they walked through King's Cross or saw the city in movies? By focusing on particular themes—from agricultural marketing to expatriate writers—this discussion develops a larger story about the construction of colonial and national identities.
Author: Jennifer Atkins Publisher: University Press of Florida ISBN: 0813065593 Category : Performing Arts Languages : en Pages : 487
Book Description
“Accessible and well researched, [combines] practical and theoretical perspectives on ways that dance shapes the American experience. . . . Highly recommended.”—Choice “Unpredictable. Counterintuitive. Stunningly conceived. So you think you know dance history? These anthologies are full of revelations.”—Mindy Aloff, editor of Leaps in the Dark: Art and the World “This is a picture of American dance—and a picture of America through dance—as we have not conceived of it before, advancing the bold and capacious idea that movement can illuminate who Americans are and who they want to be. A startlingly original compilation that includes stops in the unlikeliest places, it makes the case that following the moving body into every byway of life reveals an America that has been hiding in plain sight. It will be impossible to think of this subject in the same way again.”—Suzanne Carbonneau, George Mason University and scholar-in-residence, Jacob’s Pillow Dancing embodies cultural history and beliefs, and each dance carries with it features of the place where it originated. Influenced by different social, political, and environmental circumstances, dances change and adapt. American dance evolved in large part through combinations of multiple styles and forms that arrived with each new group of immigrants. Perspectives on American Dance is the first anthology in over twenty-five years to focus exclusively on American dance practices across a wide span of American culture. This volume and its companion show how social experience, courtship, sexualities, and other aspects of life in America are translated through dancing into spatial patterns, gestures, and partner relationships. In this volume of Perspectives on American Dance, the contributors explore a variety of subjects: white businessmen in Prescott, Arizona, who created a “Smoki tribe” that performed “authentic” Hopi dances for over seventy years; swing dancing by Japanese American teens in World War II internment camps; African American jazz dancing in the work of ballet choreographer Ruth Page; dancing in early Hollywood movie musicals; how critics identified “American” qualities in the dancing of ballerina Nana Gollner; the politics of dancing with the American flag; English Country Dance as translated into American communities; Bob Fosse’s sociopolitical choreography; and early break dancing as Latino political protest. The accessible essays use a combination of movement analysis, thematic interpretation, and historical context to convey the vitality and variety of American dance. They offer new insights on American dance practices while simultaneously illustrating how dancing functions as an essential template for American culture and identity. Jennifer Atkins is associate professor of dance at Florida State University. Sally R. Sommer is professor of dance and director of the FSU in NYC program at Florida State University. Tricia Henry Young is professor emerita of dance history and former director of the American Dance Studies program at Florida State University. Contributors: Jennifer Atkins | Kathaleen Boche | Cutler Edwards | Karen Eliot | Lizzie Leopold | Julie Malnig | Adrienne L. McLean | Joellen A. Meglin | Dara Milovanovic | Jill Nunes Jensen | Marta Robertson | Lynette Russell | Sally Sommer, Ph.D. | Daniel J. Walkowitz | Sara Wolf, Ph.D. | Tricia Henry Young
Author: Susan Denham Wade Publisher: The History Press ISBN: 0750992948 Category : Science Languages : en Pages : 378
Book Description
Eyes were one of the very first body parts to evolve more than 500 million years ago, and their structure has remained virtually unchanged through most of evolutionary history. But eyes alone were never enough for Homo sapiens. From the mastery of fire a million years ago to the smartphone today, humans have repeatedly invented new ways to see their surroundings, each other and themselves. Artificial light, art, mirrors, writing, lenses, printing, photography, film, television, smartphones – these tools didn't just add to our visual repertoire, they shaped cultures around the world and made us who we are. Drawing on sources from anthropology to zoology, neuroscience to Netflix, As Far As the Eye Can See traces the history of seeing from the first evolutionary stirrings of sight and discovers that each time we changed how or what we see, we changed ourselves and the world around us. Along the way, it finds, sight slowly eclipsed our other senses. Are we now at 'peak seeing', the author asks. Can our eyes keep up with technology? Have we gone as far as the eye can see?
Author: Tim Brooks Publisher: McFarland ISBN: 1476676763 Category : Social Science Languages : en Pages : 291
Book Description
The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
Author: Stephen Herbert
Author: Stephen Herbert
Author: Christopher H. Sterling
Author: Felicity Barnes
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Author: Jennifer Atkins
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Author: Susan Denham Wade
Author: Tim Brooks