Author: Jack Ketchum
Publisher: Crossroad Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 65
Book Description
From the author of The Girl Next Door and the co-author of The Woman, Turning Japanese offers an insight into films that "pushed the edge of the envelope" as reviewed by Jack Ketchum in Asian Cult Cinema Magazine. Several films by Katsuya Matsumura, Yahuharu Hasebe, Ran Masaki, and Takashi Miike are covered in Turning Japanese. Among the titles reviewed are: the All Night Long series, Assault! Jack the Ripper, Snake and Whip, Audition, Visitor Q, and the Flower and Snake films.
Turning Japanese: : Articles, 1997 to 2007, for Asian Cult Cinema
Author: Jack Ketchum
Publisher: Crossroad Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 65
Book Description
From the author of The Girl Next Door and the co-author of The Woman, Turning Japanese offers an insight into films that "pushed the edge of the envelope" as reviewed by Jack Ketchum in Asian Cult Cinema Magazine. Several films by Katsuya Matsumura, Yahuharu Hasebe, Ran Masaki, and Takashi Miike are covered in Turning Japanese. Among the titles reviewed are: the All Night Long series, Assault! Jack the Ripper, Snake and Whip, Audition, Visitor Q, and the Flower and Snake films.
Publisher: Crossroad Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 65
Book Description
From the author of The Girl Next Door and the co-author of The Woman, Turning Japanese offers an insight into films that "pushed the edge of the envelope" as reviewed by Jack Ketchum in Asian Cult Cinema Magazine. Several films by Katsuya Matsumura, Yahuharu Hasebe, Ran Masaki, and Takashi Miike are covered in Turning Japanese. Among the titles reviewed are: the All Night Long series, Assault! Jack the Ripper, Snake and Whip, Audition, Visitor Q, and the Flower and Snake films.
The People's Peking Man
Author: Sigrid Schmalzer
Publisher: University of Chicago Press
ISBN: 0226738612
Category : History
Languages : en
Pages : 368
Book Description
In the 1920s an international team of scientists and miners unearthed the richest evidence of human evolution the world had ever seen: Peking Man. After the communist revolution of 1949, Peking Man became a prominent figure in the movement to bring science to the people. In a new state with twin goals of crushing “superstition” and establishing a socialist society, the story of human evolution was the first lesson in Marxist philosophy offered to the masses. At the same time, even Mao’s populist commitment to mass participation in science failed to account for the power of popular culture—represented most strikingly in legends about the Bigfoot-like Wild Man—to reshape ideas about human nature. The People’s Peking Man is a skilled social history of twentieth-century Chinese paleoanthropology and a compelling cultural—and at times comparative—history of assumptions and debates about what it means to be human. By focusing on issues that push against the boundaries of science and politics, The People’s Peking Man offers an innovative approach to modern Chinese history and the history of science.
Publisher: University of Chicago Press
ISBN: 0226738612
Category : History
Languages : en
Pages : 368
Book Description
In the 1920s an international team of scientists and miners unearthed the richest evidence of human evolution the world had ever seen: Peking Man. After the communist revolution of 1949, Peking Man became a prominent figure in the movement to bring science to the people. In a new state with twin goals of crushing “superstition” and establishing a socialist society, the story of human evolution was the first lesson in Marxist philosophy offered to the masses. At the same time, even Mao’s populist commitment to mass participation in science failed to account for the power of popular culture—represented most strikingly in legends about the Bigfoot-like Wild Man—to reshape ideas about human nature. The People’s Peking Man is a skilled social history of twentieth-century Chinese paleoanthropology and a compelling cultural—and at times comparative—history of assumptions and debates about what it means to be human. By focusing on issues that push against the boundaries of science and politics, The People’s Peking Man offers an innovative approach to modern Chinese history and the history of science.
The Cinema of Takeshi Kitano
Author: Sean Redmond
Publisher: Columbia University Press
ISBN: 0231163339
Category : Performing Arts
Languages : en
Pages : 130
Book Description
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Publisher: Columbia University Press
ISBN: 0231163339
Category : Performing Arts
Languages : en
Pages : 130
Book Description
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
The Encyclopedia of Japanese Horror Films
Author: Salvador Jiménez Murguía
Publisher: Rowman & Littlefield
ISBN: 1442261676
Category : Performing Arts
Languages : en
Pages : 423
Book Description
Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla toviolentfilms like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these films—such as the Ringu movies—have influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further reading. Although emphasizing horror as a general theme, this encyclopedia also encompasses other genres that are associated with this theme, including Comedy Horror, Science Fiction Horror, Cyber-punk Horror, Ero Guru (Erotic Grotesque), and Anime Horror. The Encyclopedia of Japanese Horror Films is a comprehensive reference volume that will appeal to both cinema scholars as well as to the many fans of this popular genre.
Publisher: Rowman & Littlefield
ISBN: 1442261676
Category : Performing Arts
Languages : en
Pages : 423
Book Description
Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla toviolentfilms like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these films—such as the Ringu movies—have influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further reading. Although emphasizing horror as a general theme, this encyclopedia also encompasses other genres that are associated with this theme, including Comedy Horror, Science Fiction Horror, Cyber-punk Horror, Ero Guru (Erotic Grotesque), and Anime Horror. The Encyclopedia of Japanese Horror Films is a comprehensive reference volume that will appeal to both cinema scholars as well as to the many fans of this popular genre.
Paradoxical Japaneseness
Author: Andrew Dorman
Publisher: Springer
ISBN: 1137551607
Category : Social Science
Languages : en
Pages : 230
Book Description
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
Publisher: Springer
ISBN: 1137551607
Category : Social Science
Languages : en
Pages : 230
Book Description
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
Warriors of the Rising Sun
Author: Robert B. Edgerton
Publisher: W. W. Norton & Company
ISBN: 9780393040852
Category : History
Languages : en
Pages : 398
Book Description
Throughout the Pacific theater of World War II, Allied prisoners were often starved, tortured, beheaded, even cannibalized by Japanese soldiers. Yet, during the Boxer Rebellion in China and the savage Russo-Japanese War of 1904-5, the Western press lauded the Japanese for their kindness to the enemy wounded and imprisoned. "Warriors of the Rising Sun" chronicles the Japanese military's transformation from honorable "knights of Bushido" into men of historic cruelty. Photos.
Publisher: W. W. Norton & Company
ISBN: 9780393040852
Category : History
Languages : en
Pages : 398
Book Description
Throughout the Pacific theater of World War II, Allied prisoners were often starved, tortured, beheaded, even cannibalized by Japanese soldiers. Yet, during the Boxer Rebellion in China and the savage Russo-Japanese War of 1904-5, the Western press lauded the Japanese for their kindness to the enemy wounded and imprisoned. "Warriors of the Rising Sun" chronicles the Japanese military's transformation from honorable "knights of Bushido" into men of historic cruelty. Photos.
Asian Cult Cinema
Author: Thomas Weisser
Publisher: Berkley Trade
ISBN: 9781572972285
Category : Actors
Languages : en
Pages : 0
Book Description
This book includes hundreds of writings and reviews of cinemas as well as a director filmography.
Publisher: Berkley Trade
ISBN: 9781572972285
Category : Actors
Languages : en
Pages : 0
Book Description
This book includes hundreds of writings and reviews of cinemas as well as a director filmography.
Japanese Cinema
Author: Alastair Phillips
Publisher: Routledge
ISBN: 1134334214
Category : Performing Arts
Languages : en
Pages : 466
Book Description
Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.
Publisher: Routledge
ISBN: 1134334214
Category : Performing Arts
Languages : en
Pages : 466
Book Description
Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.
The Asian Cinema Experience
Author: Stephen Teo
Publisher: Routledge
ISBN: 0415571464
Category : Art
Languages : en
Pages : 290
Book Description
This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component - this book provides a rich, insightful overview of what exactly constitutes Asian Cinema.
Publisher: Routledge
ISBN: 0415571464
Category : Art
Languages : en
Pages : 290
Book Description
This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component - this book provides a rich, insightful overview of what exactly constitutes Asian Cinema.
Japanese Understanding of Salvation
Author: Martin Heißwolf
Publisher: Langham Publishing
ISBN: 1783683716
Category : Religion
Languages : en
Pages : 545
Book Description
It is no secret that Christianity has been widely rejected in Japan with less than two percent of the population identifying as Christian. The dominant worldview in Japan is deeply animistic, with beliefs such as the Japanese mana-concept, ki (気), the Japanese soul-concept, and the concept of God/god(s), kami (神), being deeply rooted in the culture and fundamentally influencing society. Dr Martin Heißwolf, with his years of experience in Japan, critically examines Japanese animism in light of core Christian beliefs, such as the concepts of “peace” and “salvation.” Central to Japanese people’s rejection of Christian truth is the diametric opposition of its supernatural message to the natural focus of Japanese animistic folk religion. Heißwolf’s meticulous study is framed squarely within missiological thought and praxis so Christians serving in Japanese contexts are better able to communicate the message of the gospel by more fully understanding Japanese people, people by whom God wants to be known.
Publisher: Langham Publishing
ISBN: 1783683716
Category : Religion
Languages : en
Pages : 545
Book Description
It is no secret that Christianity has been widely rejected in Japan with less than two percent of the population identifying as Christian. The dominant worldview in Japan is deeply animistic, with beliefs such as the Japanese mana-concept, ki (気), the Japanese soul-concept, and the concept of God/god(s), kami (神), being deeply rooted in the culture and fundamentally influencing society. Dr Martin Heißwolf, with his years of experience in Japan, critically examines Japanese animism in light of core Christian beliefs, such as the concepts of “peace” and “salvation.” Central to Japanese people’s rejection of Christian truth is the diametric opposition of its supernatural message to the natural focus of Japanese animistic folk religion. Heißwolf’s meticulous study is framed squarely within missiological thought and praxis so Christians serving in Japanese contexts are better able to communicate the message of the gospel by more fully understanding Japanese people, people by whom God wants to be known.