Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 308
Book Description
Tudor Church Music: John Taverner, pt. 1
Tudor Church Music: John Taverner, pt.1
Tudor Church Music
Tudor Church Music: Thomas Tomkins, pt. 1: Services
Tudor Church Music: Thomas Tomkins, pt.1
Tudor Church Music: Orlando Gibbons
Tudor Church Music
Yarnall Library of Theology of St. Clement's Church, Philadelphia
Author: Philadelphia. St. Clement's church. Yarnall library of theology
Publisher:
ISBN:
Category : Catholic church
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Catholic church
Languages : en
Pages : 370
Book Description
Tudor Church Music: William Byrd, English church music, pt.1
Poetry and Music in Seventeenth-Century England
Author: Diane Kelsey McColley
Publisher: Cambridge University Press
ISBN: 9780521593632
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes and Tomkins. The seventeenth century was the time in English literary history when music was most consciously linked to words, and when the mingling of Renaissance and 'new' philosophy opened new discovery routes for the interpretation of art. McColley offers close readings of poems and the musical settings of analogous texts, and discusses the philosophy, performance, and disputed political and ecclesiastical implications of polyphony. She also enters into the discourse about the nature of language, relating poets' use of language and composers' use of music to larger questions concerning the arts, politics and theology.
Publisher: Cambridge University Press
ISBN: 9780521593632
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes and Tomkins. The seventeenth century was the time in English literary history when music was most consciously linked to words, and when the mingling of Renaissance and 'new' philosophy opened new discovery routes for the interpretation of art. McColley offers close readings of poems and the musical settings of analogous texts, and discusses the philosophy, performance, and disputed political and ecclesiastical implications of polyphony. She also enters into the discourse about the nature of language, relating poets' use of language and composers' use of music to larger questions concerning the arts, politics and theology.