Author: Richard ShustermanPublisher:
ISBN: 9780231067430
Category : Criticism
Languages : en
Pages : 236
Book Description
T.S. Eliot and the Philosophy of Criticism
Author: Richard ShustermanPublisher:
ISBN: 9780231067430
Category : Criticism
Languages : en
Pages : 236
Book Description
The Cambridge Companion to T. S. Eliot
Author: A. David MoodyPublisher: Cambridge University Press
ISBN: 1107493706
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
In this Companion, an international team of leading T. S. Eliot scholars contribute studies of different facets of the writer's work to build up a carefully co-ordinated and fully rounded introduction. Five chapters give a complete account of Eliot's poems and plays from several distinct points of view. The major aspects and issues of his life and thought are assessed: his American origins and his becoming English; his position as a philosopher; his literary, social, and political criticism; and the evolution of his religious sense. Later chapters place his work in a number of historical perspectives; and the final chapter provides an expert review of the whole field of Eliot studies and is supplemented by a listing of the most significant publications. There is a useful chronological outline. Taken as a whole, the Companion comprises an essential handbook for students and other readers of Eliot.
T. S. Eliot, the Critic as Philosopher
Author: Lewis FreedPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Theory and Personality
Author: Brian LeePublisher: A&C Black
ISBN: 1472510046
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
T. S. Eliot's literary criticism is often described as 'the criticism of a poet'. Mr Lee asks what happens if we take that description seriously and read the criticism as if it was as much the expression of the man, it its way, as the poetry; continuous with the poetry and the preoccupations of the poetry. This essay in interpretation is an attempt to follow out such a programme and to account for the contradictions and seemingly discrepant utterances that Eliot himself left unexplained. The opening chapter offers an outline of Eliot's main 'theories' and the connection between them, and subsequent chapters deal with critical approaches to Eliot; 'Tradition and the Individual Talent' and impersonality; Eliot's ideas on personality; and the relation between individual personality and society.
T. S. Eliot's Dialectical Imagination
Author: Jewel Spears BrookerPublisher: JHU Press
ISBN: 1421426536
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
What principles connect—and what distinctions separate—“The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets? The thought-tormented characters in T. S. Eliot’s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot’s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles—dialectic and relativism—constitute the basis of a continual reshaping of Eliot’s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot’s poetry in three blocks, each represented by a signature masterpiece: “The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets. She correlates these works with stages in the poet’s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive—moving from texts to theories—and comparative—juxtaposing the evolution of Eliot’s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry—Brooker integrates cultural and biographical contexts. The first book to read Eliot’s poems alongside all of his prose and letters, T. S. Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.
The Philosophy of T.S. Eliot
Author: William SkaffPublisher: University of Pennsylvania Press Anniversary Collection
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 270
Book Description
T. S. Eliot's mind encompasses just about every important avant-garde intellectual movement of his time. His thought, as well as his poetry, represents an essential and original achievement within Modernism. This study presents Eliot's unique synthesis of contemporary philosophy, psychology, anthropology, and studies in mysticism, and demonstrates how it is responsible for the nature of his religious belief, the basic tenets of his literary theory, and the figurative, structural, and dramatic aspects of his verse, pervading virtually everything he wrote throughout his life. The chapters are Skepticism, Mysticism, The Unconscious, Primitive Experience, Mythic Consciousness, and A Surrealist Poetic.
From Philosophy to Poetry
Author: Donald J. ChildsPublisher: A&C Black
ISBN: 0485115506
Category : Philosophy
Languages : en
Pages : 234
Book Description
Eliot is the rare case of a great poet who was also an academic philosopher and Professor Child's study examines the relationship between his writing of poetry and his philosophical pursuits, in particular his lifelong occupation with the work of F. H. Bradley, Henri Bergson and William James. This account also considers the reception of Eliot's writing in philosophy and argues that the study of this work has significantly entered recent Eliot criticism. Overall, this volume provides a new reading of Eliot's famous poems, his literary criticism and social commentary.
The Early T. S. Eliot and Western Philosophy
Author: Rafey HabibPublisher: Cambridge University Press
ISBN: 9780521624336
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Study of Eliot's philosophical writings, assessing their impact on his early poetry and literary criticism.
Impossible Modernism
Author: Robert S. LehmanPublisher: Stanford University Press
ISBN: 1503600149
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
Impossible Modernism reads the writings of German philosopher and critic Walter Benjamin (1892–1940) and Anglo-American poet and critic T. S. Eliot (1888–1965) to examine the relationship between literary and historical form during the modernist period. It focuses particularly on how they both resisted the forms of narration established by nineteenth-century academic historians and turned instead to traditional literary devices—lyric, satire, anecdote, and allegory—to reimagine the forms that historical representation might take. Tracing the fraught relationship between poetry and history back to Aristotle's Poetics and forward to Nietzsche's Untimely Meditations, Robert S. Lehman establishes the coordinates of the intellectual-historical problem that Eliot and Benjamin inherited and offers an analysis of how they grappled with this legacy in their major works.
T. S. Eliot
Author: James E. Miller Jr.Publisher: Penn State Press
ISBN: 0271045477
Category : Biography & Autobiography
Languages : en
Pages : 494
Book Description
Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.