Author: Dulwich Picture Gallery
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 364
Book Description
Catalogue of the Pictures in the Gallery of Alleyn's College of God's Gift at Dulwich
Author: Dulwich Picture Gallery
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 364
Book Description
Catalogue of the Pictures in the Gallery of Alleyn's College of God's Gift at Dulwich
Author: Dulwich Picture Gallery
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 284
Book Description
Collecting Prints and Drawings
Author: Sylvia Heudecker
Publisher: Cambridge Scholars Publishing
ISBN: 1527526542
Category : Art
Languages : en
Pages : 441
Book Description
Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?
Publisher: Cambridge Scholars Publishing
ISBN: 1527526542
Category : Art
Languages : en
Pages : 441
Book Description
Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?
Guido Reni
Author: Guido Reni
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 130
Book Description
For a long time questions surrounding the many versions of paintings by Guido Reni have been the centre of a scholarly debate which still continues. Are these 'originals', 'copies', or workshop pieces created under Reni's supervision? The Saint Sebastians on display in this exhibition - the paintings at Dulwich and Genoa will appear alongside another four examples of the subject from the Pinacoteca Capitolina in Rome, the Museo del Prado in Madrid, the Museo de Arte de Ponce (Puerto Rico), and the Auckland Art Gallery (New Zealand) - should be seen, instead, under a different light. The authors present the scholarly views that have produced strikingly diverse conclusions, providing details about the provenance of the works, their condition, and the results of technical analysis to further help the direct comparison offered by this exhibition.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 130
Book Description
For a long time questions surrounding the many versions of paintings by Guido Reni have been the centre of a scholarly debate which still continues. Are these 'originals', 'copies', or workshop pieces created under Reni's supervision? The Saint Sebastians on display in this exhibition - the paintings at Dulwich and Genoa will appear alongside another four examples of the subject from the Pinacoteca Capitolina in Rome, the Museo del Prado in Madrid, the Museo de Arte de Ponce (Puerto Rico), and the Auckland Art Gallery (New Zealand) - should be seen, instead, under a different light. The authors present the scholarly views that have produced strikingly diverse conclusions, providing details about the provenance of the works, their condition, and the results of technical analysis to further help the direct comparison offered by this exhibition.
The Encyclopaedia Britannica
The Athenaeum
The Encyclopaedia Britannica: A to Aus
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1052
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1052
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Athenaeum
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description