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Author: Samuel Oliver Young Publisher: Jazzybee Verlag ISBN: Category : History Languages : en Pages : 258
Book Description
The stories in this book, historical and personal sketches, owe their being largely to chance. The whole series was unintentionally begun and the letters letters have come from all parts of the state and from several Eastern and Northern states. The stories are highly enjoyable, for each one will bring back some pleasant memory of oldtimes Houston.
Author: Samuel Oliver Young Publisher: Jazzybee Verlag ISBN: Category : History Languages : en Pages : 258
Book Description
The stories in this book, historical and personal sketches, owe their being largely to chance. The whole series was unintentionally begun and the letters letters have come from all parts of the state and from several Eastern and Northern states. The stories are highly enjoyable, for each one will bring back some pleasant memory of oldtimes Houston.
Author: Samuel Oliver Young Publisher: ISBN: 9781331066514 Category : Languages : en Pages : 250
Book Description
Excerpt from True Stories of Old Houston and Houstonians: Historical and Personal Sketches I suppose it must have been published many times, but if so it has escaped my notice until the other day. I refer to the original advertisement of the town of Houston by the Allen Bros. The following is the document in full, which appeared originally in the Telegraph, published at that time at Columbia, on the Brazos River: "The Town Of Houston." "Situated at the head of navigation on the west bank of Buffalo Bayou, is now for the first time brought to public notice, because, until now, the proprietors were not ready to offer to the public, with the advantages of capital and improvements. "The town of Houston is located at a point on the river which must ever command the trade of the largest and richest portions of Texas. By reference to the map it will be seen that the trade of San Jacinto, Spring Creek, New Kentucky, and the Brazos, above and below Fort Bend, must necessarily come to this place, and will at this time warrant the employment of at least $1,000,000 of capital, and when the rich lands of this country shall be settled a trade will flow to it, making it, beyond all doubt, the great commercial emporium of Texas. "The town of Houston is distant 15 miles from the Brazos River, 30 miles a little north of east from San Felipe, 60 miles from Washington, 40 miles from Lake Creek, 30 miles southwest from New Kentucky and 15 miles by water and 8 miles by land above Harrisburg. "Tidewater runs to this place and the lowest depth of water is about six feet. Vessels from New York and New Orleans can sail without obstacle to this place, and steamboats of the largest class can run down to Galveston in eight or ten hours in all seasons of the year. "It is but a few hours sail down the bay, where one can make excursions of pleasure and enjoy the luxuries of fish, fowl, oysters and sea-bathing. "Galveston harbor, being the only one in which vessels drawing a large draft of water can navigate, must necessarily render the island the great naval and commercial depot of the country. "The town of Houston must be the place where arms, ammunition and provisions for the government will be stored, because, situated in the very heart of the country, it combines security and means of easy distribution, and a national armory will no doubt very soon be at this point. "There is no place in Texas more healthy, having an abundance of excellent spring water and enjoying the sea breeze in all its freshness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Samuel Oliver Young Publisher: Franklin Classics ISBN: 9780342785308 Category : Languages : en Pages : 248
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Pete Gershon Publisher: Texas A&M University Press ISBN: 1623496322 Category : Art Languages : en Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Author: Samuel Oliver Young
Author: Samuel Oliver Young
Author: Samuel Oliver Young
Author: R.R. Bowker Company. Department of Bibliography
Author: S. O. Young
Author: Samuel Oliver Young
Author: SAMUEL OLIVER. YOUNG
Author: R.R. Bowker Company. Department of Bibliography
Author: New York Public Library. Research Libraries
Author: Wright Howes
Author: Pete Gershon