Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Terrorism TV PDF full book. Access full book title Terrorism TV by Stacy Takacs. Download full books in PDF and EPUB format.
Author: Stacy Takacs Publisher: University Press of Kansas ISBN: 0700618384 Category : Social Science Languages : en Pages : 344
Book Description
The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.
Author: Stacy Takacs Publisher: University Press of Kansas ISBN: 0700618384 Category : Social Science Languages : en Pages : 344
Book Description
The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.
Author: Márta Ujvári Publisher: Walter de Gruyter ISBN: 3110320665 Category : Philosophy Languages : en Pages : 255
Book Description
This book supports a version of the trope-bundle view of individual substances matching also with a coherent account of change, individuation and individual essences. In particular, it is argued that qualitative individuation and qualitative individual essences can be tackled within the frames of a trope account. The adoption of a trope BT together with the individuation of tropes via the bearer substance might create the feeling of circularity since tropes and substances seem mutually to individuate each other. The novel solution to the problem developed here consists in showing that the individuation of concrete individual substances is independent, in crucial respects, from the fact that they are construed as bundles of tropes. Apart from metaphysician colleagues, the book is recommended for advanced students in analytic metaphysics.
Author: Srinivas Aravamudan Publisher: Duke University Press ISBN: 9780822323150 Category : Literary Criticism Languages : en Pages : 444
Book Description
Exposes new relationships between literary representation and colonialism, focusing on the metaphorizing colonialist discourse of imperial power in the tropics.
Author: Douglas Ehring Publisher: OUP Oxford ISBN: 0191619396 Category : Philosophy Languages : en Pages : 272
Book Description
Properties and objects are everywhere. We cannot take a step without walking into them; we cannot construct a theory in science without referring to them. Given their ubiquitous character, one might think that there would be a standard metaphysical account of properties and objects, but they remain a philosophical mystery. Douglas Ehring presents a defense of tropes—properties and relations understood as particulars—and of trope bundle theory as the best accounts of properties and objects, and advocates a specific brand of trope nominalism, Natural Class Trope Nominalism. This position rejects the existence of universals, and holds that the nature of each individual trope is determined by its membership in various natural classes of tropes (in contrast with the view that a trope's nature is logically prior to those class memberships). The first part of the book provides a general introduction and defense of tropes and trope bundle theory. Ehring demonstrates that there are tropes and indicates some of the things that tropes can do for us metaphysically, including helping to solve the problems of mental causation, while remaining neutral between different theories of tropes. In the second part he offers a more specific defense of Natural Class Trope Nominalism, and provides a full analysis of what a trope is.
Author: Jason Mittell Publisher: NYU Press ISBN: 0814738850 Category : Performing Arts Languages : en Pages : 402
Book Description
A comprehensive and sustained analysis of the development of storytelling for television Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time.
Author: Assaf Shelleg Publisher: Oxford University Press ISBN: 0197504655 Category : Music Languages : en Pages : 480
Book Description
Theological Stains offers the first in-depth study of the development of art music in Israel from the mid-twentieth century to the turn of the twenty-first. In a bold and deeply researched account, author Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers. He argues that Israeli art music, caught in the tension between a bibliocentric territorial nationalism on the one hand and the histories of deterritorialized Jewish diasporic cultures on the other, often features elements of both of these competing narratives. Even as composers critically engaged with the Zionist paradigm, they often reproduced its tropes and symbols, thereby creating aesthetic hybrids with 'theological stains.' Drawing on newly uncovered archives of composers' autobiographical writings and musical sketches, Shelleg closely examines the aesthetic strategies that different artists used to grapple with established nationalist representations. As he puts the history of Israeli art music in conversation with modern Hebrew literature, he weaves a rich tapestry of Israeli culture and the ways in which it engaged with key social and political developments throughout the second half of the twentieth century. In analyzing Israeli music and literature against the backdrop of conflicts over territory, nation, and ethnicity, Theological Stains provides a revelatory look at the complex relationship between art and politics in Israel.
Author: Robyn Creswell Publisher: Princeton University Press ISBN: 069118514X Category : Literary Criticism Languages : en Pages : 273
Book Description
How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.
Author: Gayatri Chakravorty Spivak Publisher: Harvard University Press ISBN: 0674177649 Category : Social Science Languages : en Pages : 464
Book Description
Are the “culture wars” over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world’s foremost literary theorists, poses these questions from within the postcolonial enclave. “We cannot merely continue to act out the part of Caliban,” Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the “native informant” through various cultural practices—philosophy, history, literature—to suggest that it emerges as the metropolitan hybrid. The book addresses feminists, philosophers, critics, and interventionist intellectuals, as they unite and divide. It ranges from Kant’s analytic of the sublime to child labor in Bangladesh. Throughout, the notion of a Third World interloper as the pure victim of a colonialist oppressor emerges as sharply suspect: the mud we sling at certain seemingly overbearing ancestors such as Marx and Kant may be the very ground we stand on. A major critical work, Spivak’s book redefines and repositions the postcolonial critic, leading her through transnational cultural studies into considerations of globality.
Author: Vasiliki P. Neofotistos Publisher: University of Pennsylvania Press ISBN: 0812206568 Category : Social Science Languages : en Pages : 215
Book Description
The Risk of War focuses on practices and performances of everyday life across ethnonational borders during the six-month armed conflict in 2001 between Macedonian government forces and the Albanian National Liberation Army (NLA)—a conflict initiated by the NLA with the proclaimed purpose of securing greater rights for the Albanian community in Macedonia and terminated by the internationally brokered Ohrid Framework Agreement. Anthropologist Vasiliki P. Neofotistos provides an ethnographic account of the ways middle- and working-class Albanian and Macedonian noncombatants in Macedonia's capital city, Skopje, went about their daily lives during the conflict, when fear and uncertainty regarding their existence and the viability of the state were intense and widespread. Neofotistos finds that, rather than passively observing the international community's efforts to manage the political crisis, members of the Macedonian and Albanian communities responded with resilience and wit to disruptive and threatening changes in social structure, intensely negotiated relationships of power, and promoted indeterminacy on the level of the everyday as a sense of impending war enfolded the capital. More broadly, The Risk of War helps us better understand how postindependence Macedonia has managed to escape civil bloodshed despite high political volatility, acute ethno-nationalist rivalries, and unrelenting external pressures exerted by neighboring countries.
Author: Stacy Takacs
Author: Stacy Takacs
Author: Márta Ujvári
Author: Srinivas Aravamudan
Author: Douglas Ehring
Author: Jason Mittell
Author: Assaf Shelleg
Author: Terence Bailey
Author: Robyn Creswell
Author: Gayatri Chakravorty Spivak
Author: Vasiliki P. Neofotistos