Author: Marcel Dupré
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 50
Book Description
Complete works for organ
Author: César Franck
Publisher:
ISBN: 9783850555937
Category :
Languages : en
Pages : 60
Book Description
Publisher:
ISBN: 9783850555937
Category :
Languages : en
Pages : 60
Book Description
3 préludes et fugues
Author: Marcel Dupré
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 50
Book Description
3 Pieces Pour Le Grand Orgue
Trois préludes et fugues pour grand orgue
Author: Marcel Dupré
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 50
Book Description
Premier livre de sonates: A major
Author: Jean-Marie Leclair
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 28
Book Description
Program
Author: Ann Arbor (Mich.) May Festival
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1096
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1096
Book Description
Pieces de Fantaisie
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462
Book Description
Joseph Jongen and His Organ Music
Author: John Scott Whiteley
Publisher: Pendragon Press
ISBN: 9780945193821
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
Joseph Jongen was Director of the Brussels Conservatoire from 1925 to 1939. He was first and foremost a composer and yet his career as an organist and composer of organ music was remarkable. His Sonata Ero�ca has become one of the enduring works of the repertory, and the Symphonie Concertante, commissioned by Rodman Wanamaker for the organ of the Philadelphia store, has been considered the finest of all twentieth-century organ concertos. This is the first book ever to appear about Joseph Jongen in any language. It is based on twenty years of research by its author, John Scott Whiteley. Part I traces Jongen's life and achievements as an organist,from his earliest training in Franck's birthplace, Li�ge, to his exile in England and his final years in Brussels, during which time he headed the team that designed the organ for Belgian Radio. Part II is a guide to the organ music from the points of view of both performer and musicologist. Appendices provide a catalogue of works, a numbering system for his works without opus numbers, specifications of the organs he played and lists of variant readings in his manuscripts. This book is indispensable for serious students of the organ, the Romantic organ repertoire and European music of the early twentieth century.
Publisher: Pendragon Press
ISBN: 9780945193821
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
Joseph Jongen was Director of the Brussels Conservatoire from 1925 to 1939. He was first and foremost a composer and yet his career as an organist and composer of organ music was remarkable. His Sonata Ero�ca has become one of the enduring works of the repertory, and the Symphonie Concertante, commissioned by Rodman Wanamaker for the organ of the Philadelphia store, has been considered the finest of all twentieth-century organ concertos. This is the first book ever to appear about Joseph Jongen in any language. It is based on twenty years of research by its author, John Scott Whiteley. Part I traces Jongen's life and achievements as an organist,from his earliest training in Franck's birthplace, Li�ge, to his exile in England and his final years in Brussels, during which time he headed the team that designed the organ for Belgian Radio. Part II is a guide to the organ music from the points of view of both performer and musicologist. Appendices provide a catalogue of works, a numbering system for his works without opus numbers, specifications of the organs he played and lists of variant readings in his manuscripts. This book is indispensable for serious students of the organ, the Romantic organ repertoire and European music of the early twentieth century.
The Pipe Organ
Author: James Mitchell
Publisher: Oxford University Press
ISBN: 0197645283
Category : Music
Languages : en
Pages : 201
Book Description
The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.
Publisher: Oxford University Press
ISBN: 0197645283
Category : Music
Languages : en
Pages : 201
Book Description
The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.