Author: Ludwig van BeethovenPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Triple Concerto for Piano, Violin, Violoncello and Orchestra/ CD 14
Author: Ludwig van BeethovenTriple concerto
Author: Ellen Taaffe ZwilichPublisher:
ISBN:
Category : Concertos (Piano trio)
Languages : en
Pages : 114
Book Description
Triple Concerto for Violin, Cello & Piano in C, Op. 56 (Beethoven)
Author: Ludwig van BeethovenTriple concerto in C major, opus 56, for violin, cello, piano and 2nd piano (reduction of the orchestra)
Author: Ludwig van BeethovenPublisher:
ISBN:
Category : Concertos (Piano trio)
Languages : en
Pages : 202
Book Description
Triple Concerto, for Piano, Violin and Cello, Op. 56
Author: Ludwig van BeethovenPublisher:
ISBN:
Category : Concertos (Piano trio)
Languages : en
Pages : 112
Book Description
Concerto in C Major for Pianoforte, Violin, Violoncello and Orchestra "Triple Concerto" Op. 56
Author: Jonathan Del MarConcerto for piano, violin, violoncello and orchestra, C major
Author: Ludwig van BeethovenPublisher:
ISBN:
Category : Concertos (Piano trio)
Languages : en
Pages : 196
Book Description
Beethoven Concerto in C Major for Pianoforte, Violin, Violoncello and Orchestra, "Triple Concerto" Op. 56
Author: Jonathan Del MarPublisher:
ISBN:
Category : Concertos (Piano trio)
Languages : en
Pages : 51
Book Description
"Surely Something New"
Author: Jane Riegel FerenczThe American Piano Concerto Compendium
Author: William PhemisterPublisher: Rowman & Littlefield
ISBN: 1538112345
Category : Music
Languages : en
Pages : 321
Book Description
The second edition of William Phemister’s The American Piano Concerto Compendium reveals to professional and amateurs pianists alike a vast collection of available compositions by American composers. Analysis expands outside mainstream concerto styles to include those considered experimental or popular derivatives. The range of music flows from Pulitzer Prize winners like Samuel Barber, Gail Kubik, and John LaMontaine, to lesser-known multi-ethnic composers such as Tania León and Samuel Zyman, to old standards like Edward MacDowell and the first piano concerto written by an American-born composer, Otis B. Boise (1875), to the cutting-edge avant-garde of Milton Babbitt and Elliott Carter, just to name a few. These all contribute to the varied narrative that animates American piano music. With forty percent more works described, documented, and reviewed than were listed in the 1985 first edition from the College Music Society, this second edition is a valuable resource not only for pianists and conductors, but also for orchestras, teachers, students, music historians and critics, collectors, and concert attendees.