Trio No. 3 in G Major PDF Download

Author: Carl Philipp Emanuel Bach
Publisher:
ISBN:
Category : Trios (Piano, clarinet, flute), Arranged
Languages : en
Pages : 40

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Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508

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Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : String trios (Violin, viola, double bass), Arranged
Languages : en
Pages : 50

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Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457487699
Category : Music
Languages : en
Pages : 76

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Book Description
A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.

Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457487743
Category : Music
Languages : en
Pages : 44

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Book Description
For violin, cello and piano.

Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199886946
Category : Music
Languages : en
Pages : 445

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Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.

Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393066340
Category : Biography & Autobiography
Languages : en
Pages : 876

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Book Description
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.

Author: Danuta Mirka
Publisher: Oxford University Press
ISBN: 0199738289
Category : Music
Languages : en
Pages : 349

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Book Description
Metric Manipulations in Haydn and Mozart makes a significant contribution to music theory and to the growing conversation on metric perception and musical composition. Focusing on the chamber music of Haydn and Mozart produced during the years 1787 to 1791, the period of most intense metric experimentation in the output of both composers, author Danuta Mirka presents a systematic discussion of metric manipulations in music of the late 18th-century. By bringing together historical and present-day theoretical approaches to rhythm and meter on the basis of their shared cognitive orientations, the book places the ideas of 18th-century theorists such as Riepe, Sulzer, Kirnberger and Koch into dialogue with modern concepts in cognitive musicology, particularly those of Fred Lerdahl and Ray Jackendoff, David Temperley, and Justin London. In addition, the book puts considerations of subtle and complex meter found in 18th-century musical handbooks and lexicons into point-by-point contact with Harald Krebs's recent theory of metrical dissonance. The result is an innovative and illuminating reinterpretation of late 18th-century music and music perception which will have resonance in scholarship and in analytical teaching and practice. Metric Manipulations in Haydn and Mozart will appeal to students and scholars in music theory and cognition/perception, and will also have appeal to musicologists studying Haydn and Mozart.

Author: Tully Potter
Publisher: Boydell & Brewer
ISBN: 0907689787
Category : Biography & Autobiography
Languages : en
Pages : 1444

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Book Description
Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.

Author: N.A. Figurovskii
Publisher: Springer Science & Business Media
ISBN: 3642727328
Category : Science
Languages : en
Pages : 183

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Book Description
A full century has passed since the sudden and tragically premature demise of Aleksandr Porfir'evich Borodin in 1887 at the age of 53, when he was following with phenomenal success the disparate careers of musician, composer, organic chemist, and pioneer in women's medical education. As a unique figure among the remarkable group of geniuses who suddenly appeared in Russia in the middle of the last century and explosively propelled that country into the mainstream of world culture in the arts, humanities, and sciences, it might have been expected that Borodin was the object of much research. There is no doubt that the Russian contribution to the amazing development of structural chemistry in the last century has tended to be underplayed, while that in the rest of Europe has received much more attention. One wonders, in particular, whether Borodin's name might not have appeared in the chemical pantheon, as have those of Mendeleev, Markovnikov, Menshutkin, and many other Russians, if the aldol condensation, which he was the first to discover and investigate, had been named the Borodin condensation. Straightening out the record is important; Figurovskii and Solov'ev's biography does much in this respect. Just as meritorious have been the scholarly and exhaustive efforts of Professors Charlene Steinberg and George B. Kauffman, who have made the Russian text accessible to the Western world in their accurate and engrossing translation.