Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 44
Book Description
Trio I, in G Major, K.496
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 44
Book Description
Trio V in G Major, K. 564, for Piano, Violin and Violoncello
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30
Book Description
Delphi Masterworks of Wolfgang Amadeus Mozart (Illustrated)
Author: Delphi Classics
Publisher: Delphi Classics
ISBN: 1786561204
Category : Music
Languages : en
Pages : 2530
Book Description
www.delphiclassics.com
Publisher: Delphi Classics
ISBN: 1786561204
Category : Music
Languages : en
Pages : 2530
Book Description
www.delphiclassics.com
The Music Sound
Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
The Disc Book
Trio in E♭ Major for Piano, Violin and Violoncello, Op. 100
Author: Franz Schubert
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 152
Book Description
Beethoven's Piano Sonatas
Author: Charles Rosen
Publisher: Yale University Press
ISBN: 030019613X
Category : Music
Languages : en
Pages : 340
Book Description
Beethoven’s piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1790s through the sonatas of Beethoven’s youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812†“1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven’s sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today’s audience, Rosen has written a guide that brings out the gravity, passion, and humor of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians, or professional pianists. The book includes a CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.
Publisher: Yale University Press
ISBN: 030019613X
Category : Music
Languages : en
Pages : 340
Book Description
Beethoven’s piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1790s through the sonatas of Beethoven’s youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812†“1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven’s sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today’s audience, Rosen has written a guide that brings out the gravity, passion, and humor of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians, or professional pianists. The book includes a CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.
Always Something New to Discover
Author: Cynthia Wilson
Publisher: Paragon Publishing
ISBN: 1908341254
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
Menahem Pressler and the Beaux Arts Trio German born pianist Menahem Pressler (1923) was forced to flee Nazi terror to Israel. He quickly attained international fame in 1946 by winning the Debussy Competition in San Francisco and performing his début with Eugene Ormandy and The Philadelphia Orchestra. Ultimately emigrating to the United States, Pressler teaches at the Jacobs School of Music of Indiana University where he holds an endowed chair as Distinguished Professor. As founding member of the Beaux Arts Trio, he alone survived the ensemble's changes in membership during its unprecedented 53 year history. 'Setting the standard' for piano trio performance, the Beaux Arts Trio elevated the ensemble type to a par with the string quartet in over seven thousand performances, hundreds of award winning recordings and extensive broadcasts. Famed for his musicality and equally admired for his way with words, communicator Menahem Pressler is captured here, an inspiration to colleagues, students and his international public. In Always Something New to Discover, Pressler's biography, esthetics, pianism and dedication to music are gathered in texts enriched with oral history as generously shared by Pressler and his intimates. 'I am as hungry now making my music as when I was young!' With as yet no retirement in sight, Menahem Pressler continues his musical journey with an undiminished schedule and a full studio of international students, all in blissful service of the music he loves. Originally from Boston, Cynthia Wilson (1953) was educated at Concord Academy in Massachusetts and Sarah Lawrence College in New York before following her passion for early music to Amsterdam. After a decade of concertizing she held a number of management positions in the Dutch music world. In 2006, she founded wwclassics to pursue a wider range of artistic activities.
Publisher: Paragon Publishing
ISBN: 1908341254
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
Menahem Pressler and the Beaux Arts Trio German born pianist Menahem Pressler (1923) was forced to flee Nazi terror to Israel. He quickly attained international fame in 1946 by winning the Debussy Competition in San Francisco and performing his début with Eugene Ormandy and The Philadelphia Orchestra. Ultimately emigrating to the United States, Pressler teaches at the Jacobs School of Music of Indiana University where he holds an endowed chair as Distinguished Professor. As founding member of the Beaux Arts Trio, he alone survived the ensemble's changes in membership during its unprecedented 53 year history. 'Setting the standard' for piano trio performance, the Beaux Arts Trio elevated the ensemble type to a par with the string quartet in over seven thousand performances, hundreds of award winning recordings and extensive broadcasts. Famed for his musicality and equally admired for his way with words, communicator Menahem Pressler is captured here, an inspiration to colleagues, students and his international public. In Always Something New to Discover, Pressler's biography, esthetics, pianism and dedication to music are gathered in texts enriched with oral history as generously shared by Pressler and his intimates. 'I am as hungry now making my music as when I was young!' With as yet no retirement in sight, Menahem Pressler continues his musical journey with an undiminished schedule and a full studio of international students, all in blissful service of the music he loves. Originally from Boston, Cynthia Wilson (1953) was educated at Concord Academy in Massachusetts and Sarah Lawrence College in New York before following her passion for early music to Amsterdam. After a decade of concertizing she held a number of management positions in the Dutch music world. In 2006, she founded wwclassics to pursue a wider range of artistic activities.
Dictionary Catalog of the Rodgers and Hammerstein Archives of Recorded Sound
Author: Rodgers and Hammerstein Archives of Recorded Sound
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
Book Description
Essays on Music
Author: Hans Keller
Publisher: Cambridge University Press
ISBN: 9780521673488
Category : Music
Languages : en
Pages : 296
Book Description
Hans Keller (1919-1985), who lived and worked in London, was one of the most brilliant and stimulating writers on music of his day and the new theory of music which has emerged from his psychologically based music criticism has exerted considerable influence on a whole generation of composers and performers. This first large selection of his writing will appeal to professional and amateur musicians and all those listeners who remember the distinctive style of his broadcasts for the BBC.
Publisher: Cambridge University Press
ISBN: 9780521673488
Category : Music
Languages : en
Pages : 296
Book Description
Hans Keller (1919-1985), who lived and worked in London, was one of the most brilliant and stimulating writers on music of his day and the new theory of music which has emerged from his psychologically based music criticism has exerted considerable influence on a whole generation of composers and performers. This first large selection of his writing will appeal to professional and amateur musicians and all those listeners who remember the distinctive style of his broadcasts for the BBC.