Author: Publisher: Alfred Music Publishing
ISBN: 9780769259109
Category : Piano trios
Languages : en
Pages : 0
Book Description
Expertly arranged String Trio by Anton Arensky from the Kalmus Edition series. This Trio is from the Romantic era.
Trio in D Minor, Op. 32
Author: Publisher: Alfred Music Publishing
ISBN: 9780769259109
Category : Piano trios
Languages : en
Pages : 0
Book Description
Expertly arranged String Trio by Anton Arensky from the Kalmus Edition series. This Trio is from the Romantic era.
Six great piano trios, opp. 1, 70, and 97
Author: Ludwig van BeethovenPublisher: Courier Corporation
ISBN: 0486253988
Category : Music
Languages : en
Pages : 210
Book Description
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
An Encyclopedia of the Violin
Author: Alberto BachmannPublisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
Book Description
The Strad
Author: Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 724
Book Description
Con Brio
Author: Nat BrandtPublisher: iUniverse
ISBN: 0595010113
Category :
Languages : en
Pages : 310
Book Description
none given by author
Chamber Music
Author: James M. KellerPublisher: Oxford University Press
ISBN: 019020639X
Category : Music
Languages : en
Pages : 517
Book Description
Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
Elements of Sonata Theory
Author: James HepokoskiPublisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
New York Weekly Review
Author: The President's Report to the Board of Regents for the Academic Year ... Financial Statement for the Fiscal Year
Author: University of MichiganPublisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
A Descriptive Catalogue of the Music Collection at Burghley House, Stamford
Author: Gerald GiffordPublisher: Routledge
ISBN: 1351786121
Category : Social Science
Languages : en
Pages : 394
Book Description
This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.