Trio I, in G Major, K.496 PDF Download

Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 44

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Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 60

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Book Description

Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30

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Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 0486267148
Category : Music
Languages : en
Pages : 273

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Splendid collection contains all eight piano trios, the two piano quartets, and the piano quintet, reprinted from the definitive Breitkopf & Härtel editions. Indispensable for pianists and chamber musicians.

Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 48

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Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457471155
Category : Music
Languages : en
Pages : 288

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A collection of chamber ensembles, composed by Wolfgang Amadeus Mozart.

Author: Tully Potter
Publisher: Boydell & Brewer
ISBN: 0907689787
Category : Biography & Autobiography
Languages : en
Pages : 1444

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Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.

Author: Neal Zaslaw
Publisher: W. W. Norton & Company
ISBN: 9780393028867
Category : Biography & Autobiography
Languages : en
Pages : 378

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Collection of essays in a single volume for nonspecialists with information about each of Mozart's compositions, where, when, and why it was written, what it is like, and what special significance it may have within the composer's oeuvre.

Author: Eva Badura-Skoda
Publisher: Routledge
ISBN: 1135868506
Category : Music
Languages : en
Pages : 579

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Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.

Author: William Kinderman
Publisher: U of Nebraska Press
ISBN: 9780803212220
Category : Music
Languages : en
Pages : 216

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Book Description
Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history.