Author: Ludwig van BeethovenPublisher: Alfred Music
ISBN: 9781457487736
Category : Music
Languages : en
Pages : 96
Book Description
A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.
Piano Trio No. 7, Opus 97 in B-flat Major
Author: Ludwig van BeethovenPublisher: Alfred Music
ISBN: 9781457487736
Category : Music
Languages : en
Pages : 96
Book Description
A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.
Trio V in G Major, K. 564, for Piano, Violin and Violoncello
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30
Book Description
New York Magazine
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 136
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The Strad
Author: Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 724
Book Description
Music as Philosophy
Author: Michael SpitzerPublisher: Indiana University Press
ISBN: 0253060885
Category : Music
Languages : en
Pages : 437
Book Description
Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.
Catalog of Copyright Entries
Author: Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : American drama
Languages : en
Pages : 1550
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category :
Languages : en
Pages : 974
Book Description
The New Beethoven
Author: Jeremy YudkinPublisher: Boydell & Brewer
ISBN: 1580469930
Category : Music
Languages : en
Pages : 573
Book Description
Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
Beethoven's Compositional Process
Author: William KindermanPublisher: U of Nebraska Press
ISBN: 9780803212220
Category : Music
Languages : en
Pages : 216
Book Description
Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history.