Author: R. M. Hayes
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 394
Book Description
Covers Academy Award-nominated special effects movies from 1929 through 1984. Exhaustive, never-before-published production and cast credits; and release dates, shooting locations, running times, photographic processes, sound systems. The history of the special effects award is presented, along with the problems or triumphs of each film. All scientific, technical, and special achievement awards are for the first time fully detailed, winners and also-rans. Coverage includes, just for example, Star Wars, Raiders of the Lost Ark, Gone with the Wind, E.T., Close Encounters, and King Kong. Lists all nominations.
Trick Cinematography
Author: R. M. Hayes
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 394
Book Description
Covers Academy Award-nominated special effects movies from 1929 through 1984. Exhaustive, never-before-published production and cast credits; and release dates, shooting locations, running times, photographic processes, sound systems. The history of the special effects award is presented, along with the problems or triumphs of each film. All scientific, technical, and special achievement awards are for the first time fully detailed, winners and also-rans. Coverage includes, just for example, Star Wars, Raiders of the Lost Ark, Gone with the Wind, E.T., Close Encounters, and King Kong. Lists all nominations.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 394
Book Description
Covers Academy Award-nominated special effects movies from 1929 through 1984. Exhaustive, never-before-published production and cast credits; and release dates, shooting locations, running times, photographic processes, sound systems. The history of the special effects award is presented, along with the problems or triumphs of each film. All scientific, technical, and special achievement awards are for the first time fully detailed, winners and also-rans. Coverage includes, just for example, Star Wars, Raiders of the Lost Ark, Gone with the Wind, E.T., Close Encounters, and King Kong. Lists all nominations.
Disappearing Tricks
Author: Matthew Solomon
Publisher: University of Illinois Press
ISBN: 0252076974
Category : Biography & Autobiography
Languages : en
Pages : 214
Book Description
This work revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. The author treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.
Publisher: University of Illinois Press
ISBN: 0252076974
Category : Biography & Autobiography
Languages : en
Pages : 214
Book Description
This work revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. The author treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.
Techniques of Special Effects of Cinematography
Author: Raymond Fielding
Publisher: CRC Press
ISBN: 1136055533
Category : Performing Arts
Languages : en
Pages : 631
Book Description
First published in 1985. Exactly 20 years have passed since the first edition of this text appeared, in 1965. During this period, the author has gathered feedback from professional film-making circles. This fourth revision introduces new information in nearly all chapters. 130 new illustrations have been added, many of them illustrating feature films which are currently in release. The bibliography has also been enlarged considerably. The contributions of the visual-effects cinematographer have always been valued highly within the theatrical motion-picture industry. Because of their work, film producers have been able to endow their pictures with considerable 'production value' which the budget could not otherwise sustain.
Publisher: CRC Press
ISBN: 1136055533
Category : Performing Arts
Languages : en
Pages : 631
Book Description
First published in 1985. Exactly 20 years have passed since the first edition of this text appeared, in 1965. During this period, the author has gathered feedback from professional film-making circles. This fourth revision introduces new information in nearly all chapters. 130 new illustrations have been added, many of them illustrating feature films which are currently in release. The bibliography has also been enlarged considerably. The contributions of the visual-effects cinematographer have always been valued highly within the theatrical motion-picture industry. Because of their work, film producers have been able to endow their pictures with considerable 'production value' which the budget could not otherwise sustain.
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1708
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1708
Book Description
Library of Congress Subject Headings
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1924
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1924
Book Description
Subject Headings Used in the Dictionary Catalogs of the Library of Congress [from 1897 Through June 1964]
Author: Library of Congress. Subject Cataloging Division
Publisher:
ISBN:
Category : Subject headings
Languages : en
Pages : 1438
Book Description
Publisher:
ISBN:
Category : Subject headings
Languages : en
Pages : 1438
Book Description
Practical Cinematography and Its Applications
Author: Frederick Arthur Ambrose Talbot
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 344
Book Description
Camera
The Digitization of Cinematic Visual Effects
Author: Rama Venkatasawmy
Publisher: Rowman & Littlefield
ISBN: 0739176218
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
The Digitization of Cinematic Visual Effects: Hollywood's Coming of Age, by Rama Venkatasawmy, analyzes how the Hollywood cinema industry's visual effects applications have not only motivated the expansion of filmmaking praxis, they have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitization of their associated technologies, VFX have been responsible for multiplying the strategies of representation and storytelling, as well as extending the range of stories that can potentially be told onscreen. By the same token, the visual standards of the Hollywood film's production and exhibition have been growing in sophistication. On the basis of displaying groundbreaking VFX--immaculately realized through the application of cutting-edge technologies and craftsmanship--and of projecting such a significant degree of visual innovation and originality, certain Hollywood movies have established techno-visual trends and industrial standards for subsequent filmmaking practice. Hollywood cinema's entry into the digital realm is intertwined with the intensification of conglomeratic practices within the movie business, the domain of techno-scientific R&D in filmmaking, and the unification of corporate media, information technology, and entertainment. Hence, the standardization of, and convergence toward, the digital medium is emblematic of Hollywood cinema's techno-industrial evolution in the late twentieth century. Accordingly, this volume identifies various synergies and partnerships--between VFX providers, movie studios, graphic designers, and more--that have emerged from a progressive growth of awareness in Hollywood of the digital medium's potential.
Publisher: Rowman & Littlefield
ISBN: 0739176218
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
The Digitization of Cinematic Visual Effects: Hollywood's Coming of Age, by Rama Venkatasawmy, analyzes how the Hollywood cinema industry's visual effects applications have not only motivated the expansion of filmmaking praxis, they have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitization of their associated technologies, VFX have been responsible for multiplying the strategies of representation and storytelling, as well as extending the range of stories that can potentially be told onscreen. By the same token, the visual standards of the Hollywood film's production and exhibition have been growing in sophistication. On the basis of displaying groundbreaking VFX--immaculately realized through the application of cutting-edge technologies and craftsmanship--and of projecting such a significant degree of visual innovation and originality, certain Hollywood movies have established techno-visual trends and industrial standards for subsequent filmmaking practice. Hollywood cinema's entry into the digital realm is intertwined with the intensification of conglomeratic practices within the movie business, the domain of techno-scientific R&D in filmmaking, and the unification of corporate media, information technology, and entertainment. Hence, the standardization of, and convergence toward, the digital medium is emblematic of Hollywood cinema's techno-industrial evolution in the late twentieth century. Accordingly, this volume identifies various synergies and partnerships--between VFX providers, movie studios, graphic designers, and more--that have emerged from a progressive growth of awareness in Hollywood of the digital medium's potential.
Girl Head
Author: Genevieve Yue
Publisher: Fordham University Press
ISBN: 0823289575
Category : Performing Arts
Languages : en
Pages : 142
Book Description
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.
Publisher: Fordham University Press
ISBN: 0823289575
Category : Performing Arts
Languages : en
Pages : 142
Book Description
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.