Author: Philostratus (the Athenian)
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Philostratus
Immersion in the Visual Arts and Media
Author:
Publisher: BRILL
ISBN: 9004308237
Category : Language Arts & Disciplines
Languages : en
Pages : 401
Book Description
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
Publisher: BRILL
ISBN: 9004308237
Category : Language Arts & Disciplines
Languages : en
Pages : 401
Book Description
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
The Fine Private Library of the Late Oliver Henry Perkins, Des Moines, Iowa
Author: Oliver Henry Perkins
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 206
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 206
Book Description
My Bison
Author: Gaya Wisniewski
Publisher: Princeton Architectural Press
ISBN: 9781616898861
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
In a clearing by the forest, a little girl befriends a bison. Each winter they meet, sit by the fire, and share stories or simply enjoy the silence together until it is time for the bison to rejoin his herd in the spring. Their bond deepens as they grow older and the years go by, but one winter her bison does not return. After searching for him in the woods, the little girl, now a grown-up, comes to understand that though her bison is gone, he will also always be with her. Gaya Wisniewski's evocative charcoal-and-ink illustrations, enriched by the gradual addition of blue watercolor, masterfully convey this tender, affecting story of friendship and understanding the passage of time.
Publisher: Princeton Architectural Press
ISBN: 9781616898861
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
In a clearing by the forest, a little girl befriends a bison. Each winter they meet, sit by the fire, and share stories or simply enjoy the silence together until it is time for the bison to rejoin his herd in the spring. Their bond deepens as they grow older and the years go by, but one winter her bison does not return. After searching for him in the woods, the little girl, now a grown-up, comes to understand that though her bison is gone, he will also always be with her. Gaya Wisniewski's evocative charcoal-and-ink illustrations, enriched by the gradual addition of blue watercolor, masterfully convey this tender, affecting story of friendship and understanding the passage of time.
Notes on Pictures in the Royal Collections
Author: Lionel Cust
Publisher: London : Chatto
ISBN:
Category : Art
Languages : en
Pages : 194
Book Description
Publisher: London : Chatto
ISBN:
Category : Art
Languages : en
Pages : 194
Book Description
Analecta: Or, Materials For a History of Remarkable Providences; Mostly Relating to Scotch Ministers and Christians
Author: Robert Wodrow
Publisher: BoD – Books on Demand
ISBN: 3385129664
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1842.
Publisher: BoD – Books on Demand
ISBN: 3385129664
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1842.
Visuality/Materiality
Author: Divya P. Tolia-Kelly
Publisher: Routledge
ISBN: 1317001125
Category : History
Languages : en
Pages : 210
Book Description
Two of the key theoretical shifts over the past two decades of critical work have been the 'visual turn' and the 'material turn'. This book argues that these hitherto distinct fields should be understood as in continual dialogue and co-constitution and focuses on reconceptualising the visual as an embodied, material, and often politically-charged realm. This edited volume elaborates this conceptual argument through a series of contemporary case studies, drawn from the disciplines of Architecture, Sociology, Media Studies, Geography and Cultural Studies. The case studies included are paired around four themes: consumption, translation, practice and ethics. As well as exploring the bringing together of visuality and materiality studies, the contributors raise questions of social identity and social critique, and also focus on the ethics of material visualities.
Publisher: Routledge
ISBN: 1317001125
Category : History
Languages : en
Pages : 210
Book Description
Two of the key theoretical shifts over the past two decades of critical work have been the 'visual turn' and the 'material turn'. This book argues that these hitherto distinct fields should be understood as in continual dialogue and co-constitution and focuses on reconceptualising the visual as an embodied, material, and often politically-charged realm. This edited volume elaborates this conceptual argument through a series of contemporary case studies, drawn from the disciplines of Architecture, Sociology, Media Studies, Geography and Cultural Studies. The case studies included are paired around four themes: consumption, translation, practice and ethics. As well as exploring the bringing together of visuality and materiality studies, the contributors raise questions of social identity and social critique, and also focus on the ethics of material visualities.
Virtual Voyages
Author: Jeffrey Ruoff
Publisher: Duke University Press
ISBN: 9780822337133
Category : Performing Arts
Languages : en
Pages : 316
Book Description
DIVThe different forms that travelogues have taken (documentaries, IMAX, home movies, ethnographic films) from the 1800s to the present./div
Publisher: Duke University Press
ISBN: 9780822337133
Category : Performing Arts
Languages : en
Pages : 316
Book Description
DIVThe different forms that travelogues have taken (documentaries, IMAX, home movies, ethnographic films) from the 1800s to the present./div
The Roycroft Catalog
Shivers Down Your Spine
Author: Alison Griffiths
Publisher: Columbia University Press
ISBN: 0231503466
Category : Performing Arts
Languages : en
Pages : 719
Book Description
From the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time. Since their inception, museums of science and natural history have mixed education and entertainment, often to incredible, eye-opening effect. Immersive spaces of visual display and modes of exhibition send "shivers" down our spines, engaging the distinct cognitive and embodied mapping skills we bring to spectacular architecture and illusionistic media. They also force us to reconsider traditional models of film spectatorship in the context of a mobile and interactive spectator. Through a series of detailed historical case studies, Alison Griffiths masterfully explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more.
Publisher: Columbia University Press
ISBN: 0231503466
Category : Performing Arts
Languages : en
Pages : 719
Book Description
From the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time. Since their inception, museums of science and natural history have mixed education and entertainment, often to incredible, eye-opening effect. Immersive spaces of visual display and modes of exhibition send "shivers" down our spines, engaging the distinct cognitive and embodied mapping skills we bring to spectacular architecture and illusionistic media. They also force us to reconsider traditional models of film spectatorship in the context of a mobile and interactive spectator. Through a series of detailed historical case studies, Alison Griffiths masterfully explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more.