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Author: Namrata Pathak Publisher: Partridge Publishing ISBN: 1482846543 Category : Performing Arts Languages : en Pages : 265
Book Description
It is the very nature of representation to be theatrical and self-referential. This book undercuts the fact that all representational knowledge is autonomous and sovereign. At times, theatrical representations can misguide and mislead. Representation can also ineluctably project ones own preferences and preoccupations. Thus, representation and subjective interpretation divulge into myriad domains. This book is concerned with the effects and consequences of representation and its politics. This book examines not only how language as well as representation produce meaning, but also how discursive knowledge connected to power regulates, conducts, and constructs identities and defines the way certain things are thought about practices and are studied. The book takes note of the fact that within the framework of performance, a performative subject does not wear a coherent identity as it is fragmented, decentered, simulated and is unstable, while being both virtual as well as actual. In the field of semiotics, theatre is historically and reciprocally affected by practice, especially within contingent conditions of time. In theatre semiotics, the new image of knowledge is that of turbulence. Here, knowledge is not so much a system as it is a confluence. Carrying this stance further we can say that contemporary Assamese theatre is characterised by shifting counter-voices and sub-textual underpinnings. This act forces reading into two directions: dialogic openness and variability of meaning that question the theatre directors as the only ones who know.
Author: Namrata Pathak Publisher: Partridge Publishing ISBN: 1482846543 Category : Performing Arts Languages : en Pages : 265
Book Description
It is the very nature of representation to be theatrical and self-referential. This book undercuts the fact that all representational knowledge is autonomous and sovereign. At times, theatrical representations can misguide and mislead. Representation can also ineluctably project ones own preferences and preoccupations. Thus, representation and subjective interpretation divulge into myriad domains. This book is concerned with the effects and consequences of representation and its politics. This book examines not only how language as well as representation produce meaning, but also how discursive knowledge connected to power regulates, conducts, and constructs identities and defines the way certain things are thought about practices and are studied. The book takes note of the fact that within the framework of performance, a performative subject does not wear a coherent identity as it is fragmented, decentered, simulated and is unstable, while being both virtual as well as actual. In the field of semiotics, theatre is historically and reciprocally affected by practice, especially within contingent conditions of time. In theatre semiotics, the new image of knowledge is that of turbulence. Here, knowledge is not so much a system as it is a confluence. Carrying this stance further we can say that contemporary Assamese theatre is characterised by shifting counter-voices and sub-textual underpinnings. This act forces reading into two directions: dialogic openness and variability of meaning that question the theatre directors as the only ones who know.
Author: Poonam Trivedi Publisher: Routledge ISBN: 1317367006 Category : Literary Criticism Languages : en Pages : 545
Book Description
This book is the first to explore the rich archive of Shakespeare in Indian cinemas, including less familiar, Indian language cinemas to contribute to the assessment of the expanding repertoire of Shakespeare films worldwide. Essays cover mainstream and regional Indian cinemas such as the better known Tamil and Kannada, as well as the less familiar regions of the North Eastern states. The volume visits diverse filmic genres, starting from the earliest silent cinema, to diasporic films made for global audiences, television films, independent films, and documentaries, thus expanding the very notion of ‘Indian cinema’ while also looking at the different modalities of deploying Shakespeare specific to these genres. Shakespeareans and film scholars provide an alternative history of the development of Indian cinemas through its negotiations with Shakespeare focusing on the inter-textualities between Shakespearean theatre, regional cinema, performative traditions, and literary histories in India. The purpose is not to catalog examples of Shakespearean influence but to analyze the interplay of the aesthetic, historical, socio-political, and theoretical contexts in which Indian language films have turned to Shakespeare and to what purpose. The discussion extends from the content of the plays to the modes of their cinematic and intermedial translations. It thus tracks the intra–Indian flows and cross-currents between the various film industries, and intervenes in the politics of multiculturalism and inter/intraculturalism built up around Shakespearean appropriations. Contributing to current studies in global Shakespeare, this book marks a discursive shift in the way Shakespeare on screen is predominantly theorized, as well as how Indian cinema, particularly ‘Shakespeare in Indian cinema’ is understood.
Author: K M Baharul Islam Publisher: Taylor & Francis ISBN: 1000578100 Category : Literary Criticism Languages : en Pages : 238
Book Description
This book showcases the diverse literary traditions from India’s Northeast and their shared connections and lineages. It critically analyses a selection of literary works from authors and poets from this region and the hegemonies of language, ethnicity and politics that have framed these voices. As a region with rich cultural and ethnolinguistic diversity, Northeast India’s literature is representative of varied histories, languages, socio-cultural and religious practices. The book highlights the distinct use of language, forms, cultural symbols and metaphors which articulates the unique experiences of conflict, beauty and culture in this area. Focussing on the translingual and transcultural aspects of these literary works it examines the dynamics between literature, language and their socio-cultural influences. The book pays attention to themes of representation, identity and power to showcase voices and perspectives of dissent, criticism and introspection. It explores contemporary critical approaches to literature from the Northeast, by re-examining the idea of the centre and the periphery and the position of subaltern literary voices. This book will be of interest to students and researchers of literature, language, cultural studies, postcolonial studies and South Asian studies.
Author: Namrata Pathak Publisher: Cambridge Scholars Publishing ISBN: 1036402150 Category : Social Science Languages : en Pages : 156
Book Description
This book, a collection of essays on and reviews of the life and works of Arun Sarma, contributes towards generating and sustaining academic engagement with the renowned litterateur of Assam, India, on both national and global platforms. It will push forth his legacy beyond the linguistic and geographical barriers of the Indian state, and develop a congenial environment for generating a new and active reading public—a vibrant community of literary enthusiasts all over the world. The book serves as an extension of the avowed goal of Arun Sarma as a playwright and novelist to rise above barriers of all kinds, resulting in the production of a body of knowledge on theatre of Assam. The book will be of use to academics, students, and research scholars of English literature, writings from North-East India, performance studies, theatre studies, India studies, south Asian cultures, and cultural studies, among others.
Author: Pranjit Agarwala Publisher: Blue Rose Publishers ISBN: Category : Juvenile Nonfiction Languages : en Pages : 351
Book Description
India is a country where there is unity in diversity. However is this really true? This book narrates a real life story of socio-communal integration which began in Assam during the British era. With the passage of time it has become a unique example of national integration, patriotism and social service. “Challenging Destiny” is about the illustrious “Agarwala Family” of Assam. The family’s story is intertwined with the events that occurred in Assam during the British Raj. The dismissal of the last Ahom King, the opening up of tea gardens, discovery of oil and coal, the revival of the Assamese language and cultural identity, beginning of the freedom struggle, the effects of World War 2, partition and the independence of India. The story begins in 1827. A teenaged Navarangram Agarwala starts off on foot from Churu, Rajasthan, in northwest India to redeem a fortune. He walks across Northern India and finally reaches Assam in northeast India. In Assam he not only gains wealth but begins a process of socio-communal assimilation that spawns a lineage that integrates completely into the Assamese community. By 1947 Navarangram’s progeny by their deeds and contributions become the standard-bearers of Assamese socio-cultural renaissance and a symbol of its identity. It is a story of national integration with few parallels in India proving that unity in diversity is not just a catchy slogan.
Author: Namrata Pathak
Author: Namrata Pathak
Author: Poonam Trivedi
Author: K M Baharul Islam
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Author: 
Author: Namrata Pathak
Author: Sahitya Akademi
Author: Bob Fleshman
Author: Pranjit Agarwala
Author: Charles A. Carpenter