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Author: John Guy Publisher: Metropolitan Museum of Art ISBN: 1588396932 Category : Art Languages : en Pages : 348
Book Description
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
Author: John Guy Publisher: Metropolitan Museum of Art ISBN: 1588396932 Category : Art Languages : en Pages : 348
Book Description
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
Author: James Fergusson Publisher: Forgotten Books ISBN: 9780282488130 Category : Social Science Languages : en Pages : 472
Book Description
Excerpt from Tree and Serpent Worship, or Illustrations of Mythology and Art in India in the First and Fourth Centuries After Christ: From the Sculptures of the Buddhist Topes at Sanchi and Amravati The almost universal association of human sacrifices with the practice Of Serpent Worship would render it extremely desirable to ascertain, if it were possible, how far the connexion between the two is real, or to what extent the juxtaposition may be only accidental. The subject is, however, very seriously complicated by the circumstance of the very different form which the rite took in various ages, and the different points Of View from which it must consequently be at times regarded. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Guy
Author: John Guy
Author: James Fergusson
Author: James Fergusson
Author: James Fergusson
Author: James Fergusson
Author: James Fergusson
Author: James Fergusson![Tree and Serpent Worship in India. [A review by J. B. Davis of J. Fergusson's work of that name. Extract from the Anthropological Review.] PDF](https://books.google.com/books/content/images/frontcover/RTBdAAAAcAAJ?fife=w80-h100)
Author: James FERGUSSON (Architect)
Author: James Fergusson
Author: James 1808-1886 Fergusson